{"id":10105,"date":"2023-08-14T08:41:04","date_gmt":"2023-08-14T11:41:04","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/ppgartes\/?p=10105"},"modified":"2023-08-14T11:39:09","modified_gmt":"2023-08-14T14:39:09","slug":"fivrs-2023-anuncia-videodancas-selecionadas","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/ppgartes\/2023\/08\/14\/fivrs-2023-anuncia-videodancas-selecionadas\/","title":{"rendered":"FIVRS 2023 anuncia videodan\u00e7as selecionadas\u00a0"},"content":{"rendered":"

Chegando a sua quarta, o Festival Internacional de Videodan\u00e7a do RS – FIVRS anuncia a sele\u00e7\u00e3o de 49 videodan\u00e7as, oriundos de 19 pa\u00edses: \u00c1frica do Sul, Argentina, Brasil, Col\u00f4mbia, Costa Rica, Cuba, Esc\u00f3cia, Espanha, Estados Unidos, Fran\u00e7a, Indon\u00e9sia, It\u00e1lia, M\u00e9xico, Nig\u00e9ria, Peru, Pol\u00f4nia, Portugal, Uruguai, Venezuela; e de 8 estados do Brasil: Bahia, Distrito Federal, Esp\u00edrito Santo, Goi\u00e1s, Maranh\u00e3o, Minas Gerais, Rio Grande do Norte, Rio Grande do Sul.<\/p>\n

A comiss\u00e3o avaliadora do FIVRS 2023 foi composta por: Ana Sede\u00f1o Valdell\u00f3s (Espanha), Constanza Cordovez (Chile), Gustav Courbet (Brasil), Leo Roat (Brasil), Mabel Cristina Filim\u00f3n (Argentina) e\u00a0 Manoel Timba\u00ed (Brasil).<\/p>\n

Videodan\u00e7as selecionadas<\/strong><\/p>\n

Acci\u00f3n Art\u00edstica Butoh (2023, 06’16”), de Osvaldo Cibils + IA. Uruguai\/Barcelona, Espanha.<\/p>\n

Areinwe (2023, 03’20”), de Selene Baptista e Sebasti\u00e1n Garc\u00eda. Venezuela.<\/p>\n

\"\"<\/p>\n

Asas (2022, 02’19”), de Diego Mac. Porto Alegre, Rio Grande do Sul, Brasil.<\/p>\n

Being Elsewhere (2021, 02’31”), de Holger Mohaupt. North Berwick, East Lothian, Esc\u00f3cia.<\/p>\n

B\u00ebw\u00e1k (2023, 03:53″), de Hellen Hern\u00e1ndez S\u00e1nchez e Fabio Cecilio P\u00e9rez Sol\u00eds. Costa Rica.<\/p>\n

\"\"<\/p>\n

Blessings (2021, 05’02”), de Tanniqua-Kay Buchanan. Chicago, Illinois,\u00a0 Estados Unidos.<\/p>\n

Bolha (2021, 09’58”), de Movidos Dan\u00e7a. Natal, Rio Grande do Norte, Brasil.<\/p>\n

Childhood\/Adulthood (2022, 06’29”), de Jagoda Turlik e Julia Domagalska, Szymon Pacholec, Piotr Werewka. Vars\u00f3via, Pol\u00f4nia.<\/p>\n

CINESIA (2022, 02′), de Eduarda Barcelos. Pelotas, Rio Grande do Sul, Brasil.<\/p>\n

Compuls\u00f3rio (2022, 04’25”), de Aline Salmin e Bruna Brunu. Uberl\u00e2ndia, Minas Gerais, Brasil.<\/p>\n

Corpoesia (2023, 02’09”), de Samara Rocha Santos e Ademir Junior. Esp\u00edrito Santo, Brasil.<\/p>\n

Corpos\/Cidade (2021, 10′), de Kanau\u00e3 Nharu. Canoas, Rio Grande do Sul, Brasil.<\/p>\n

C R I S O L (2021, 07’04”), de Camila Magal\u00ed Pereyra. Ushuaia, Tierra del Fuego, Argentina.<\/p>\n

Dan\u00e7a do quase sil\u00eancio ou Uma afro-ga\u00facha em dan\u00e7oviv\u00eancias (2022, 09’43”), de Liana da Silva Cunha e Jaqueline Santana. Santa Maria, Rio Grande do Sul, Brasil.<\/p>\n

