{"id":590,"date":"2021-05-25T11:11:05","date_gmt":"2021-05-25T14:11:05","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/pianolab\/?page_id=590"},"modified":"2021-05-25T19:32:53","modified_gmt":"2021-05-25T22:32:53","slug":"carlos-morejano","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/pianolab\/carlos-morejano\/","title":{"rendered":"Carlos Morejano"},"content":{"rendered":"<p style=\"text-align: center\"><strong>Carlos Morejano<br \/>\n<\/strong><span style=\"font-size: 10pt\">Conservat\u00f3rio Benedetto Marcello (Veneza, It\u00e1lia)<\/span><strong><br \/>\n<\/strong><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"665\" data-permalink=\"https:\/\/wp.ufpel.edu.br\/pianolab\/carlos-morejano\/carlos-morejano-foto-070\/\" data-orig-file=\"https:\/\/i0.wp.com\/wp.ufpel.edu.br\/pianolab\/files\/2021\/05\/Carlos-Morejano-foto-070.jpg?fit=2400%2C1736&amp;ssl=1\" data-orig-size=\"2400,1736\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;18&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 30D&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1200667420&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;47&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Carlos Morejano foto 070\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/wp.ufpel.edu.br\/pianolab\/files\/2021\/05\/Carlos-Morejano-foto-070.jpg?fit=400%2C289&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/wp.ufpel.edu.br\/pianolab\/files\/2021\/05\/Carlos-Morejano-foto-070.jpg?fit=525%2C380&amp;ssl=1\" class=\"size-medium wp-image-665 aligncenter\" src=\"https:\/\/i0.wp.com\/wp.ufpel.edu.br\/pianolab\/files\/2021\/05\/Carlos-Morejano-foto-070.jpg?resize=400%2C289&#038;ssl=1\" alt=\"\" width=\"400\" height=\"289\" srcset=\"https:\/\/i0.wp.com\/wp.ufpel.edu.br\/pianolab\/files\/2021\/05\/Carlos-Morejano-foto-070.jpg?resize=400%2C289&amp;ssl=1 400w, https:\/\/i0.wp.com\/wp.ufpel.edu.br\/pianolab\/files\/2021\/05\/Carlos-Morejano-foto-070.jpg?resize=1024%2C741&amp;ssl=1 1024w, https:\/\/i0.wp.com\/wp.ufpel.edu.br\/pianolab\/files\/2021\/05\/Carlos-Morejano-foto-070.jpg?resize=768%2C556&amp;ssl=1 768w, https:\/\/i0.wp.com\/wp.ufpel.edu.br\/pianolab\/files\/2021\/05\/Carlos-Morejano-foto-070.jpg?resize=1536%2C1111&amp;ssl=1 1536w, https:\/\/i0.wp.com\/wp.ufpel.edu.br\/pianolab\/files\/2021\/05\/Carlos-Morejano-foto-070.jpg?resize=2048%2C1481&amp;ssl=1 2048w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p align=\"justify\">\n<h2 style=\"text-align: center\">O Papel do <em>Maestro Collaboratore<\/em><br \/>\nnas Institui\u00e7\u00f5es Acad\u00eamicas Italianas<\/h2>\n<hr \/>\n<p style=\"text-align: center\" align=\"justify\"><strong>Sobre o convidado:<br \/>\n<\/strong><\/p>\n<p align=\"justify\"><span style=\"font-family: Times New Roman, serif\"><span style=\"font-size: medium\"><span style=\"font-size: small\">N<\/span><span style=\"font-size: small\">atural de Porto Alegre, \u00e9 Bacharel em Piano pela Universidade Federal do Rio Grande do Sul. Estudou reg\u00eancia sob orienta\u00e7\u00e3o da Maestrina Carla Delfrate, durante o seu Mestrado em Correpeti\u00e7\u00e3o no Conservat\u00f3rio Antonio Buzzolla de Adria, It\u00e1lia. Desenvolve intensa atividade musical em festivais de m\u00fasica, masterclasses e recitais no Brasil e exterior. Aos 13 anos de idade iniciou sua atividade como pianista correpetidor. Desde ent\u00e3o trabalha em in\u00fameras produ\u00e7\u00f5es oper\u00edsticas no Brasil (Teatro PUCRS Porto Alegre, Teatro S\u00e2o Pedro de Porto Alegre, Teatro Gua\u00edra de Curitiba, XI e XII Festival Amazonas de \u00d3pera. Como pianista da Companhia Brasileira de \u00d3pera do Mt\u00ba John Neschling, apresenta a \u00f3pera \u201cIl Barbiere di Siviglia\u201d em tourn\u00e9e por 15 capitais brasileiras, atuando como correpetidor nos ensaios e cravista nas r\u00e9citas. Atuou por tr\u00eas anos como Professor Substituto de Piano e Teoria Musical, Repertorista e Acompanhador do Curso de Gradua\u00e7\u00e3o em M\u00fasica da Universidade Federal de Pelotas-RS. Em 2007, lan\u00e7a pelo selo da Academia Brasileira de M\u00fasica CD com obras