{"id":3861,"date":"2022-12-12T00:00:45","date_gmt":"2022-12-12T03:00:45","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/malg\/?p=3861"},"modified":"2023-02-13T15:26:09","modified_gmt":"2023-02-13T18:26:09","slug":"avacalharte","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/malg\/avacalharte\/","title":{"rendered":"aVACAlhARTE"},"content":{"rendered":"
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aVACAlhARTE<\/strong><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>

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Folder<\/span><\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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12\/dez\/2022 _ 21\/fev\/2023<\/span><\/strong><\/span><\/p>\n<\/div>\n<\/div><\/div>

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\u201caVACAlhARTE\u201d nasceu a partir de algumas obras feitas para uma mostra na Associa\u00e7\u00e3o Rural de Pelotas, quando surgiu, quase que naturalmente, a ideia de trabalhar com a vaquinha como um personagem que pudesse se desdobrar sob in\u00fameras facetas, enfocando um universo de situa\u00e7\u00f5es de nossa conviv\u00eancia social, pol\u00edtica, cient\u00edfica, ambiental, etc.<\/p>\n

A experi\u00eancia rendeu esta s\u00e9rie de trabalhos feitos com a alegria de uma brincadeira, como catarse em frente aos tempos dif\u00edceis dos \u00faltimos anos, e com a seriedade necess\u00e1ria para produzir arte.<\/p>\n

\u00a0_ Z\u00e9ca Nogueira<\/strong><\/span><\/p>\n

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Grafia fon\u00e9tica\/sem\u00e2ntica de uma A VACA ALIADA, que DESMATA, DESAGUA e DESERTA, no RESGUARDO de um BOICOTE, BOIDADA ou VACA GADO pass\u00edvel de interpreta\u00e7\u00f5es adversas, \u00e9 m\u00e9trica mel\u00f3dica complementar \u00e0 forma, cor, composi\u00e7\u00e3o, ritmo e propor\u00e7\u00e3o\u2026 \u00e9 escritura topogr\u00e1fica escult\u00f3rica articulada em palavra\u2013imagem, par realidade e imagina\u00e7\u00e3o convivendo com um sentido \u00fanico: elevar \u00e0 consci\u00eancia ao que \u00e9, ou foi, ordin\u00e1rio da experi\u00eancia. Tipo linguagem, tem seus c\u00f3digos bem definidos: diferen\u00e7a e repeti\u00e7\u00e3o, rela\u00e7\u00e3o de conjunto e unidade. Como uma escrita tridimensional, pode-se ler\u2026 vendo\u2026 circundando! Assim, Zeca Nogueira escreve desenhando \u2014 desenha escrevendo, constr\u00f3i sua visualidade amparado pelos significantes da palavra em sua pl\u00e1stica realidade tang\u00edvel, em tempo e espa\u00e7o, dialogando com o mel\u00f3dico som do verbo, tamb\u00e9m, presentificado em mat\u00e9ria pl\u00e1stica.<\/p>\n

\u00a0_ Fernando Igansi
\n<\/strong>Londres, 15 de novembro de 2022<\/span><\/span><\/p>\n

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A exposi\u00e7\u00e3o de Zeca Nogueira, em 2019, n\u00e3o sabia o que viria nos dois anos seguintes. Mas anteviu. E continuou, desdobrou-se, multiplicou-se e fez de uma \u00fanica e incans\u00e1vel figura o mot de um discurso reiterativo, \u00e0s vezes direto. Um discurso que tamb\u00e9m \u00e9 uma brincadeira de palavras, figuras e cores prim\u00e1rias (como podem ser prim\u00e1rios os mais perversos intuitos e a\u00e7\u00f5es dos \"tristes tiranos\") que com um humor ir\u00f4nico ou uma ironia humorada suprime qualquer d\u00favida sobre do que se est\u00e1 vendo e, portanto, em linguagem figurativa, do que se est\u00e1 falando. Assim, um elemento modular, uma vaquinha de brinquedos como os que muitos de n\u00f3s deram aos seus filhos, adquire uma densidade expressiva absoluta seja na repeti\u00e7\u00e3o, na dimens\u00e3o, no volume ou na combina\u00e7\u00e3o com outras figuras simples e diretas. Ou, ainda, na ironia do humor sem concess\u00f5es, em combina\u00e7\u00e3o com palavras. N\u00e3o se tratam de obras, sen\u00e3o de uma exposi\u00e7\u00e3o que se estende no tempo, ironiza e critica a macabra e violenta trajet\u00f3ria daquilo que se apresentava como antici\u00eancia para consumar-se no que era desde sempre: anti-humanidade.<\/p>\n

\u00a0_ Francisca Ferreira Michelon
\ndezembro de 2022<\/span><\/strong><\/span><\/p>\n

 <\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

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FICHA T\u00c9CNICA<\/strong><\/span><\/p>\n

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\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

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UNIVERSIDADE FEDERAL DE PELOTAS<\/strong><\/span><\/p>\n

