{"id":2544,"date":"2021-09-23T03:51:27","date_gmt":"2021-09-23T06:51:27","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/malg\/?p=2544"},"modified":"2021-12-15T16:03:01","modified_gmt":"2021-12-15T19:03:01","slug":"no-horizonte-profundo","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/malg\/no-horizonte-profundo\/","title":{"rendered":"No horizonte profundo"},"content":{"rendered":"<div id=\"pl-gb2544-69d9920f54ea9\"  class=\"panel-layout\" ><div id=\"pg-gb2544-69d9920f54ea9-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-gb2544-69d9920f54ea9-0\" data-stretch-type=\"full\" ><div id=\"pgc-gb2544-69d9920f54ea9-0-0\"  class=\"panel-grid-cell\" ><\/div><\/div><\/div><\/div>\n\n<div id=\"pl-gb2544-69d9920f55630\"  class=\"panel-layout\" ><div id=\"pg-gb2544-69d9920f55630-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-gb2544-69d9920f55630-0\" data-stretch-type=\"full\" ><div id=\"pgc-gb2544-69d9920f55630-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb2544-69d9920f55630-0-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"0\" ><div id=\"pl-w617adf4acdc29\"  class=\"panel-layout\" ><div id=\"pg-w617adf4acdc29-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-0\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-0-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"0\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-0-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logo_exposicao.png\" width=\"923\" height=\"1080\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logo_exposicao.png 923w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logo_exposicao-342x400.png 342w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logo_exposicao-171x200.png 171w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logo_exposicao-768x899.png 768w\" sizes=\"(max-width: 923px) 100vw, 923px\" title=\"logo_exposi\u00e7\u00e3o\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"panel-w617adf4acdc29-0-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"1\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-0-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: left;\"><span style=\"background-color: #ffffff; color: #6c7f70;\"><strong><span style=\"font-size: 14pt; background-color: #df0628;\">Artistas _<\/span><br \/>\n<\/strong>Ali do Esp\u00edrito Santo<\/span><br \/>\n<span style=\"background-color: #ffffff; color: #6c7f70;\">Patrick Tedesco<\/span><br \/>\n<span style=\"background-color: #ffffff; color: #6c7f70;\">Tainah Dadda<\/span><br \/>\n<span style=\"background-color: #ffffff; color: #6c7f70;\">grupo T.E.L.A.<\/span><br \/>\n<span style=\"background-color: #ffffff; color: #6c7f70; font-size: 11pt;\">\u00a0 \/ La\u00eds Possamai<\/span><br \/>\n<span style=\"background-color: #ffffff; color: #6c7f70; font-size: 11pt;\">\u00a0 \/ Nicolas Beidacki<\/span><br \/>\n<span style=\"background-color: #ffffff; color: #6c7f70; font-size: 11pt;\">\u00a0 \/ Daniel dos Santos<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"background-color: #ffffff; color: #6c7f70;\"><strong><span style=\"font-size: 14pt; background-color: #df0628;\">Curadoria _<\/span><br \/>\n<\/strong>Nicolas Beidacki<\/span><\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -16px; top: 114px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-0-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">Marcada pela rela\u00e7\u00e3o experimental entre performance, paisagem, desencaixes e pertencimentos, a exposi\u00e7\u00e3o aproxima pr\u00e1ticas distintas sobre a necessidade de movimento e a pausa contemplativa frente a um lugar ou tempo que nunca cessam de recome\u00e7ar. Entrela\u00e7adas por um contexto e observadas por suas dimens\u00f5es po\u00e9ticas, as obras de Ali do Esp\u00edrito Santo, Tainah Dadda, Patrick Tedesco e do Grupo T.E.L.A procuram um di\u00e1logo entre o geopol\u00edtico e o geof\u00edsico, a cat\u00e1strofe e o ef\u00eamero ou at\u00e9 mesmo entre o tempo hist\u00f3rico, ecol\u00f3gico, meteorol\u00f3gico e o inadi\u00e1vel cataclisma.<\/span><\/p>\n<p style=\"text-align: justify;\">\n<span style=\"color: #ffffff;\">A fuga que promovem para um ponto de contempla\u00e7\u00e3o no horizonte evidencia um retorno \u00edntimo e subjetivo para si e uma indaga\u00e7\u00e3o sobre o jogo de dualidade e associa\u00e7\u00e3o que existe entre o ambientado e o ambiente. Esse embate no qual nunca deixamos de exercer um papel crucial, tardio e muito provavelmente repleto de ang\u00fastia. Sensa\u00e7\u00f5es de \u201cdeixar para tr\u00e1s\u201d, \u201couvir o estrondoso sil\u00eancio\u201d, \u201cdesviar-se de si\u201d e \u201cdiluir a mat\u00e9ria\u201d mesclam a interioriza\u00e7\u00e3o de uma certeza que paira sobre os trabalhos: \u201cnascer leva tempo\u201d. Assim, sem deixar de abrir discuss\u00f5es sobre a linguagem da performance, da fotografia, da escultura e da instala\u00e7\u00e3o, as obras parecem sugerir a percep\u00e7\u00e3o de que existe uma inquietude, uma ruptura desconfort\u00e1vel com o lugar que nos cabe neste mundo. As \u00e1guas do Gua\u00edba, a Lagoa dos Patos, as margens, o objeto em chamas, o derretimento e o colocar-se na terra, por mais que se insiram numa lentid\u00e3o visual programada, s\u00e3o interven\u00e7\u00f5es de uma travessia, movimento, um turbilh\u00e3o de delicadezas que avan\u00e7am constantemente.