in\u00e9ditas do Pe. Jos\u00e9 Mauricio Nunes Garcia, com reg\u00eancia do Mt\u00ba Ernani Aguiar. Trabalha como pianista nas temporadas de \u00f3pera 2009 e 2010 do Teatro Sol\u00eds de Montevid\u00e9u.Em 2009 ganha o 1\u00ba Pr\u00eamio como Maestro Substituto no III Concurso Nacional de \u00d3pera, promovido pela \u00d3pera de San Juan \u2013 Argentina. <\/span><span style=\"font-size: small\"><span lang=\"it-IT\">Em 2010 vence o 3\u00ba Pr\u00eamio no I Concorso Internazionale per Cantanti e Pianisti Collaboratori Ronaldo Nicolosi em Roma. Em 2011, vence o 2\u00ba Premio no VI Concorso Internazionale per Pianisti Accompagnatori O. Respighi em Brescia, It\u00e1lia.<\/span><\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Times New Roman, serif\"><span style=\"font-size: medium\"><span style=\"font-size: small\"><span lang=\"it-IT\">Em 2010 se transfere para a It\u00e1lia e desde ent\u00e3o tem colaborado com teatros e festivais como Fondazione La Fenice de Veneza &#8211; Teatro Malibran; Teatro Verdi de Pisa; Teatro dell\u2019Opera Gioiosa di Savona; Teatro Sociale di Rovigo; Teatro Verdi de Padova; I e II Festival Italia-Giappone em Bitonto, It\u00e1lia; VI Traetta Opera Festival em Bitonto, Italia. <\/span><\/span><span style=\"font-size: small\">No Ravenna Festival 2011, atua como pianista acompanhador dos ensaios do Mt\u00ba Riccardo Muti.<\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Times New Roman, serif\"><span style=\"font-size: medium\"><span style=\"font-size: small\">Regeu a \u00f3pera \u201cAntigone\u201d de T. Traetta por ocasi\u00e3o dos 240 anos de sua estreia dentro da programa\u00e7\u00e3o do VII Traetta Opera Festival. Foi Regente Adjunto da Orquestra do Theatro S\u00e3o Pedro de S\u00e3o Paulo entre 2012 e 2014, regendo concertos da Orquestra no Theatro S\u00e3o Pedro e na Sala S\u00e3o Paulo, al\u00e9m de integrar a sua comiss\u00e3o art\u00edstica e implementar a Academia de \u00d3pera. <\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Times New Roman, serif\"><span style=\"font-size: medium\"><span style=\"font-size: small\">Atualmento \u00e9 <\/span><span style=\"font-size: small\"><i>Maestro Collaboratore<\/i><\/span><span style=\"font-size: small\"> no Conservat\u00f3rio Benedetto Marcello de Veneza, Conservat\u00f3rio Luisa d\u2019Annunzio de Pescara e do Opera Studio School de Bologna. <\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\" align=\"justify\"><span style=\"font-size: medium\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carlos Morejano Conservat\u00f3rio Benedetto Marcello (Veneza, It\u00e1lia) O Papel do Maestro Collaboratore nas Institui\u00e7\u00f5es Acad\u00eamicas Italianas Sobre o convidado: Natural de Porto Alegre, \u00e9 Bacharel em Piano pela Universidade Federal do Rio Grande do Sul. Estudou reg\u00eancia sob orienta\u00e7\u00e3o da Maestrina Carla Delfrate, durante o seu Mestrado em Correpeti\u00e7\u00e3o no Conservat\u00f3rio Antonio Buzzolla de Adria, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/wp.ufpel.edu.br\/pianolab\/carlos-morejano\/\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;Carlos Morejano&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1093,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-590","page","type-page","status-publish","hentry"],"jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/pianolab\/wp-json\/wp\/v2\/pages\/590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/pianolab\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/pianolab\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/pianolab\/wp-json\/wp\/v2\/users\/1093"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/pianolab\/wp-json\/wp\/v2\/comments?post=590"}],"version-history":[{"count":6,"href":"https:\/\/wp.ufpel.edu.br\/pianolab\/wp-json\/wp\/v2\/pages\/590\/revisions"}],"predecessor-version":[{"id":666,"href":"https:\/\/wp.ufpel.edu.br\/pianolab\/wp-json\/wp\/v2\/pages\/590\/revisions\/666"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/pianolab\/wp-json\/wp\/v2\/media?parent=590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}