REITORA<\/strong><\/span>
\nIsabela Fernandes Andrade<\/span>
\nVICE REITORA<\/strong><\/span>
\nUrsula Rosa da Silva<\/span>
\nPR\u00d3 REITORA DE ENSINO<\/strong><\/span>
\nMaria de F\u00e1tima Cossio<\/span>
\nPR\u00d3 REITOR ADMINISTRATIVO<\/strong><\/span>
\nRicardo Hartlebem Peter<\/span>
\nPR\u00d3 REITOR DE GEST\u00c3O DA INFORMA\u00c7\u00c3O E COMUNICA\u00c7\u00c3O<\/strong><\/span>
\nJulio Balzano de Matos<\/span>
\nPR\u00d3 REITOR DE ASSIST\u00caNCIA ESTUDANTIL<\/strong><\/span>
\nRosane Maria dos Santos Brand\u00e3o<\/span>
\nPR\u00d3 REITOR DE EXTENS\u00c3O E CULTURA<\/strong><\/span>
\nEraldo dos Santos Pinheiro<\/span>
\nPR\u00d3 REITOR DE GEST\u00c3O DE PESSOAS<\/strong><\/span>
\nTa\u00eds Ulrich Fonseca<\/span>
\nPR\u00d3 REITOR DE PESQUISA, P\u00d3S-GRADUA\u00c7\u00c3O E INOVA\u00c7\u00c3O<\/strong><\/span>
\nFlavio Fernando Demarco<\/span>
\nPR\u00d3 REITOR DE PLANEJAMENTO<\/strong><\/span>
\nPaulo Roberto Ferreira J\u00fanior<\/span><\/p>\n

 <\/p>\n

CENTRO DE ARTES<\/strong><\/span><\/p>\n

DIRETOR<\/strong><\/span>
\nCarlos Walter Soares<\/span>
\nDIRETORA ADJUNTA<\/strong><\/span>
\nRoberta Coelho Barros<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>

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MUSEU DE ARTE LEOPOLDO GOTUZZO<\/strong><\/span><\/p>\n

DIRETOR<\/strong><\/span>
\nLauer Alves Nunes dos Santos<\/span>
\nDIRETOR ADJUNTO<\/strong><\/span>
\nCl\u00f3vis Martins Costa<\/span>
\nN\u00daCLEO ADMINISTRATIVO<\/strong><\/span>
\nRoberta Trierweiller<\/span>
\nN\u00daCLEO DE RESERVA T\u00c9CNICA E ACERVO<\/strong><\/span>
\nF\u00e1bio Galli Alves<\/span>
\nJoana Lizott<\/span>
\nN\u00daCLEO DE PROGRAMA\u00c7\u00c3O E CURADORIA<\/strong><\/span>
\nAdriane R. Corr\u00eaa<\/span>
\nAndr\u00e9 Venzon<\/span>
\nCl\u00f3vis M. Costa<\/span>
\nEdward P\u00e9rez-Gonzalez<\/span>
\nF\u00e1bio Galli<\/span>
\nGiorgio Ronna<\/span>
\nHelene Sacco<\/span>
\nLauer dos Santos<\/span>
\nRaquel Santos<\/span>
\nRenan Espirito Santo<\/span>
\nHIGIENIZA\u00c7\u00c3O \u2013 SULCLEAN<\/strong><\/span>
\nCarla Lima Rosa<\/span>
\nAlana dos Santos Rodrigues<\/span>
\nLisiane Monteiro<\/span>
\nSEGURAN\u00c7A<\/strong><\/span>
\nDiones Barros<\/span>
\nBruna Cabana<\/span>
\nThiago Silva<\/span>
\nPORTARIA<\/strong><\/span>
\nLuciane Valente<\/span>
\nBruno Valad\u00e3o<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>

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EXPOSI\u00c7\u00c3O aVACAlhARTE<\/strong><\/span><\/p>\n

EXPOGRAFIA<\/strong><\/span>
\nZeca Nogueira<\/span>
\nF\u00e1bio Galli Alves<\/span>
\nDESIGN<\/strong><\/span>
\nRenan Espirito Santo<\/span>
\nFOTOGRAFIA<\/strong><\/span>
\nDaniel Moura<\/span>
\nPINTURA DAS GALERIAS<\/strong><\/span>
\nM\u00e1rcio Vinicios Gerardi<\/span>
\nMONTAGEM<\/strong><\/span>
\nAderson Xavier Corr\u00eaa<\/span>
\nCelomar Coelho<\/span>
\nRog\u00e9rio M\u00fcller<\/span><\/p>\n

 <\/p>\n

APOIO<\/strong><\/span>
\nSamalg - Sociedade de Amigos do<\/span>
\nMuseu de Arte Leopoldo Gotuzzo<\/span>
\nPRESIDENTE
\n<\/strong>Renan Espirito Santo<\/span>
\nVICE-PRESIDENTE
\n<\/strong>Luciana D. da C. Vianna<\/span><\/p>\n

 <\/p>\n

\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

\n\n
\n\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t<\/span>\t\t\t\t\t\t\t<\/span>\n\t\t<\/a>\n\t\n\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t<\/span>\t\t\t\t\t\t\t<\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Exposi\u00e7\u00e3o _ aVACAlhARTE [ 2022 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