<\/span><\/p>\n<p style=\"text-align: justify;\">\n<span style=\"color: #ffffff;\">Avassaladora tamb\u00e9m \u00e9 a sua radicalidade no vazio. A incerteza e a ambiguidade, partes fundamentais para as quest\u00f5es sobre os fins e come\u00e7os, os lugares e n\u00e3o-lugares e o movimento interno e externo, v\u00e3o surgindo quando todos os elementos utilizados nos trabalhos param, se desintegram, desambientam-se e voltam novamente a existir. Uma revela\u00e7\u00e3o de que tudo que conhecemos est\u00e1 permanentemente mudando, se desfazendo, ressurgindo e que n\u00e3o temos controle sobre a busca na qual seremos lan\u00e7ados. Nossa subst\u00e2ncia \u00e9 um colocar-se no inesgot\u00e1vel fluxo que re\u00fane o sentimento de \u201cum mundo sem n\u00f3s\u201d e um \u201cn\u00f3s sem um mundo\u201d, pouco a pouco andando, buscando o caminho do pr\u00f3prio caminho, numa travessia turva, triste e sombria. \u00c9 a temporalidade daqueles que unificam passado e presente e estabelecem um mapa da compreens\u00e3o do territ\u00f3rio de si, lan\u00e7am uma cartografia da express\u00e3o mais \u00edntima e veem a vida circular na terra.<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #ffffff;\">Setembro de 2021<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #ffffff;\"><strong>_<\/strong><\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: 12pt; color: #ffffff;\"><strong>Nicolas Beidacki<\/strong><\/span><br \/>\n<span style=\"font-size: 10pt; color: #ffffff;\">Curador da exposi\u00e7\u00e3o virtual No Horizonte Profundo<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-1\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-w617adf4acdc29-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-1-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/p\/CUFy6zbJJok\/?utm_source=ig_web_copy_link\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01.jpg\" width=\"1280\" height=\"1280\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01.jpg 1280w, 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\n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2016_8_PatrickTedesco.jpg\" width=\"2449\" height=\"1633\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2016_8_PatrickTedesco.jpg 2449w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2016_8_PatrickTedesco-400x267.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2016_8_PatrickTedesco-200x133.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2016_8_PatrickTedesco-768x512.jpg 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2016_8_PatrickTedesco-1536x1024.jpg 1536w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2016_8_PatrickTedesco-2048x1366.jpg 2048w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2016_8_PatrickTedesco-272x182.jpg 272w\" sizes=\"(max-width: 2449px) 100vw, 2449px\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-3-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"7\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-3-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-a258e6bfa2d8\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_1_PatrickTedesco-scaled.jpg\" width=\"2560\" height=\"1706\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_1_PatrickTedesco-scaled.jpg 2560w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_1_PatrickTedesco-400x267.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_1_PatrickTedesco-200x133.jpg 200w, 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class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_2_PatrickTedesco-scaled.jpg\" width=\"2560\" height=\"1706\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_2_PatrickTedesco-scaled.jpg 2560w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_2_PatrickTedesco-400x267.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_2_PatrickTedesco-200x133.