![\"\"](\"https:\/\/wp.ufpel.edu.br\/ppgartes\/files\/2022\/10\/A-arte-de-ser-travesti-2020-247-de-Gabi-Goncalves-Assuncao-Andrade-Rio-Grande-RS-Brasil-.jpg\")
<\/p>\nEm sua quarta edi\u00e7\u00e3o, o Festival Internacional de Videoarte SPMAV – FIVA SPMAV 2022, apresenta 51 videoartes, oriundas de 25 pa\u00edses e de 7 estados do Brasil:<\/p>\n
A arte de ser travesti (2020, 2’47), de Gabi Gon\u00e7alves Assun\u00e7\u00e3o Andrade – Rio Grande, RS, Brasil<\/p>\n
<\/p>\n
A Clockwork Toy (2020, 4’11), de Joas Nebe – Hamburgo, Alemanha<\/p>\n
A000000000001000AA011 (2021, 3′), de Lilia Li-Mi-Yan e Katherina Sadovsky – Moscou, R\u00fassia<\/p>\n
AbstrArt 22 (2022, 4′), de Luis Carlos Rodr\u00edguez – Valladolid, Espanha<\/p>\n
Akyhyj\u00e9 (2022, 5′), de Cotard Guerrero e Matias Ortega – Asunci\u00f3n, Paraguai<\/p>\n
Alien (2022, 4’55), de Gabriella Presnal – Tampere, Finl\u00e2ndia<\/p>\n
Another stage (2022, 4’13), de Anastasiia Bilayeva e Kirill Sukhanov – Odessa, Ucr\u00e2nia<\/p>\n
![\"\"](\"https:\/\/wp.ufpel.edu.br\/ppgartes\/files\/2022\/10\/Another-stage-2022-413-de-Anastasiia-Bilayeva-e-Kirill-Sukhanov-Odessa-Ucrania-scaled.jpg\")
<\/p>\n
BE HERE NOW –\u00a0 the glitch of being in the society of continuous present (2021, 3’33), de Matteo Campulla – Mil\u00e3o, It\u00e1lia<\/p>\n
Between here and there (2022, 3’28), de David Anthony Sant – Sydney, Australia<\/p>\n
Beyond the known (2022, 1’10), de Gabriele Rossi – Paris, Fran\u00e7a<\/p>\n
Caos (2022, 1′), de Maira Moreira Mesquita e \u00c1lvaro L\u00e9lis – S\u00e3o Paulo, SP, Brasil
\nCocytus (2022, 2’08), de Curro Rodriguez – Espanha \/ Reiquiavique, Isl\u00e2ndia<\/p>\n
Deep Breath (2022, 4’04), de Pedro Milagres Vieira – Belo Horizonte, MG, Brasil<\/p>\n
Em mem\u00f3ria de mim (2021, 2’19), de Allison Louren\u00e7o Dos Santos e Alexandra Dias – Pelotas, RS, Brasil<\/p>\n
Escal\u00f5es (2022, 4’40). de Roderick Steel – S\u00e3o Paulo, SP, Brasil
\n![\"\"](\"https:\/\/wp.ufpel.edu.br\/ppgartes\/files\/2022\/10\/Escaloes-2022-440.-de-Roderick-Steel-Sao-Paulo-SP-Brasil.png\")
<\/p>\n
Feelings of war (2022, 3’47), de Eija Temisev\u00e4 – Espoo, Finl\u00e2ndia<\/p>\n
How to disappear completely (2022, 1\u00b457), de Joac\u00e9lio Batista e Jalver Beth\u00f4nico – Belo Horizonte, MG, Brasil<\/p>\n
Humarithms (2022, 3’22), de Pierre Ajavon – Paris, Fran\u00e7a<\/p>\n
hybris (2022, 4’19), de Alfred Schupler – Bucareste, Rom\u00eania<\/p>\n
Inferno (2021, 4’21), de F\u00e1bio Henrique Cunha Rodrigues, Thamires Seus e Jo\u00e3o Vitor da CunhaBrasil – S\u00e3o Paulo, SP, Brasil<\/p>\n
Invasi\u00f3n (2020, 3’23), de Pablo Benjam\u00edn Nieto Mercado – Tultitl\u00e1n, M\u00e9xico<\/p>\n
Job order (2021, 1’12), de Richard Soriano Legaspi- Valenzuela, Filipinas
\nKO.VIDI (2021, 2′), de Nina Sumarac – S\u00e9rvia \/ Limassol, Chipre<\/p>\n
Labyrinth (2022, 5′), de Mauricio Sanhueza – Lima, Peru<\/p>\n
Lavando a bandeira com sal grosso (2022, 05′), de Waldirio Oliveira Castro e Eduardo Bruno Fernandes Freitas – Fortaleza, CE, Brasil<\/p>\n
Let’s Jump (2022, 2′), de Jean-Michel Rolland – Marselha, Fran\u00e7a<\/p>\n
Life in the future (2020, 4’26), de Caspar de Gelmini – Berlim, Alemanha<\/p>\n
MAGPIE (2022, 3’34), de Ian Gibbins – Belair, Austr\u00e1lia<\/p>\n
no water (2022, 4’18), de Pietro Gardoni – Longhena, It\u00e1lia<\/p>\n
No-ser (2022, 4’40), de Jorge Luis Linares – Ciudad de Guatemala, Guatemala<\/p>\n
o mais profundo \u00e9 a pele (2020, 3’01), de D\u00e9bora Curti Cirilo – Pelotas, RS, Brasil<\/p>\n
Paet\u00ea(2022, 1’50), de Emmanuel Felipe de Ara\u00fajo Amaral (Badu) – Goi\u00e2nia, GO, Brasil
\nPortales Digitales (2021, 1’16), de Melissa Hern\u00e1ndez e Byron Blanco – Guatemala<\/p>\n
Put Your Mask Back On (2022, 2’40), de Johann Calder\u00f3n – Alemanha \/ C\u00f3rdoba, Argentina<\/p>\n
