{"id":4293,"date":"2020-09-22T13:53:08","date_gmt":"2020-09-22T16:53:08","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/?p=4293"},"modified":"2020-09-22T14:35:29","modified_gmt":"2020-09-22T17:35:29","slug":"cronograma-das-defesas-de-dissertacoes-do-ppgavi-2020-3","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/?p=4293","title":{"rendered":"Cronograma das Defesas de Disserta\u00e7\u00f5es do PPGAVI 2020"},"content":{"rendered":"<p>&nbsp;<\/p>\n<table width=\"954\">\n<tbody>\n<tr>\n<td width=\"78\"><strong>Data<\/strong><\/td>\n<td width=\"179\"><strong>Discente<\/strong><\/td>\n<td width=\"337\"><strong>T\u00edtulo<\/strong><\/td>\n<td width=\"144\"><strong>Orientador<\/strong><\/td>\n<td width=\"94\"><strong>Hora<\/strong><\/td>\n<td width=\"122\"><strong>Local<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"78\">31\/03\/20<\/td>\n<td width=\"179\">Karen P\u00f6tter Rad\u00fcnz<\/td>\n<td width=\"337\">Escolha pela capa este livro da estante: o livro como experi\u00eancia de afeto e objeto de design<\/td>\n<td width=\"144\">N\u00e1dia da Cruz\u00a0Senna<\/td>\n<td width=\"94\">&nbsp;<\/td>\n<td width=\"122\">realizada por parecer escrito \u2013 Devido ao per\u00edodo de quarentena \u2013 COVID 2019<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">31\/03\/20<\/td>\n<td width=\"179\">Adriane Rodrigues Corr\u00eaa<\/td>\n<td width=\"337\">Cartografia art\u00edstica de uma caminhante: a Guabiroba cabe em mim, na cidade e na arte contempor\u00e2nea<\/td>\n<td width=\"144\">Eduarda Azevedo Gon\u00e7alves<\/td>\n<td width=\"94\">&nbsp;<\/td>\n<td width=\"122\">realizada por parecer escrito \u2013 Devido ao per\u00edodo de quarentena \u2013 COVID 2019<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">29\/05\/20<\/td>\n<td width=\"179\">Rafaela Pereira de Azevedo<\/td>\n<td width=\"337\">Design de Ativismo na quarta onda do feminismo no Brasil: an\u00e1lise da po\u00e9tica gr\u00e1fica de alguns coletivos<\/td>\n<td width=\"144\">Lucia Bergamaschi Costa Weymar<\/td>\n<td width=\"94\">&#8211;<\/td>\n<td width=\"122\">realizada por parecer escrito \u2013 Devido ao per\u00edodo de quarentena \u2013 COVID 2019<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">30\/05\/20<\/td>\n<td width=\"179\">Diana Kr\u00fcger Martins<\/td>\n<td width=\"337\">Po\u00e9ticas do Desvio \u2013 Da Doutrina\u00e7\u00e3o ao Processo de Cria\u00e7\u00e3o<\/td>\n<td width=\"144\">Renata Azevedo Requi\u00e3o<\/td>\n<td width=\"94\">&nbsp;<\/td>\n<td width=\"122\">realizada por parecer escrito \u2013 Devido ao per\u00edodo de quarentena \u2013 COVID 2019<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">06\/07\/20<\/td>\n<td width=\"179\">\n<p>Ronaldo Luis Goulart Campello<\/p>\n<p>&nbsp;<\/td>\n<td width=\"337\">Um Relic\u00e1rio de Palavras: uma tessitura que irrompe de um palimpsesto, de um cuidado, de um devir-docente<\/td>\n<td width=\"144\">Ursula Rosa da Silva<\/td>\n<td width=\"94\">10:00<\/td>\n<td width=\"122\">Sala Virtual da UFPel \u2013 Sistema WebConf<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">10\/07\/20<\/td>\n<td width=\"179\">Roberta Pires Rangel<\/td>\n<td width=\"337\">Sobre elas&#8230; sobre mim: percursos etnogr\u00e1fico \u2013 performativos sobre\/com o feminino na<br \/>\nCol\u00f4nia Z3 de Pelotas<\/td>\n<td width=\"144\">\n<p>Thiago Silva de Amorim Jesus<\/p>\n<p>&nbsp;<\/td>\n<td width=\"94\">14:00<\/td>\n<td width=\"122\">Sala Virtual da UFPel \u2013 Sistema WebConf<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">12\/08\/20<\/td>\n<td width=\"179\">Mirna Xavier Gon\u00e7alves<\/td>\n<td width=\"337\">Tar\u00f4: Reverbera\u00e7\u00f5es em Po\u00e9ticas Contempor\u00e2neas<\/td>\n<td width=\"144\">N\u00e1dia da Cruz\u00a0Senna<\/td>\n<td width=\"94\">14:30<\/td>\n<td width=\"122\">Sala Virtual da UFPel \u2013 Sistema WebConf<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">13\/10\/20<\/td>\n<td width=\"179\">Fernanda Fedrizzi Loureiro de Lima<\/td>\n<td width=\"337\">TOPOFAGIAS: po\u00e9ticas arquitetadas entre cidade, palavra e as artes visuais<\/td>\n<td width=\"144\">Helene Gomes Sacco<\/td>\n<td width=\"94\">18:30<\/td>\n<td width=\"122\">Sala Virtual da UFPel \u2013 Sistema WebConf<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">14\/10\/20<\/td>\n<td width=\"179\">Ana Carolina Tavares Sousa<\/td>\n<td width=\"337\">Do silenciamento \u00e0 insurrei\u00e7\u00e3o: a mulher e o estigma da loucura em gestos, escritos e imagens<\/td>\n<td width=\"144\">N\u00e1dia da Cruz Senna<\/td>\n<td width=\"94\">18:30<\/td>\n<td width=\"122\">Sala Virtual da UFPel \u2013 Sistema WebConf<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">27\/10\/20<\/td>\n<td width=\"179\">Elivelto Alves de Souza<\/td>\n<td width=\"337\">A sobreviv\u00eancia do lugar: o cuidado como pr\u00e1tica art\u00edstica<\/td>\n<td width=\"144\">Helene Gomes Sacco<\/td>\n<td width=\"94\">18:30<\/td>\n<td width=\"122\">Sala Virtual da UFPel \u2013 Sistema WebConf<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Data Discente T\u00edtulo Orientador Hora Local 31\/03\/20 Karen P\u00f6tter Rad\u00fcnz Escolha pela capa este livro da estante: o livro como experi\u00eancia de afeto e objeto de design N\u00e1dia da Cruz\u00a0Senna &nbsp; realizada por parecer escrito \u2013 Devido ao per\u00edodo de quarentena \u2013 COVID 2019 31\/03\/20 Adriane Rodrigues Corr\u00eaa Cartografia art\u00edstica de uma caminhante: a [&hellip;]<\/p>\n","protected":false},"author":301,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-4293","post","type-post","status-publish","format-standard","hentry","category-sem-categoria"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/posts\/4293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/users\/301"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4293"}],"version-history":[{"count":3,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/posts\/4293\/revisions"}],"predecessor-version":[{"id":4297,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/posts\/4293\/revisions\/4297"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}