{"id":1028,"date":"2020-11-20T09:48:19","date_gmt":"2020-11-20T12:48:19","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/teatro\/?p=1028"},"modified":"2020-11-20T13:38:12","modified_gmt":"2020-11-20T16:38:12","slug":"6a-semana-integrada-de-inovacao-ensino-pesquisa-e-extensao-ufpel","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/teatro\/2020\/11\/20\/6a-semana-integrada-de-inovacao-ensino-pesquisa-e-extensao-ufpel\/","title":{"rendered":"6\u00aa Semana Integrada de Inova\u00e7\u00e3o, Ensino, Pesquisa e Extens\u00e3o \u2013 UFPel"},"content":{"rendered":"<p><img class=\"aligncenter wp-image-1033 size-full\" src=\"https:\/\/wp.ufpel.edu.br\/teatro\/files\/2020\/11\/download-1.jpg\" alt=\"\" width=\"357\" height=\"141\" \/><\/p>\n<p>Compartilhamos os links dos v\u00eddeos de trabalhos enviados \u00e0 <strong>6\u00aa Semana Integrada de Inova\u00e7\u00e3o, Ensino, Pesquisa e Extens\u00e3o &#8211; UFPel <\/strong>de alunos do <strong>Curso de Teatro &#8211; Licenciatura. <\/strong>O evento ocorrer\u00e1 de 23 a 27 de novembro de 2020, em formato remoto. Mais informa\u00e7\u00f5es em: <a href=\"https:\/\/wp.ufpel.edu.br\/siiepe\/\">https:\/\/wp.ufpel.edu.br\/siiepe\/<\/a><\/p>\n<h4><\/h4>\n<h4><span style=\"color: #000080\"><strong>Congresso de Ensino de Gradua\u00e7\u00e3o &#8211; CEG<\/strong><\/span><\/h4>\n<div>\n<div><strong><span style=\"font-size: 12pt\">Anielle Gomes Nunes<\/span><\/strong><\/div>\n<div><span style=\"font-size: 12pt\">Artes C\u00eanicas e Primeira Inf\u00e2ncia: brincar, imaginar, criar &#8211; Reflex\u00f5es a partir da participa\u00e7\u00e3o no projeto de ensino<\/span><\/div>\n<div><a style=\"font-size: 12pt\" href=\"https:\/\/youtu.be\/49QrpYPEyAo\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/youtu.be\/49QrpYPEyAo&amp;source=gmail&amp;ust=1605781048994000&amp;usg=AFQjCNFHG9-SFCk3KEP27IKqHOyaxdAyDg\">https:\/\/youtu.be\/49QrpYPEyAo<\/a><\/div>\n<div>\n<p><iframe title=\"VI SIIEPE - UFPEL - ANIELLE GOMES NUNES\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/49QrpYPEyAo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/div>\n<div><\/div>\n<div><strong>Bianca Oliveira da Silva<\/strong><\/div>\n<div>O Desenvolvimento do Projeto de Ensino\u00a0 Din\u00e2micas da Natureza na Pedagogia Teatral da Escola Jacques Lecoq em Atividades Remotas<\/div>\n<div><a href=\"https:\/\/youtu.be\/Sz6b5gcSXdE\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/youtu.be\/Sz6b5gcSXdE&amp;source=gmail&amp;ust=1605781048987000&amp;usg=AFQjCNFHF0tefIb9rLbRliIf0LfEQ6Gaeg\">https:\/\/youtu.be\/Sz6b5gcSXdE<\/a><\/div>\n<div>\n<p><iframe title=\"VI SIIEPE - UFPEL - BIANCA OLIVEIRA DA SILVA\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Sz6b5gcSXdE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p><strong>Grazielle Ramos Bessa<\/strong><br \/>\nDramaturgia Negra Feminina \u2013 A Autorrepresenta\u00e7\u00e3o como Reinscrita de Corpos Negres na Cena<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=paq_BuSHMbc&amp;t=41s\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3Dpaq_BuSHMbc%26t%3D41s&amp;source=gmail&amp;ust=1605781048991000&amp;usg=AFQjCNHCaFilDt-r-SDGcwyb_r-9SZH37w\">https:\/\/www.youtube.com\/watch?v=paq_BuSHMbc&amp;t=41s<\/a><\/p>\n<div>\n<p><iframe title=\"VI SIIEPE - UFPEL - GRAZIELLE RAMOS