{"id":3179,"date":"2022-05-17T19:00:15","date_gmt":"2022-05-17T22:00:15","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/malg\/?p=3179"},"modified":"2022-05-17T19:26:42","modified_gmt":"2022-05-17T22:26:42","slug":"entre-o-mergulho-e-a-distancia","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/malg\/entre-o-mergulho-e-a-distancia\/","title":{"rendered":"Entre o mergulho e a dist\u00e2ncia"},"content":{"rendered":"
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Entre o mergulho e a dist\u00e2ncia<\/strong><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>

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Convite<\/a>\u00a0 |\u00a0\u00a0Folder<\/a><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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 <\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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17\/mai _ 26\/jun\/2022<\/span><\/strong><\/span><\/p>\n<\/div>\n<\/div><\/div>

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A pintura incandesce os entretempos da imagem. Na elabora\u00e7\u00e3o de seu conjunto de faturas, assim como na rela\u00e7\u00e3o que estabelecemos como ela no espa\u00e7o de exposi\u00e7\u00e3o, o lugar do olhar \u00e9 sempre l\u00e1bil, deslocado, indeterminado.<\/p>\n

A exposi\u00e7\u00e3o apresenta trabalhos de seis artistas-pesquisadores brasileiros que elaboram a imagem em seus processos pict\u00f3ricos: Cl\u00f3vis Martins Costa, Felipe G\u00f3es, Lauer Nunes dos Santos, Liz\u00e2ngela Torres, Marilice Corona e Ricardo Mello. A pintura de imagem parece indicar uma sintom\u00e1tica presente na arte atual, seja atrav\u00e9s de uma revis\u00e3o da hist\u00f3ria da arte quanto da elabora\u00e7\u00e3o pr\u00f3pria ao fluxo rand\u00f4mico da imagem nas mais variadas e velozes plataformas. O tempo lento exigido pela pintura (no fazer e na frui\u00e7\u00e3o) contradiz a l\u00f3gica do consumo instant\u00e2neo e da passagem irrefletida pelos carross\u00e9is onde se engendra a perda absoluta do referente. Cabe aqui pensar no estatuto da pintura ao longo da hist\u00f3ria da arte como ve\u00edculo de constru\u00e7\u00e3o e propaga\u00e7\u00e3o da imagem e que nos dias atuais, distante (ou muito perto) de sua designa\u00e7\u00e3o original, apresenta-se como um dos ve\u00edculos poss\u00edveis para a condensa\u00e7\u00e3o do olhar atrav\u00e9s de lugares onde apenas uma l\u00f3gica funciona, aquela da sensa\u00e7\u00e3o. A pintura aparece aqui atrav\u00e9s de uma diversidade de abordagens onde o fio comum \u00e9 a imagem presente\/ausente. Imagens que singram o campo pict\u00f3rico, ora fantasmas, ora espessuras materiais. Seja atrav\u00e9s da apropria\u00e7\u00e3o, amplia\u00e7\u00e3o, proje\u00e7\u00e3o ou evoca\u00e7\u00e3o, a imagem pulsa (epiphasis<\/em>) e escapa (aphanisis<\/em>), ativando o olhar em suas dimens\u00f5es \u00f3ticas e h\u00e1pticas.<\/p>\n

No ocaso das imagens, o olhar retorna, como outra camada na fatura (fratura) temporal do campo pict\u00f3rico.<\/p>\n

curadoria _ Cl\u00f3vis Martins Costa<\/strong><\/span><\/p>\n

 <\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Exposi\u00e7\u00e3o _ curadoria Cl\u00f3vis Martins Costa [ 2022 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