{"id":3586,"date":"2019-10-08T09:51:10","date_gmt":"2019-10-08T12:51:10","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/?p=3586"},"modified":"2019-11-06T10:46:44","modified_gmt":"2019-11-06T13:46:44","slug":"cronograma-das-defesas-de-qualificacoes-2019-4","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/?p=3586","title":{"rendered":"Cronograma das Defesas de Qualifica\u00e7\u00f5es 2019"},"content":{"rendered":"<p>&nbsp;<\/p>\n<table width=\"954\">\n<tbody>\n<tr>\n<td width=\"78\"><strong>Data<\/strong><\/td>\n<td width=\"150\"><strong>Discente<\/strong><\/td>\n<td width=\"367\"><strong>T\u00edtulo<\/strong><\/td>\n<td width=\"144\"><strong>Orientador<\/strong><\/td>\n<td width=\"94\"><strong>Hora<\/strong><\/td>\n<td width=\"121\"><strong>Local<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"78\">15\/04\/19<\/td>\n<td width=\"150\">Ronaldo Luis Goulart Campello<\/td>\n<td width=\"367\">Um relic\u00e1rio de palavras: uma tessitura que irrompe de um palimpsesto, de um cuidado, de um devir-docente&#8230;<\/td>\n<td width=\"144\">Ursula Rosa da Silva<\/td>\n<td width=\"94\">14:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">07\/06\/19<\/td>\n<td width=\"150\">Jaciara Jorge<\/td>\n<td width=\"367\">Percursos formativos e doc\u00eancia em Dan\u00e7a: o ensino da arte na escola sob a luz da Lei. 13.278\/16<\/td>\n<td width=\"144\">Carmen Anita Hoffmann<\/td>\n<td width=\"94\">18:00<\/td>\n<td width=\"121\">Sala 319<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">20\/08\/19<\/td>\n<td width=\"150\">Priscilla Mont-Serrat Pimentel Fernandes<\/td>\n<td width=\"367\">Escreviv\u00eancias: um tecer sobre as representa\u00e7\u00f5es da maternidade no Brasil com e pelas imagens<\/td>\n<td width=\"144\">Ursula Rosa da Silva<\/td>\n<td width=\"94\">09:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">23\/08\/19<\/td>\n<td width=\"150\">Fernanda Fedrizzi Loureiro de Lima<\/td>\n<td width=\"367\">Cidade [outra] entre urbanismo po\u00e9tico e percep\u00e7\u00e3o sens\u00edvel, edificando conversas com os lugares<\/td>\n<td width=\"144\">Helene Gomes Sacco<\/td>\n<td width=\"94\">17:30<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">26\/08\/19<\/td>\n<td width=\"150\">Ana Carolina Tavares Sousa<\/td>\n<td width=\"367\">Narrativas e po\u00e9ticas da loucura: a estigmatiza\u00e7\u00e3o de mulheres ind\u00f3ceis e os reflexos da opress\u00e3o na literatura e na arte contempor\u00e2nea<\/td>\n<td width=\"144\">Renata Azevedo Requi\u00e3o<\/td>\n<td width=\"94\">10:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">27\/08\/19<\/td>\n<td width=\"150\">Ana Paula Siga Langone<\/td>\n<td width=\"367\">&nbsp;<\/td>\n<td width=\"144\">L\u00facia Bergamaschi Costa Weymar<\/td>\n<td width=\"94\">&nbsp;<\/td>\n<td width=\"121\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">02\/09\/19<\/td>\n<td width=\"150\">Kathleen Oliveira de Avila<\/td>\n<td width=\"367\">Cartografias do passarinhar: deslocamentos do corpo e do pensamento atrav\u00e9s da fotografia expandida<\/td>\n<td width=\"144\">Cl\u00e1udio Tarouco de Azevedo<\/td>\n<td width=\"94\">14:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">03\/09\/19<\/td>\n<td width=\"150\">\u00cdtalo Franco Costa<\/td>\n<td width=\"367\">Escritos de si: o livro de artista como mediador do imagin\u00e1rio em artes visuais<\/td>\n<td width=\"144\">Cl\u00e1udia Mariza Mattos Brand\u00e3o<\/td>\n<td width=\"94\">16:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">05\/09\/19<\/td>\n<td width=\"150\">Mirna Xavier Gon\u00e7alves<\/td>\n<td width=\"367\">O Tar\u00f4: reverbera\u00e7\u00f5es em po\u00e9ticas contempor\u00e2neas<\/td>\n<td width=\"144\">N\u00e1dia da Cruz Senna<\/td>\n<td width=\"94\">14:00<\/td>\n<td width=\"121\">Sala 208<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">05\/09\/19<\/td>\n<td width=\"150\">Elivelto Alves de Souza<\/td>\n<td width=\"367\">Entre um olhar, uma palavra, um cuidado: Exerc\u00edcios po\u00e9ticos de tempo, percep\u00e7\u00e3o e presen\u00e7a<\/td>\n<td width=\"144\">Helene Gomes Sacco<\/td>\n<td