BESSA\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/paq_BuSHMbc?start=41&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<p><strong>H\u00eanrica da Silva Ferreira<\/strong><br \/>\nTransidentidades e Marcadores Necropol\u00edticos: os apagamentos hegemonizadores do meio hist\u00f3rico-social<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=qpxjlyURJBk&amp;ab_channel=H%C3%AAnricaFerreira\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DqpxjlyURJBk%26ab_channel%3DH%25C3%25AAnricaFerreira&amp;source=gmail&amp;ust=1605781048983000&amp;usg=AFQjCNHAzWTqfUEFc_5u2z9oChbhCkxwEA\">https:\/\/www.youtube.com\/watch?v=qpxjlyURJBk&amp;ab_channel=H%C3%AAnricaFerreira<\/a><\/p>\n<p><iframe title=\"VI SIIEPE  - UFPEL -   H\u00caNRICA DA SILVA FERREIRA\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qpxjlyURJBk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>Maiara Silveira de Oliveira\u00a0<\/strong><br \/>\nO caos como uma possibilidade de reflex\u00e3o na experi\u00eancia de Est\u00e1gio Supervisionado de Licenciatura em Teatro<br \/>\n<a href=\"https:\/\/youtu.be\/Q1ZXvyQ70-0\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/youtu.be\/Q1ZXvyQ70-0&amp;source=gmail&amp;ust=1605976493026000&amp;usg=AOvVaw2QMk0a0_jTfEQG_u0CUPIJ\">https:\/\/youtu.be\/Q1ZXvyQ70-0<\/a><\/p>\n<p><a href=\"http:\/\/youtu.be\/Q1ZXvyQ70-0\">http:\/\/youtu.be\/Q1ZXvyQ70-0<\/a><\/p>\n<p>&nbsp;<\/p>\n<h4><span style=\"color: #000080\"><strong>Congresso de Extens\u00e3o e Cultura &#8211; CEC<\/strong><\/span><\/h4>\n<p><strong>Carla Silva Ara\u00fajo<\/strong><br \/>\nMem\u00f3rias do Projeto Viv\u00eancias Teatrais em Escolas<br \/>\n<a id=\"m_8170201399301801638LPlnk\" href=\"https:\/\/www.youtube.com\/watch?v=7QieXSLjNrc\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3D7QieXSLjNrc&amp;source=gmail&amp;ust=1605870027403000&amp;usg=AOvVaw3_imlLBpJ00SRoD2wK7KOf\">https:\/\/www.youtube.com\/watch?v=7QieXSLjNrc<\/a><\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=7QieXSLjNrc\">http:\/\/www.youtube.com\/watch?v=7QieXSLjNrc<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>B\u00e1rbara Scola Lopes da Cunha<\/strong><br \/>\nO Apanhador de Assobios: compartilhando mem\u00f3rias. Projeto de extens\u00e3o N\u00facleo de Teatro UFPEL e as transforma\u00e7\u00f5es do Teatro Poesia em tempos de Pandemia.<br \/>\n<a href=\"https:\/\/youtu.be\/WtOEZ6kZo2I\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/youtu.be\/WtOEZ6kZo2I&amp;source=gmail&amp;ust=1605781049001000&amp;usg=AFQjCNHmtlw99ZqhqlkxO9zeVUWRYIKO3w\">https:\/\/youtu.be\/WtOEZ6kZo2I<\/a><\/p>\n<p><iframe title=\"VI SIIEPE - UFPEL - B\u00c1RBARA SCOLA DA CUNHA\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/WtOEZ6kZo2I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Brenda Seneme<\/strong><br \/>\nA leitura dram\u00e1tica compartilhada como espa\u00e7o de escuta e produ\u00e7\u00e3o de afeto no ambiente virtual<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=2wQhs3JkKIo&amp;feature=youtu.be&amp;ab_channel=BrendaSeneme\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3D2wQhs3JkKIo%26feature%3Dyoutu.be%26ab_channel%3DBrendaSeneme&amp;source=gmail&amp;ust=1605781048983000&amp;usg=AFQjCNFB2rz7DsTEpf7NK5og1TM1E4ONww\">https:\/\/www.youtube.com\/watch?v=2wQhs3JkKIo&amp;feature=youtu.be&amp;ab_channel=BrendaSeneme<\/a><\/p>\n<p><iframe