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_2_PatrickTedesco-768x512.jpg 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_2_PatrickTedesco-1536x1024.jpg 1536w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_2_PatrickTedesco-2048x1365.jpg 2048w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/deixar-para-tras_2017_2_PatrickTedesco-272x182.jpg 272w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" title=\"deixar-para-tras_2017_2_PatrickTedesco\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-4\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-4-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"9\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-4-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p style=\"text-align: justify;\">\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-4-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"10\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-4-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\"><span style=\"font-size: 12pt;\"><strong>Deixar Para Tr\u00e1s<\/strong>, 2017<br \/>\n<\/span><span style=\"font-size: 10pt;\">Tainah Dadda<br \/>\n<\/span><span style=\"font-size: 10pt;\">Fotoperformance<\/span><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-5\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-w617adf4acdc29-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-5-0-0\" class=\"so-panel widget widget_media_video panel-first-child panel-last-child\" data-index=\"11\" ><div style=\"width:100%;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-2544-1\" loop preload=\"auto\" controls=\"controls\"><source type=\"video\/youtube\" src=\"https:\/\/youtu.be\/_mO8Q9MrLQc?_=1\" \/><a href=\"https:\/\/youtu.be\/_mO8Q9MrLQc\">https:\/\/youtu.be\/_mO8Q9MrLQc<\/a><\/video><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-6\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-6\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-6-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-6-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"12\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-6-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p style=\"text-align: justify;\">\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-6-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"13\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-6-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\"><span style=\"font-size: 12pt;\"><strong>Entre o parto e o estrondo<\/strong>, 2017<br \/>\n<\/span><span style=\"font-size: 10pt;\">Ali do Esp\u00edrito Santo<br \/>\n<\/span><span style=\"font-size: 10pt;\">Videoperformance, 04\u201909\u201d<\/span><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-7\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-7\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-w617adf4acdc29-7-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-7-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"14\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A.jpg\" width=\"1437\" height=\"1080\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A.jpg 1437w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-400x301.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-200x150.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-768x577.jpg 768w\" sizes=\"(max-width: 1437px) 100vw, 1437px\" title=\"Processed with VSCO with hb1 preset\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-8\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-8\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-w617adf4acdc29-8-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-8-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"15\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-8-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-a258e6bfa2d8\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-2.jpg\" width=\"1616\" height=\"1080\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-2.jpg 1616w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-2-400x267.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-2-200x134.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-2-768x513.jpg 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-2-1536x1027.jpg 1536w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-2-272x182.jpg 272w\" sizes=\"(max-width: 1616px) 100vw, 1616px\" title=\"Processed with VSCO with hb1 preset\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-8-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-8-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"16\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-8-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-a258e6bfa2d8\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-3.jpg\" width=\"1616\" height=\"1080\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-3.jpg 1616w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-3-400x267.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-3-200x134.