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<\/a><\/p>\n\u00c0s 18h, abertura da mostra virtual no Canal do FIVA SPMAV – que ficar\u00e1 dispon\u00edvel para o livre acesso at\u00e9 o dia 22 de novembro<\/p>\n
\u00c0s 19h30min, proje\u00e7\u00e3o na fachada do Museu Leopoldo Gotuzzo – Malg – e sempre nesse mesmo hor\u00e1rio at\u00e9 o dia 13 de novembro.<\/p>\n
As 66 obras selecionadas est\u00e3o organizadas em 5 programas, que comp\u00f5em a mostra deste ano.<\/p>\n
Paisagens na interface s\u00e3o janelas para o mundo<\/p>\n
Electric Window (2021, 03’30), de Muriel Paraboni, Santa Maria, RS – Brasil<\/p>\n
Development\u00a0 (2020, 04’16), de Miguel Antonio Contreras, Caracas – Venezuela<\/p>\n Oruga – Chancha Via Circuito y El B\u00faho (2020, 04’26), de Daniela Pinto Castillo, Antigua – Guatemala<\/p>\n Traces:Lights\u00a0 (2019, 03′), de Jean-Michel Rolland, Marselha – Fran\u00e7a<\/p>\n Gazing (2021, 04′), de Siavash Kheirkhah, Noruega<\/p>\n I was where I was (2021, 02’01), de Gabriele Rossi, Paris – France<\/p>\n Memory of us (2021, 04’05), de Niko Tiainen, Rauma – Finl\u00e2ndia<\/p>\n Inconsolable (2021, 03’52), de Michel Pavlou, Noruega<\/p>\n Parenthesis (2021, 04′), de Vasilios Papaioannu, Washington – USA<\/p>\n SO-FI (2020, 02’13), de Francine Nunes de Lima, Santa Maria, RS – Brasil<\/p>\n hai quases (2021, 05′), de Lilian schmeil Lilian Schmeil, Florian\u00f3polis, SC – Brasil<\/p>\n Dies in Lumine (2021, 04’36), de Nagia Siouli, Atenas – Gr\u00e9cia<\/p>\n Derroche (2019, 01’30), Mayra Huerta Jim\u00e9nez, Tijuana, Baja California – M\u00e9xico<\/p>\n APA (2021, 03′), de Maisha Maene and Leo Nelki, DR Congo<\/p>\n Deixamos rastros por onde passamos<\/p>\n Beyond The Body and Gender II (2021, 04’56), de Debashish Paul, Bengala Occidental – \u00cdndia<\/p>\n Entropia 03 (2021, 04’42), de Isabel P\u00e9rez del Pulgar, Douarnenez – Fran\u00e7a<\/p>\n Year of the Sun (2020, 04’50), de Paulius Sliaupa and Elia Claessen, Vilnius – Litu\u00e2nia<\/p>\n Unreliable Narrator (2021, 02’52), de Ianni Barros Luna, Bras\u00edlia, DF – Brasil<\/p>\n Risco (2020, 04’15), de Luisa Cunha Machala, Belo Horizonte, MG – Brasil<\/p>\n Ficci\u00f3n Natural (2020, 01’10), de Maria Belen Robeda, La Plata, Buenos Aires – Argentina<\/p>\n Olm\u00e8 (2020, 05′), de Salvatore Insana, Roma – It\u00e1lia<\/p>\n Farewell (2021, 04’05), de Amadeus Coletta, S\u00e3o Paulo, SP – Brasil.<\/p>\n On a stormy day (2021, 02’24), de Gil Zablodovsky, Bat Yam – Israel<\/p>\n Ha\u00efku d\u2019hiver – 9 (2019, 05′), de Muriel Montini, Paris – Fran\u00e7a<\/p>\n MECANISMO (2020, 04’14), de Flakorojas (Jos\u00e9 Rojas), Bruxelas, B\u00e9lgica<\/p>\n 07911\/2007\/001\/2015 (2021, 04′), de Maria Malpa, Belo Horizonte, MG – Brasil<\/p>\n Demencia clim\u00e1tica (2019, 04′), de Laura & Sira Cabrera, Madrid – Espanha<\/p>\n Discrimina\u00e7\u00e3o e Preconceito (2021, 05′), de Marcel Leandro Szymanski, Curitiba, PR – Brasil<\/p>\n Fabula\u00e7\u00f5es audiovisuais<\/p>\n Victoria (2020, 0’56), de Pablo Benjam\u00edn Nieto Mercado, Tultitl\u00e1n, Lomas de Cartagena – M\u00e9xico<\/p>\n The First After-Corona Kiss (2020, 04’05), de Maria Korporal, Berlim – Alemanha<\/p>\n Nirvana (2021, 03′), de Fran Orallo, Glasgow – Esc\u00f3cia<\/p>\n 43 (2020, 04’55), de Enrica Sirigu, Cagliari – It\u00e1lia<\/p>\n A Mundane Experience (2020, 04’38), de Calum Stamper, Northallerton, Reino Unido<\/p>\n Fixing a Hole (2019, 03’10), de Pierre Ajavon, Paris, Fran\u00e7a<\/p>\n QUEIMA I (2021, 01’20), de Rafael Carvalho de Albuquerque, Curitiba, PR – Brasil<\/p>\n Gates (2020, 01’57), de Mattia Sugamiele, It\u00e1lia<\/p>\n The end of the signifiers (2021, 03’15), de Jos\u00e9 M. Delgadillo , San Luis Potos\u00ed – M\u00e9xico<\/p>\n Family origin (2021, 04′), de Roberto Andres Flores Mu\u00f1oz, Lima – Per\u00fa<\/p>\n Videostalgia, four films in reverse (2020, 03’21), de James Johnson-Perkins, Chequi\u00e3o – China<\/p>\n Like a rat in a cage – an infodemic short video (2020, 02’27), de Matteo Campulla, Mil\u00e3o – It\u00e1lia<\/p>\n Transgress\u00e3o – Uma vis\u00e3o p\u00f3s-humana (2021, 02\u2019), de Hernando Urrutia, Funchal – Portugal<\/p>\n The left hand of darkness (2019, 4’10), de Sara Bonaventura, Preganziol – It\u00e1lia<\/p>\n *restored (2021, 04’31), de blanche the vidiot (Szabina P\u00e9ter e Krist\u00f3f J\u00e1nos Bodn\u00e1r), Debrecen – Hungria<\/p>\n Chicken Dinner (2020, 01′), de Natasha Cantwell, Melbourne – Australia<\/p>\n Corporeografias<\/p>\n Plenitude (2020, 05′), de Guilherme Bergamini, Belo Horizonte, MG – BR<\/p>\n N\u00e3o \u00e9 o sol que faz sombra (2020, 02’57), de Victor Augusto Oliveira Mota, Salvador, BA – Brasil<\/p>\n Caos (2020, 03’39), de Fernando Vidal – Arauc\u00e1ria, PR, Brasil<\/p>\n O que o vento leva? (2020, 01’51), de Fl\u00e1via Luana de Souza Lopes, Parnamirim, RN – Brasil<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n