Rata-touille (2021, 5′), de Flakorojas – Venezuela \/ Bruxelas, B\u00e9lgica<\/p>\n
respiro(2021, 1’16), de Ana Hoeper – Bras\u00edlia, Brasil<\/p>\n
Sentire (2020,2’03), de Francisca Herculano – Natal, RN, Brasil<\/p>\n
Smoke (2021, 1’33), de Daniela Lucato – It\u00e1lia \/ Berlim, Alemanha<\/p>\n
steadly flowing… steadly moving (2022, 4’40), de Johannes Christopher Gerard – Alemanha \/ Haia, Holanda<\/p>\n
tentativa de habitar Bag\u00e9 (2022, 2′), de Wagner Ferreira Previtali – Bag\u00e9, RS, Brasil<\/p>\n
The Border Song (2020, 5′), de Serge Bulat e Michael Rfdshir – Mold\u00e1via \/ New York, EUA<\/p>\n
The Message (2022, 1’03), de Bruno Pavi\u0107 – Split, Cro\u00e1cia<\/p>\n
The World No Longer Makes Sense (2022, 3’55) de Jack Williams – Reino Unido \/ Wroclaw, Pol\u00f4nia<\/p>\n
TIMET(2022, 2’47), de Jos\u00e9\u00a0 M. Delgadillo – Guadalajara, M\u00e9xico<\/p>\n
Traveling 2046 (2022, 3’13), de Laura Hyunjhee Kim e Chris Corrente – Texas, EUA<\/p>\n
Tree Story (2021, 3’20), de Rita Casdia – Mil\u00e3o, It\u00e1lia<\/p>\n
Tungsin-bul (2020, 1’43), de Lim Jang Guin – Geumwang-eup, Eumseong-gun, Cor\u00e9ia do Sul<\/p>\n
Vaso (2021, 0’17), de Lu\u00eds Felipe Fernandes – Montenegro, RS,\u00a0 Brasil<\/p>\n
v\u00e9ias bravas (2021, 1’18), de Isabella Alves Guimar\u00e3es – S\u00e3o Leopoldo, RS, Brasil
\nVoltar para casa. Mata do Zumbi (2022, 2’39), de Carla Lombardo- Argentina \/ Brasil
\n\u05e9\u05d9\u05e2\u05d5\u05e8 \u05e9\u05d7\u05d9\u05d9\u05d4 \/ \u062f\u0631\u0633 \u0633\u0628\u0627\u062d\u0629 \/ Swimming Lesson (2021, 5’18), de Vardit Goldner – Hod HaSharon, Israel<\/p>\n
Coordena\u00e7\u00e3o
\nRos\u00e2ngela Fachel \u2013 UFPel
\nLarissa Patron Chaves \u2013 UFPel<\/p>\n
Comiss\u00e3o organizadora
\nF\u00e1bio Ortiz Goulart\u00a0 \u2013 UFPel
\nGustavo Severo Dalla Costa \u2013 UFPel
\nLarissa Patron Chaves \u2013 UFPel
\nLarissa Schip Ferreira de Deus \u2013 UFPel
\nRoger da Silva Bandeira \u2013 UFPel
\nRos\u00e2ngela Fachel \u2013 UFPel<\/p>\n
Realiza\u00e7\u00e3o
\nPrograma de P\u00f3s-gradua\u00e7\u00e3o em Artes Visuais – PPGAVI
\nCentro de Artes da UFPel
\nUniversidade Federal de\u00a0 Pelotas – UFPel<\/p>\n
Apoio
\nMuseu de Arte Leopoldo Gotuzzo – MALG, Pelotas
\nCentro de Artes da Universidade Federal de Pelotas
\nTimeLine BH, Minas Gerais @timelinebh_
\nFRESTA \u2013 Mostra de Audiovisual Experimental, FURG, Rio Grande, RS
\nOfCine \u2013 Campus Rio Grande, Instituto Federal de Educa\u00e7\u00e3o, Ci\u00eancia e Tecnologia do Rio Grande do Sul \u2013 IFRS
\nRedINAV \u2013 Red Iberoamericana de Investigaci\u00f3n en Narrativas Audiovisuales<\/p>\n","protected":false},"excerpt":{"rendered":"
Em sua quarta edi\u00e7\u00e3o, o Festival Internacional de Videoarte SPMAV – FIVA SPMAV 2022, apresenta 51 videoartes, oriundas de 25 pa\u00edses e de 7 estados do Brasil: A arte de ser travesti (2020, 2’47), de Gabi Gon\u00e7alves Assun\u00e7\u00e3o Andrade – Rio Grande, RS, Brasil A Clockwork Toy (2020, 4’11), de Joas Nebe – Hamburgo, Alemanha […]<\/p>\n","protected":false},"author":1258,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9259","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/posts\/9259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/users\/1258"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/comments?post=9259"}],"version-history":[{"count":1,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/posts\/9259\/revisions"}],"predecessor-version":[{"id":9264,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/posts\/9259\/revisions\/9264"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/media?parent=9259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/categories?post=9259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/tags?post=9259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}