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-3-768x513.jpg 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-3-1536x1027.jpg 1536w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-3-272x182.jpg 272w\" sizes=\"(max-width: 1616px) 100vw, 1616px\" title=\"Processed with VSCO with hb1 preset\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-8-2\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-8-2-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"17\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-8-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-a258e6bfa2d8\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-4.jpg\" width=\"1616\" height=\"1080\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-4.jpg 1616w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-4-400x267.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-4-200x134.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-4-768x513.jpg 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-4-1536x1027.jpg 1536w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-4-272x182.jpg 272w\" sizes=\"(max-width: 1616px) 100vw, 1616px\" title=\"Processed with VSCO with hb2 preset\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-8-3\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-8-3-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"18\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-8-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-a258e6bfa2d8\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-5-scaled.jpg\" width=\"2560\" height=\"1701\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-5-scaled.jpg 2560w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-5-400x266.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-5-200x133.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-5-768x510.jpg 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-5-1536x1021.jpg 1536w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-5-2048x1361.jpg 2048w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-Metadesvio-2019-Grupo-T.E.L.A-5-272x182.jpg 272w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" title=\"Processed with VSCO with hb1 preset\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-9\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-9\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-9-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-9-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"19\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-9-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p style=\"text-align: justify;\">\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-9-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-9-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"20\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-9-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\"><span style=\"font-size: 12pt;\"><strong>Metadesivo<\/strong>, 2019<br \/>\n<\/span><span style=\"font-size: 10pt;\">T.E.L.A.<br \/>\n<\/span><span style=\"font-size: 10pt;\">Instala\u00e7\u00e3o<\/span><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-10\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-10\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-w617adf4acdc29-10-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-10-0-0\" class=\"so-panel widget widget_media_video panel-first-child panel-last-child\" data-index=\"21\" ><div style=\"width:100%;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-2544-2\" loop preload=\"auto\" controls=\"controls\"><source type=\"video\/youtube\" src=\"https:\/\/youtu.be\/O9Kgk2zljY0?_=2\" \/><a href=\"https:\/\/youtu.be\/O9Kgk2zljY0\">https:\/\/youtu.be\/O9Kgk2zljY0<\/a><\/video><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-11\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-11\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-11-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-11-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"22\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-11-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p style=\"text-align: justify;\">\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-11-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-11-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"23\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-11-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 12pt; color: #ffffff;\"><strong>Obra em Derretimento n\u00ba4<\/strong>, 2020<br \/>\n<\/span><span style=\"font-size: 10pt;\"><span style=\"color: #ffffff;\">Patrick Tedesco<\/span><br \/>\n<span style=\"color: #ffffff;\">Videoarte\/Time-lapse, 03\u201957\u201d<\/span><br \/>\n<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-12\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-12\" id=\"reportagens\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-w617adf4acdc29-12-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-12-0-0\" class=\"so-panel widget widget_sow-headline