{"id":111,"date":"2023-11-03T15:16:40","date_gmt":"2023-11-03T18:16:40","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/?p=111"},"modified":"2023-11-03T15:16:40","modified_gmt":"2023-11-03T18:16:40","slug":"tarsila-no-pais-das-maravilhas","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/2023\/11\/03\/tarsila-no-pais-das-maravilhas\/","title":{"rendered":"Tarsila no pa\u00eds das maravilhas"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-115\" src=\"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/files\/2023\/11\/IMG_1549-322x400.png\" alt=\"\" width=\"322\" height=\"400\" srcset=\"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/files\/2023\/11\/IMG_1549-322x400.png 322w, https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/files\/2023\/11\/IMG_1549-823x1024.png 823w, https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/files\/2023\/11\/IMG_1549-768x955.png 768w, https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/files\/2023\/11\/IMG_1549-1235x1536.png 1235w, https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/files\/2023\/11\/IMG_1549-1646x2048.png 1646w\" sizes=\"auto, (max-width: 322px) 100vw, 322px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Lara Calvette, 2023.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Pintura digital, impressa em papel sulfite, 29,5 x 36 cm.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nesta releitura da obra \u201cRomance\u201d (1925), de Tarsila do Amaral, tentou-se imaginar a artista dentro do pr\u00f3prio espa\u00e7o criado na tela, como Alice que vai para o pa\u00eds das maravilhas. Nesta cena, seria como se ela estivesse sob a luz dessa janela fazendo seus primeiros estudos sobre a obra que pintou para presentear Oswald de Andrade, seu marido na \u00e9poca, o \u201cAbaporu\u201d (1928).\u00a0 <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lara Calvette, 2023. Pintura digital, impressa em papel sulfite, 29,5 x 36 cm. Nesta releitura da obra \u201cRomance\u201d (1925), de Tarsila do Amaral, tentou-se imaginar a artista dentro do pr\u00f3prio espa\u00e7o criado na tela, como Alice que vai para o pa\u00eds das maravilhas. Nesta cena, seria como se ela estivesse sob a luz dessa janela [&hellip;]<\/p>\n","protected":false},"author":1319,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-111","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/wp-json\/wp\/v2\/posts\/111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/wp-json\/wp\/v2\/users\/1319"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/wp-json\/wp\/v2\/comments?post=111"}],"version-history":[{"count":1,"href":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/wp-json\/wp\/v2\/posts\/111\/revisions"}],"predecessor-version":[{"id":117,"href":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/wp-json\/wp\/v2\/posts\/111\/revisions\/117"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/wp-json\/wp\/v2\/media?parent=111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/wp-json\/wp\/v2\/categories?post=111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/olharesdetarsila\/wp-json\/wp\/v2\/tags?post=111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}