Descent into Death (2021, 10″), de Smangaliso Ngwenya e Phumlani Mndebele. Joanesburgo, \u00c1frica do Sul.<\/p>\n

Despertar (2023, 04’23”), de Aldo Venegas. Acapulco, M\u00e9xico.<\/p>\n

\"\"<\/p>\n

El tiempo cambia – Disciplina (2022, 04’02”), de Yanoski Suarez Rodriguez e Paseal Perron. Santiago de Cuba, Cuba.<\/p>\n

El t\u00fanel (2022, 06’06”), de Rafaela Molina. Montevid\u00e9u, Uruguai.<\/p>\n

Entre orix\u00e1s (2022, 08 30″), de Dinah Schonhaut. Buenos Aires, Argentina.<\/p>\n

Espaldas Dobladas (2021, 05’15”) de Hern\u00e1n David L\u00f3pez. Buenos Aires, Argentina.<\/p>\n

Hacer Memoria Cuerpo, Cap\u00edtulo 1 (2021, 10″), de Micaela Rivetti, Nicol\u00e1s Martinez Cremonese e Maximiliano Bottoli. Buenos Aires, Argentina.<\/p>\n

I and I: conversations with 3rd self (2023, 02’29”), de Boitumelo Motau e Wesley Hlongwane. Joanesburgo, \u00c1frica do Sul.<\/p>\n

imorredouro (2022, 03’35”), de Davidson Jos\u00e9 Martins Xavier e Bernardo Morais. Aparecida de Goi\u00e2nia, Goi\u00e1s, Brasil.<\/p>\n

\"\"<\/p>\n

La Nada se Traga Una cosa Tras Otra (2022, 06’03”), de Daro Ceballos e Gabriela Bondone. Villa Maria, C\u00f3rdoba, Argentina.<\/p>\n

Las paredes hablan (2021, 06’37”), de Edgar Laiseca Rodr\u00edguez. Bogot\u00e1, Col\u00f4mbia.<\/p>\n

Latitude-zero (2022-2023, 06’40”) de Ygor Gohan de Paiva Faria. Belo Horizonte, Minas Gerais, Brasil.<\/p>\n

Los siete umbrales (2023, 01’30”), de Blas Payri. Val\u00eancia, Espanha.<\/p>\n

Marie. Eduardo. Sophie (2022, 03′), de Thomas Corriveau. Bromont, Quebec, Canad\u00e1.<\/p>\n

Muros (2022, 10″), de Dani Cobarrubias e Carmen Porras. Granada, Espanha.<\/p>\n

My non-relative fullness (2023, 04’38”) Uladzimir Slizhyk. Vars\u00f3via, Pol\u00f4nia.<\/p>\n

\"\"<\/p>\n

Novos velhos corpos 50 + (2023, 07’53”), de Suzane Weber da Silva e Alex Sernambi. Porto Alegre, Rio Grande do Sul, Brasil.<\/p>\n

Nuestra Sombra (2022, 06’18”), de Mar\u00eda Fernanda Contreras. Toluca, Estado de M\u00e9xico, M\u00e9xico.<\/p>\n

O (re)nascer do meu existir (2022, 06′), de Patricia Chavarelli Vilela da Silva. Uberl\u00e2ndia, Minas Gerais, Brasil.<\/p>\n

P\u00e9 45 sem Par \u2013 manipula\u00e7\u00e3o I e II (2021, 04′), Cia. Excessos Studio – Tales Frey e Hilda de Paulo. Brasil\/Porto, Portugal.<\/p>\n

Piano-Soleil (2023, 07’30”), de Caio Amon e Camila Vergara. Porto Alegre, Rio Grande do Sul, Brasil.<\/p>\n

POIS QUE IA: sob a mem\u00f3ria (2022, 07′), de Gabriela Mercadante Ferrari. Salvador, Bahia, Brasil.<\/p>\n

Red (2023, 05″), coletivo DEHORS\/AUDELA – Salvatore Insana e Elisa Turco Liveri. Roma, It\u00e1lia.<\/p>\n

Remanencia (2022, 06′), de Esteban Richmond Uma\u00f1a, com participa\u00e7\u00e3o de Ver\u00f4nica Monestel. Costa Rica.<\/p>\n

Revoada (2022, 03’14”), de Claudia Tayanne Gomes Marreiros. S\u00e3o Lu\u00eds, Maranh\u00e3o, Brasil.<\/p>\n