panel-first-child\" data-index=\"24\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-12-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-7d6161c2dd86 so-widget-fittext-wrapper\"\n\t\t\t data-fit-text-compressor=\"0.85\"\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h1 class=\"sow-headline\">\n\t\t\t\t\t\tENTREVISTAS\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tConfira as entrevistas com os artistas da exposi\u00e7\u00e3o\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"decoration\">\n\t\t\t\t\t\t<div class=\"decoration-inside\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-w617adf4acdc29-12-0-1\" class=\"so-panel widget widget_sow-layout-slider panel-last-child\" data-index=\"25\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-12-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-layout-slider so-widget-sow-layout-slider-default-ef5d1d9d0ad4\"\n\t\t\t\n\t\t>\t\t\t\t<div class=\"sow-slider-base\" style=\"display: none\" tabindex=\"0\">\n\t\t\t\t\t<ul\n\t\t\t\t\tclass=\"sow-slider-images\"\n\t\t\t\t\tdata-settings=\"{&quot;pagination&quot;:true,&quot;speed&quot;:80,&quot;timeout&quot;:10000,&quot;paused&quot;:true,&quot;pause_on_hover&quot;:false,&quot;swipe&quot;:false,&quot;nav_always_show_desktop&quot;:true,&quot;nav_always_show_mobile&quot;:true,&quot;breakpoint&quot;:&quot;780px&quot;,&quot;unmute&quot;:false,&quot;anchor&quot;:null}\"\n\t\t\t\t\t\t\t\t\t\tdata-anchor-id=\"\"\n\t\t\t\t>\t\t<li class=\"sow-slider-image\" style=\"visibility: visible;\" >\n\t\t\t\t\t<div class=\"sow-slider-image-container\">\n\t\t\t<div class=\"sow-slider-image-wrapper\">\n\t\t\t\t<div id=\"pl-w0ac72267\"  class=\"panel-layout\" ><div id=\"pg-w0ac72267-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w0ac72267-0\" data-stretch-type=\"full\" ><div id=\"pgc-w0ac72267-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w0ac72267-0-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas.jpg\" width=\"1280\" height=\"1280\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas.jpg 1280w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-400x400.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-900x900.jpg 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-200x200.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-768x768.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" title=\"Foto de Nicolas\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-w0ac72267-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w0ac72267-0-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"1\" ><div class=\"panel-widget-style panel-widget-style-for-w0ac72267-0-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-1.jpg\" width=\"1280\" height=\"1280\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-1.jpg 1280w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-1-400x400.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-1-900x900.jpg 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-1-200x200.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-1-768x768.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" title=\"Foto de Nicolas (1)\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w0ac72267-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w0ac72267-1\" data-stretch-type=\"full\" ><div id=\"pgc-w0ac72267-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w0ac72267-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div class=\"panel-widget-style panel-widget-style-for-w0ac72267-1-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nDos horizontes que se imp\u00f5em, o seu \u00e9 o que parece, na maioria dos casos, n\u00e3o apresentar nenhuma sa\u00edda. Num determinado momento, h\u00e1 uma parede de concreto \u00e0 sua frente; depois, observamos voc\u00ea num fr\u00e1gil trapiche sobre as \u00e1guas que banham o interior de Pelotas. J\u00e1 em Portugal, que seria o lugar para a fuga, o projeto se realiza dentro de casa, trancada. Numa obra que fala sobre deslocamento, ir adiante, deixar para tr\u00e1s, n\u00e3o \u00e9 poss\u00edvel notar como quase tudo est\u00e1 se impondo ao seu movimento?<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Tainah Dadda _<br \/>\n<\/b><\/span><span style=\"font-size: 10pt;\"><i><span style=\"font-weight: 400;\">A F\u00edsica n\u00e3o era das minhas mat\u00e9rias favoritas, mas tenho alguma lembran\u00e7a da rela\u00e7\u00e3o entre a For\u00e7a do Atrito e os corpos em movimento! Brincadeiras \u00e0 parte, podemos mesmo pensar nesses termos, de que os obst\u00e1culos do espa\u00e7o talvez sejam essenciais para o impulso da a\u00e7\u00e3o. Inclusive, foi a partir de uma maior percep\u00e7\u00e3o da hostilidade da cidade em que eu vivia para com seus artistas, que tive a motiva\u00e7\u00e3o de me voltar para a paisagem urbana do interior do Rio Grande do Sul para desenvolver esse projeto.