width=\"94\">18:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">06\/09\/19<\/td>\n<td width=\"150\">Pedro de Freitas Pereira Paiva<\/td>\n<td width=\"367\">Imperman\u00eancia, a Tessitura da Ru\u00edna<\/td>\n<td width=\"144\">Gabriela Kremer da Motta<\/td>\n<td width=\"94\">14:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">09\/09\/19<\/td>\n<td width=\"150\">B\u00e1rbara Cezano Rody<\/td>\n<td width=\"367\">Cinegras: poss\u00edveis oralidades afroc\u00eantricas no Cinema Negro no Brasil<\/td>\n<td width=\"144\">Larissa Patron Chaves<\/td>\n<td width=\"94\">14:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">09\/09\/19<\/td>\n<td width=\"150\">Tarla Rover\u00e9<\/td>\n<td width=\"367\">O corpo na institui\u00e7\u00e3o de ensino: (des)constru\u00e7\u00f5es a partir da arte propositiva<\/td>\n<td width=\"144\">Larissa Patron Chaves<\/td>\n<td width=\"94\">17:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">25\/09\/19<\/td>\n<td width=\"150\">Renata Lopes Sope\u00f1a<\/td>\n<td width=\"367\">O l\u00fadico no ensino da arte: pr\u00e1ticas pedag\u00f3gicas de tr\u00eas arte-educadoras de Pelotas\/RS<\/td>\n<td width=\"144\">N\u00e1dia da Cruz Senna<\/td>\n<td width=\"94\">09:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">01\/10\/19<\/td>\n<td width=\"150\">Luana Echevengu\u00e1 Arrieche<\/td>\n<td width=\"367\">Videodan\u00e7a: Performatividade feminina<\/td>\n<td width=\"144\">Eleonora Campos da Motta Santos<\/td>\n<td width=\"94\">09:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">09\/10\/19<\/td>\n<td width=\"150\">Isadora Cristina Bortolossi Rodrigues<\/td>\n<td width=\"367\">Glitches Fantasmag\u00f3ricos<\/td>\n<td width=\"144\">Angela Raffin Pohlmann<\/td>\n<td width=\"94\">09:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">04\/11\/19<\/td>\n<td width=\"150\">Marcio de Moraes Vetromila<\/td>\n<td width=\"367\">Produ\u00e7\u00e3o Cultural em F\u00e3-Arte<\/td>\n<td width=\"144\">Angela Raffin Pohlmann<\/td>\n<td width=\"94\">14:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">11\/11\/19<\/td>\n<td width=\"150\">Cibele da Rosa Gil<\/td>\n<td width=\"367\">Fotografar e riscar: modos de dar e ver o deslocamento na cidade<\/td>\n<td width=\"144\">Eduarda Azevedo Gon\u00e7alves<\/td>\n<td width=\"94\">09:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">11\/11\/19<\/td>\n<td width=\"150\">Miriam Brockmann Guimar\u00e3es<\/td>\n<td width=\"367\">Po\u00e9ticas Visuais tecidas pela artista contempor\u00e2nea Ber\u00ea Fuhro Souto<\/td>\n<td width=\"144\">Carmen Anita Hoffmann<\/td>\n<td width=\"94\">13:30<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<tr>\n<td width=\"78\">11\/11\/19<\/td>\n<td width=\"150\">Tauana Oxley Pereira<\/td>\n<td width=\"367\">Pinceladas art\u00edstico-pedag\u00f3gicas para o ensino de dan\u00e7a no componente curricular arte<\/td>\n<td width=\"144\">Carmen Anita Hoffmann<\/td>\n<td width=\"94\">15:00<\/td>\n<td width=\"121\">Sala 313<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Data Discente T\u00edtulo Orientador Hora Local 15\/04\/19 Ronaldo Luis Goulart Campello Um relic\u00e1rio de palavras: uma tessitura que irrompe de um palimpsesto, de um cuidado, de um devir-docente&#8230; Ursula Rosa da Silva 14:00 Sala 313 07\/06\/19 Jaciara Jorge Percursos formativos e doc\u00eancia em Dan\u00e7a: o ensino da arte na escola sob a luz da [&hellip;]<\/p>\n","protected":false},"author":301,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-3586","post","type-post","status-publish","format-standard","hentry","category-sem-categoria"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/posts\/3586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/users\/301"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3586"}],"version-history":[{"count":3,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/posts\/3586\/revisions"}],"predecessor-version":[{"id":3658,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=\/wp\/v2\/posts\/3586\/revisions\/3658"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/mestradoartesvisuais\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}