title=\"VI SIIEPE - UFPEL - BRENDA SENEME\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/2wQhs3JkKIo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div><\/div>\n<div>\n<p><strong><span style=\"font-family: arial, sans-serif\">Cl\u00e1udia Lemes Gigante<\/span><\/strong><br \/>\n<span style=\"font-family: arial, sans-serif\">Construindo novos espa\u00e7os atrav\u00e9s do jogo: a utiliza\u00e7\u00e3o do l\u00fadico como meio de renova\u00e7\u00e3o das pr\u00e1ticas pedag\u00f3gicas<br \/>\n<\/span><span style=\"font-family: arial, sans-serif\"><a href=\"https:\/\/www.youtube.com\/watch?v=th0YX6qcsP0\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3Dth0YX6qcsP0&amp;source=gmail&amp;ust=1605781048991000&amp;usg=AFQjCNFmh2FGMLfXaKou1XRcmyTbXnPsOA\">https:\/\/www.youtube.com\/watch?v=th0YX6qcsP0<\/a><\/span><\/p>\n<p><iframe title=\"VI SIIEPE - UFPEL - CL\u00c1UDIA GIGANTE\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/th0YX6qcsP0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<p><strong>Ism\u00e1iler Borges<\/strong><\/p>\n<div>\n<p dir=\"ltr\">Teatro do Oprimido na Comunidade: Uma experi\u00eancia da extens\u00e3o na escola p\u00fablica<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=_Cop1dhcGJI&amp;t=119s\">https:\/\/www.youtube.com\/watch?v=_Cop1dhcGJI&amp;t=119s<\/a><\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=_Cop1dhcGJI&#038;t=119s\">http:\/\/www.youtube.com\/watch?v=_Cop1dhcGJI&amp;t=119s<\/a><\/p>\n<\/div>\n<pre><\/pre>\n<p><strong>Manuela Tatiana Garcia<\/strong><br \/>\nCria\u00e7\u00e3o e Afeto. O Trabalho do Ator e O Teatro Poesia: Modalidades Remotas do Projeto de Extens\u00e3o N\u00facleo de Teatro \u2013 UFPEL<br \/>\n<a href=\"https:\/\/youtu.be\/XWzyVDRGsWU\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/youtu.be\/XWzyVDRGsWU&amp;source=gmail&amp;ust=1605781049001000&amp;usg=AFQjCNEwOQbikhqdzFrwrcrbov-R1h9p9w\">https:\/\/youtu.be\/XWzyVDRGsWU<\/a><\/p>\n<p><iframe title=\"VI SIIEPE - UFPEL - MANUELA GARCIA\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/XWzyVDRGsWU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Naylson Rodrigues<\/strong><br \/>\nViv\u00eancias Teatrais em Escolas: AproximA\u00e7\u00f5es em tempos de Pandemia<br \/>\n<a id=\"m_-5912369173503545500LPlnk655079\" href=\"https:\/\/www.youtube.com\/watch?v=qU3tg26iyHM&amp;feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DqU3tg26iyHM%26feature%3Dyoutu.be&amp;source=gmail&amp;ust=1605870027408000&amp;usg=AOvVaw1i7oxZEOuPQF_TjpLrbzS2\">https:\/\/www.youtube.com\/watch?v=qU3tg26iyHM&amp;feature=youtu.be<\/a><\/p>\n<p><iframe title=\"VI SIIEPE \u2013 UFPEL \u2013 Naylson Rodrigues Costa\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qU3tg26iyHM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4><\/h4>\n<h4><span style=\"color: #333399\"><strong>Congresso de Inicia\u00e7\u00e3o Cient\u00edfica &#8211; CIC<\/strong><\/span><\/h4>\n<div>\n<p dir=\"auto\"><strong>Anderson B. Soares<\/strong><br \/>\nUm olhar para o espectador: a forma\u00e7\u00e3o da crian\u00e7a e o adolescente como espectador de teatro<br \/>\n<a href=\"https:\/\/youtu.be\/E1cAa58tVkg\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/youtu.be\/E1cAa58tVkg&amp;source=gmail&amp;ust=1605781048995000&amp;usg=AFQjCNGCJNelSDQ2Hej6wlHKFBtKc1230g\">https:\/\/youtu.be\/E1cAa58tVkg<\/a><\/p>\n<p><a href=\"http:\/\/youtu.be\/E1cAa58tVkg\">http:\/\/youtu.be\/E1cAa58tVkg<\/a><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Estela Damian Corr\u00eaa<\/strong><br \/>\nBlanche Dubois em Um Bonde Chamado Desejo: uma janela do feminino entre tempos e um novo encontro entre o ator\/ a atriz e o p\u00fablico.