{"id":1221,"date":"2025-10-29T14:57:44","date_gmt":"2025-10-29T17:57:44","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/?p=1221"},"modified":"2025-11-10T15:42:42","modified_gmt":"2025-11-10T18:42:42","slug":"entre-a-dor-e-a-ausencia-o-corpo-negro-como-ficcao-de-memoria-e-reexistencia","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/2025\/10\/29\/entre-a-dor-e-a-ausencia-o-corpo-negro-como-ficcao-de-memoria-e-reexistencia\/","title":{"rendered":"ENTRE A DOR E A AUS\u00caNCIA &#8211; O CORPO NEGRO COMO FIC\u00c7\u00c3O DE MEM\u00d3RIA E (RE)EXIST\u00caNCIA"},"content":{"rendered":"<style>.kb-row-layout-id1221_5cf988-9c > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1221_5cf988-9c > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1221_5cf988-9c > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, calc(35% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(65% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id1221_5cf988-9c > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1221_5cf988-9c > .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id1221_5cf988-9c > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1221_5cf988-9c alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1221_6cab9e-a3 > .kt-inside-inner-col,.kadence-column1221_6cab9e-a3 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1221_6cab9e-a3 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1221_6cab9e-a3 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1221_6cab9e-a3 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1221_6cab9e-a3 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1221_6cab9e-a3{position:relative;}@media all and (max-width: 1024px){.kadence-column1221_6cab9e-a3 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1221_6cab9e-a3 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1221_6cab9e-a3\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading1221_892a1c-b2, .wp-block-kadence-advancedheading.kt-adv-heading1221_892a1c-b2[data-kb-block=\"kb-adv-heading1221_892a1c-b2\"]{text-align:center;font-style:normal;background-color:#6e681e;border-top-right-radius:10px;border-bottom-right-radius:10px;}.wp-block-kadence-advancedheading.kt-adv-heading1221_892a1c-b2 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading1221_892a1c-b2[data-kb-block=\"kb-adv-heading1221_892a1c-b2\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading1221_892a1c-b2 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading1221_892a1c-b2[data-kb-block=\"kb-adv-heading1221_892a1c-b2\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h4 class=\"kt-adv-heading1221_892a1c-b2 wp-block-kadence-advancedheading has-white-color has-text-color\" data-kb-block=\"kb-adv-heading1221_892a1c-b2\"><strong>Autores<\/strong><\/h4>\n\n\n\n<p>MARIA EDUARDA DE SOUZA COSTA<br><sub><a href=\"mailto:Wesley.Teodoro@ufpel.edu.br\">dudac9361@gmail.com<\/a><\/sub><\/p>\n\n\n\n<p>DENISE MARCOS BUSSOLETTI<br><sup><a href=\"mailto:denisebussoletti@gmail.com\">denisebussoletti@gmail.com<\/a><\/sup><\/p>\n\n\n<style>.kadence-column1221_09ef03-f5 > .kt-inside-inner-col,.kadence-column1221_09ef03-f5 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1221_09ef03-f5 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1221_09ef03-f5 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1221_09ef03-f5 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1221_09ef03-f5 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1221_09ef03-f5{position:relative;}@media all and (max-width: 1024px){.kadence-column1221_09ef03-f5 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1221_09ef03-f5 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1221_09ef03-f5\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading1221_54f044-15, .wp-block-kadence-advancedheading.kt-adv-heading1221_54f044-15[data-kb-block=\"kb-adv-heading1221_54f044-15\"]{text-align:center;font-style:normal;background-color:#6e681e;border-top-right-radius:10px;border-bottom-right-radius:10px;}.wp-block-kadence-advancedheading.kt-adv-heading1221_54f044-15 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading1221_54f044-15[data-kb-block=\"kb-adv-heading1221_54f044-15\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading1221_54f044-15 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading1221_54f044-15[data-kb-block=\"kb-adv-heading1221_54f044-15\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h4 class=\"kt-adv-heading1221_54f044-15 justificar.texto wp-block-kadence-advancedheading has-white-color has-text-color\" data-kb-block=\"kb-adv-heading1221_54f044-15\"><strong>Resumo<\/strong><\/h4>\n\n\n\n<p class=\"justificar.texto\">A pesquisa investiga criticamente a representa\u00e7\u00e3o de corpos negros na hist\u00f3ria da arte e da fotografia, analisando como essas imagens foram historicamente constru\u00eddas por enquadramentos de