Sil\u00eancios (2023,10″), de C\u00e9sar Ulloa Cu\u00e9llar. Lima, Per\u00fa.<\/p>\n

\"\"<\/p>\n

Similitude (2021, 06’33”), de Rafael Tursi e Danilo Borges. Bras\u00edlia, Distrito Federal, Brasil.<\/p>\n

Tempore Neon (2022, 07′), de Arthur Antunes e Thairini Moreno. Vit\u00f3ria da Conquista, Bahia, Brasil.<\/p>\n

Three Anomi (2021, 04’31”), de Shohifur Ridho’i. Yogyakarta, Indon\u00e9sia.<\/p>\n

Uholdeak (2022, 05’10”). de Olatz Larunbe e B\u00e1rbara Fern\u00e1ndez. Pamplona, Navarra, Espanha.<\/p>\n

Vamos fazer de conta\u2026 (2022, 09’08”), de Bernardo Gasparini, Elton de Souza e Sara Marchezini. Minas Gerais, Brasil.<\/p>\n

V\u00eanus (2021, 08’05”), de Patricia Nardelli Pinto Santana e Emily da Silva. Porto Alegre, Rio Grande do Sul, Brasil.<\/p>\n

What’s Bred in the Blood and Bone (2021, 05’09”), de Robin M Gee. Greensboro, Carolina do Norte,\u00a0 Estados Unidos.<\/p>\n

Yin Yang (2022, 07’50”), de Femi Adebajo e Companhia o Futuro da Dan\u00e7a. Lagos, Nig\u00e9ria.<\/p>\n

\u98db\u5929 – Fei Tian\u00a0 (2023, 04′), de Selena Regad. Paris, Fran\u00e7a.<\/p>\n

ORGANIZA\u00c7\u00c3O<\/strong>
\nDiretoras
\nCarmen Anita Hoffmann \u2013 UFPel
\nRos\u00e2ngela Fachel \u2013 UFPel<\/p>\n

Comiss\u00e3o organizadora\u00a0<\/strong>
\nCarmen Anita Hoffmann \u2013 UFPel
\nRos\u00e2ngela Fachel \u2013 UFPel
\nM\u00f4nica Fagundes Dantas – UFRGS
\nAna Sede\u00f1o-Valdell\u00f3s – Universidad de M\u00e1laga, Espanha
\nCarlise Scalamato \u2013 UFSM
\nRebeca Recuero \u2013 UFPel
\nHamilton Bittencourt \u2013 UFPel
\nTaiany Gl\u00f3ria \u2013 Curso de Dan\u00e7a, UFPel
\nLuana Echevengua Arrieche – IFSul
\nLarissa Schip \u2013 UFPel
\nMarcos J\u00falio Fuhr \u2013 Funda\u00e7\u00e3o ECARTA
\nAndr\u00e9 Venzon \u2013 Funda\u00e7\u00e3o ECARTA
\nVal\u00e9ria Och\u00f4a \u2013 Funda\u00e7\u00e3o ECARTA
\nStela Pastore \u2013 Funda\u00e7\u00e3o ECARTA
\nElisabete Crucillo \u2013 Funda\u00e7\u00e3o ECARTA<\/p>\n

Realiza\u00e7\u00e3o:<\/strong><\/p>\n

\"\"<\/p>\n

Apoio:<\/strong><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Chegando a sua quarta, o Festival Internacional de Videodan\u00e7a do RS – FIVRS anuncia a sele\u00e7\u00e3o de 49 videodan\u00e7as, oriundos de 19 pa\u00edses: \u00c1frica do Sul, Argentina, Brasil, Col\u00f4mbia, Costa Rica, Cuba, Esc\u00f3cia, Espanha, Estados Unidos, Fran\u00e7a, Indon\u00e9sia, It\u00e1lia, M\u00e9xico, Nig\u00e9ria, Peru, Pol\u00f4nia, Portugal, Uruguai, Venezuela; e de 8 estados do Brasil: Bahia, Distrito Federal, […]<\/p>\n","protected":false},"author":1258,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10105","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/posts\/10105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/users\/1258"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/comments?post=10105"}],"version-history":[{"count":3,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/posts\/10105\/revisions"}],"predecessor-version":[{"id":10117,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/posts\/10105\/revisions\/10117"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/media?parent=10105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/categories?post=10105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/ppgartes\/wp-json\/wp\/v2\/tags?post=10105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}