<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=iaj7hFIphYk&amp;ab_channel=N%C3%BAcleodeTeatro-UFPEL\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3Diaj7hFIphYk%26ab_channel%3DN%25C3%25BAcleodeTeatro-UFPEL&amp;source=gmail&amp;ust=1605781049001000&amp;usg=AFQjCNETfz75THU_C82V7F0CF2UfvTmORQ\">https:\/\/www.youtube.com\/watch?v=iaj7hFIphYk&amp;ab_channel=N%C3%BAcleodeTeatro-UFPEL<\/a><\/p>\n<p><iframe title=\"VI SIIPE-UFPEL- ESTELA DAMIAN CORR\u00caA\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/iaj7hFIphYk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Grazielle Bessa<\/strong><br \/>\nMensageira de l\u00e1 &#8211; O Programa Performativo como propulsor de uma cria\u00e7\u00e3o c\u00eanica negra, escrita pelo corpo, pela mem\u00f3ria e oralidade.<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=rjInXYTlzzI&amp;feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DrjInXYTlzzI%26feature%3Dyoutu.be&amp;source=gmail&amp;ust=1605790063074000&amp;usg=AFQjCNEKf-uUoJg3p6-M3M5JNk1oTMUy7Q\">https:\/\/www.youtube.com\/watch?v=rjInXYTlzzI&amp;feature=youtu.be<\/a><\/p>\n<p><iframe title=\"VI SIIEPE - UFPEL - GRAZIELLE RAMOS BESSA\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/rjInXYTlzzI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Jo\u00e3o Vitor Soares<\/strong><br \/>\nO texto dram\u00e1tico contempor\u00e2neo e suas possibilidades de leitura: n\u00e3o-linearidade e imagina\u00e7\u00e3o cr\u00edtico-criativa<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=FTwmq-oyOGU&amp;ab_channel=JoaoVitorSoares\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DFTwmq-oyOGU%26ab_channel%3DJoaoVitorSoares&amp;source=gmail&amp;ust=1605781048983000&amp;usg=AFQjCNH1GqAQAd0LsfnpwUT3rcR0-WOsDg\">https:\/\/www.youtube.com\/watch?v=FTwmq-oyOGU&amp;ab_channel=JoaoVitorSoares<\/a><\/p>\n<p><iframe title=\"VI SIIEPE - UFPEL - JO\u00c3O VITOR SOARES\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/FTwmq-oyOGU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Karolina Mendes<\/strong><br \/>\nJanelas do Feminino: adaptando a cena teatral \u00e0s janelas virtuais<br \/>\n<a id=\"m_3723858594100894842LPlnk\" href=\"https:\/\/www.youtube.com\/watch?v=G1fL6mbVPAk&amp;feature=youtu.be\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DG1fL6mbVPAk%26feature%3Dyoutu.be&amp;source=gmail&amp;ust=1605781049186000&amp;usg=AFQjCNGUoCgfQk0-aZPAV_Yo8xgpWaZB8g\">https:\/\/www.youtube.com\/watch?v=G1fL6mbVPAk&amp;feature=youtu.be<\/a><\/p>\n<p><iframe title=\"VI SIIEPE - UFPEL - KAROLINA DA ROSA MENDES\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/G1fL6mbVPAk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Kelvim Marum Machado<\/strong><br \/>\nEstudos sobre a ret\u00f3rica nos caminhos da forma\u00e7\u00e3o do