dor, submiss\u00e3o e apagamento, e como pr\u00e1ticas art\u00edsticas contempor\u00e2neas, especialmente de artistas negras como Mayara Ferr\u00e3o, t\u00eam reconfigurado esses imagin\u00e1rios por meio da arte e da tecnologia. Fundamentado em autores como bell hooks, Susan Sontag, Didi-Huberman, Suely Rolnik e Gisele Beiguelman, o estudo adota abordagem qualitativa e interdisciplinar, articulando arte, filosofia e estudos culturais para compreender a imagem como gesto pol\u00edtico e \u00e9tico. Ao mobilizar recursos tecnol\u00f3gicos como a intelig\u00eancia artificial, essas produ\u00e7\u00f5es visuais transformam o irregistr\u00e1vel em presen\u00e7a, operando como dispositivos de mem\u00f3ria, resist\u00eancia e repara\u00e7\u00e3o simb\u00f3lica. Os resultados demonstram que a arte negra contempor\u00e2nea afirma novas narrativas e subjetividades, promovendo deslocamentos nas rela\u00e7\u00f5es entre est\u00e9tica, poder e representa\u00e7\u00e3o, e reafirmando o papel da imagem como espa\u00e7o de reexist\u00eancia, protagonismo e transforma\u00e7\u00e3o social.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n<style>.kadence-column1221_ac74fd-60 > .kt-inside-inner-col,.kadence-column1221_ac74fd-60 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1221_ac74fd-60 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1221_ac74fd-60 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1221_ac74fd-60 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1221_ac74fd-60 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1221_ac74fd-60{position:relative;}@media all and (max-width: 1024px){.kadence-column1221_ac74fd-60 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1221_ac74fd-60 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1221_ac74fd-60\"><div class=\"kt-inside-inner-col\">\n<iframe loading=\"lazy\" \n    src=\"https:\/\/wp.ufpel.edu.br\/petfronteiras\/files\/2025\/10\/ENTRE-A-DOR-E-A-AUSENCIA-O-CORPO-NEGRO-COMO-FICCAO-DE-MEMORIA-E-REEXISTENCIA-1.pdf\" \n    width=\"100%\" \n    height=\"600px\" \n    style=\"border: none;\">\n    \n    <p>Seu navegador n\u00e3o suporta a visualiza\u00e7\u00e3o de PDFs. Voc\u00ea pode \n        <a href=\"https:\/\/wp.ufpel.edu.br\/petfronteiras\/files\/2025\/10\/Cafe-com-o-PET_-Quando-as-Historias-Ecoam-a-Memoria-Permanece-Viva-1-1.pdf\">\n            baixar o PDF diretamente\n        <\/a>.\n    <\/p>\n<\/iframe>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>A pesquisa investiga criticamente a representa\u00e7\u00e3o de corpos negros na hist\u00f3ria da arte e da fotografia, analisando como essas imagens foram historicamente constru\u00eddas por enquadramentos de dor, submiss\u00e3o e apagamento, e como pr\u00e1ticas art\u00edsticas contempor\u00e2neas, especialmente de artistas negras como Mayara Ferr\u00e3o, t\u00eam reconfigurado esses imagin\u00e1rios por meio da arte e da tecnologia. Fundamentado em autores como bell hooks, Susan Sontag, Didi-Huberman, Suely Rolnik e Gisele Beiguelman, o estudo adota abordagem qualitativa e interdisciplinar, articulando arte, filosofia e estudos culturais para compreender a imagem como gesto pol\u00edtico e \u00e9tico. Ao mobilizar recursos tecnol\u00f3gicos como a intelig\u00eancia artificial, essas produ\u00e7\u00f5es visuais transformam o irregistr\u00e1vel em presen\u00e7a, operando como dispositivos de mem\u00f3ria, resist\u00eancia e repara\u00e7\u00e3o simb\u00f3lica. Os resultados demonstram que a arte negra contempor\u00e2nea afirma novas narrativas e subjetividades, promovendo deslocamentos nas rela\u00e7\u00f5es entre est\u00e9tica, poder e representa\u00e7\u00e3o, e reafirmando o papel da imagem como espa\u00e7o de reexist\u00eancia, protagonismo e transforma\u00e7\u00e3o social.<\/p>\n","protected":false},"author":1402,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[50,41],"tags":[55],"class_list":["post-1221","post","type-post","status-publish","format-standard","hentry","category-cic","category-publicacoes","tag-55"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/wp-json\/wp\/v2\/posts\/1221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/wp-json\/wp\/v2\/users\/1402"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/wp-json\/wp\/v2\/comments?post=1221"}],"version-history":[{"count":3,"href":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/wp-json\/wp\/v2\/posts\/1221\/revisions"}],"predecessor-version":[{"id":1302,"href":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/wp-json\/wp\/v2\/posts\/1221\/revisions\/1302"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/wp-json\/wp\/v2\/media?parent=1221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/wp-json\/wp\/v2\/categories?post=1221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/petfronteiras\/wp-json\/wp\/v2\/tags?post=1221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}