ator\/professor\/pesquisador<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=hUGnvSvemBY\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DhUGnvSvemBY&amp;source=gmail&amp;ust=1605790063074000&amp;usg=AFQjCNHer40uzbBUhVAtlKRHHBgnuacqZA\">https:\/\/www.youtube.com\/watch?v=hUGnvSvemBY<\/a><\/p>\n<p><iframe title=\"VI SIIEPE - UFPEL - KELVIN MARUM MACHADO\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hUGnvSvemBY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400\"><strong>Let\u00edcia Conter da Cunha<\/strong><br \/>\nRecorte c\u00eanico da pe\u00e7a &#8220;Casa de Bonecas&#8221;, de Henrik Ibsen, produzido em \u00e9poca de isolamento social<br \/>\n<a href=\"https:\/\/youtu.be\/vwDpZy47spI\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/youtu.be\/vwDpZy47spI&amp;source=gmail&amp;ust=1605781049002000&amp;usg=AFQjCNFUUvP6x5nBHyY6Y7Q4zViKwXiTKA\">https:\/\/youtu.be\/vwDpZy47spI<\/a><\/p>\n<p><iframe title=\"VI SIIEPE- UFPEL- LET\u00cdCIA CONTER DA CUNHA\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/vwDpZy47spI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-family: arial, sans-serif\">Maiara Silveira de Oliveira<\/span><\/strong><br \/>\nA dramaturgia como preserva\u00e7\u00e3o da mem\u00f3ria no projeto de pesquisa sobre a ditadura latino-americana<span style=\"font-family: arial, sans-serif\"><br \/>\n<\/span><span style=\"font-family: arial, sans-serif\"><a href=\"https:\/\/www.youtube.com\/watch?v=X8-fQyJJQi8\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DX8-fQyJJQi8&amp;source=gmail&amp;ust=1605781048991000&amp;usg=AFQjCNEYc-lfaZNZZdTon8q15AaVWGbJgQ\">https:\/\/www.youtube.com\/watch?v=X8-fQyJJQi8<\/a><\/span><\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=X8-fQyJJQi8\">http:\/\/www.youtube.com\/watch?v=X8-fQyJJQi8<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Compartilhamos os links dos v\u00eddeos de trabalhos enviados \u00e0 6\u00aa Semana Integrada de Inova\u00e7\u00e3o, Ensino, Pesquisa e Extens\u00e3o &#8211; UFPel de alunos do Curso de Teatro &#8211; Licenciatura. O evento ocorrer\u00e1 de 23 a 27 de novembro de 2020, em formato remoto. Mais informa\u00e7\u00f5es em: https:\/\/wp.ufpel.edu.br\/siiepe\/ Congresso de Ensino de Gradua\u00e7\u00e3o &#8211; CEG Anielle Gomes [&hellip;]<\/p>\n","protected":false},"author":337,"featured_media":1034,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-1028","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sem-categoria"],"jetpack_featured_media_url":"https:\/\/wp.ufpel.edu.br\/teatro\/files\/2020\/11\/download3.png","_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/posts\/1028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/users\/337"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/comments?post=1028"}],"version-history":[{"count":23,"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/posts\/1028\/revisions"}],"predecessor-version":[{"id":1055,"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/posts\/1028\/revisions\/1055"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/media\/1034"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/media?parent=1028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/categories?post=1028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/teatro\/wp-json\/wp\/v2\/tags?post=1028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}