<br \/>\n<\/span><\/i><\/span><span style=\"font-size: 10pt;\"><i><span style=\"font-weight: 400;\">Lembrei tamb\u00e9m de uma leitura feminista que uma pessoa fez das imagens durante uma das primeiras exposi\u00e7\u00f5es da fotoperformance. Ela me disse que era sobre a busca da mulher pelo seu pr\u00f3prio espa\u00e7o. Se tomarmos essa ideia como ponto de partida, ent\u00e3o a presen\u00e7a de obst\u00e1culos que se imp\u00f5em ao movimento das identidades femininas em seus percursos de independ\u00eancia \u00e9 ainda potenciada. Mas vamos nos ater \u00e0 palavra &#8220;busca&#8221;. Talvez a inten\u00e7\u00e3o deste corpo pese mais do que a concretude da a\u00e7\u00e3o. Ao buscar, n\u00e3o h\u00e1 um compromisso, nem a garantia de \u00eaxito. Pode n\u00e3o haver sa\u00edda no horizonte, mas nada impede que sua busca.<br \/>\n<\/span><\/i><\/span><span style=\"font-size: 10pt;\"><i><span style=\"font-weight: 400;\">Em outro sentido, a obra tamb\u00e9m n\u00e3o se define somente ao redor de grandes fugas, de partidas \u00e9picas, mas muito mais em torno das pequenas despedidas cotidianas, inerentes \u00e0 vida. No dia a dia das cidades, h\u00e1 min\u00fasculas mortes a todo o instante, breves perdas, mudan\u00e7as constantes, deixar para tr\u00e1s \u00e9 reconhec\u00ea-las e aceit\u00e1-las.<br \/>\n<\/span><\/i><\/span><span style=\"font-size: 10pt;\"><i><span style=\"font-weight: 400;\">Ali\u00e1s, mesmo no isolamento entre quatro paredes esses pequenos lutos di\u00e1rios n\u00e3o param de ocorrer. A s\u00e9rie feita em Portugal surgiu da\u00ed. \u00c9 importante dizer que ela se deu literalmente em estado de exce\u00e7\u00e3o. Est\u00e1vamos no processo de desconfinamento do primeiro lockdown que o pa\u00eds viveu, no in\u00edcio da pandemia da Covid-19. Por isso, a escolha do espa\u00e7o da casa que, para todos n\u00f3s que pudemos cumprir as regras sanit\u00e1rias, se tornou muito mais do que um abrigo, mas todo o microcosmos que uma rua ou uma cidade \u00e9. A rela\u00e7\u00e3o do corpo com aquele ambiente e com o tempo se alterou profundamente. Na imobilidade dos dias confinados, as semanas e os meses pareciam passar em alta velocidade. Tudo era mais impermanente e fr\u00e1gil do que jamais pareceu ser, &#8220;deixar para tr\u00e1s&#8221; se tornou um imperativo, um solo comum para parte da popula\u00e7\u00e3o mundial, como h\u00e1 tempos n\u00e3o parecia poss\u00edvel. Ent\u00e3o, minha rea\u00e7\u00e3o natural foi experimentar a a\u00e7\u00e3o no espa\u00e7o dom\u00e9stico.<\/span><\/i><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nA presen\u00e7a da cadeira como \u00fanica bagagem que ainda sujeita essa personalidade que deixa para tr\u00e1s todo o resto na paralisa\u00e7\u00e3o moment\u00e2nea do movimento, implica, sen\u00e3o numa contempla\u00e7\u00e3o do ambiente exterior, numa reflex\u00e3o sobre o pensamento interior da artista. Para onde se volta essa cadeira? E como a composi\u00e7\u00e3o de interior e exterior dialogam com esse objeto?<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Tainah Dadda _<br \/>\n<\/b><\/span><span style=\"font-size: 10pt;\"><i><span style=\"font-weight: 400;\">Interior e exterior dialogam continuamente, esse duplo movimento de intera\u00e7\u00e3o com o ambiente externo e de medita\u00e7\u00e3o ativa \u00e9 fundamental para a realiza\u00e7\u00e3o da a\u00e7\u00e3o. E a cadeira desempenha muitas fun\u00e7\u00f5es, desde as mais pr\u00e1ticas, como auxiliar na constru\u00e7\u00e3o de uma outra qualidade de presen\u00e7a, na medida em que altera o equil\u00edbrio, o peso e o tempo do corpo em deslocamento, quanto as mais simb\u00f3licas: como prolongamento desse corpo, ou bagagem como a pergunta se refere, ou o simbolismo de presen\u00e7as e aus\u00eancias que se deixam ou n\u00e3o para tr\u00e1s. A cadeira se volta para o passado, para as dist\u00e2ncias percorridas, mas avan\u00e7a sempre em dire\u00e7\u00e3o a um por vir.\u00a0<\/span><\/i><\/span><\/span><\/p>\n<p style=\"text-align: justify;\">\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w0ac72267-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w0ac72267-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-w0ac72267-1-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nQuando pensamos o registro do movimento \u00e9 comum relacion\u00e1-lo com a imagem em v\u00eddeo, uma vez que a fotografia permite uma certa paralisa\u00e7\u00e3o do presente, em lugar e em tempo. Como se deu a escolha para o uso da fotoperformance, uma vez que ela parece induzir a uma contradi\u00e7\u00e3o natural ao movimento?<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Tainah Dadda _<br \/>\n<\/b><\/span><span style=\"font-size: 10pt;\"><i><span style=\"font-weight: 400;\">A fotografia \u00e9 um dispositivo mnem\u00f4nico em sua origem e a rela\u00e7\u00e3o entre corpo, mem\u00f3ria afetiva e espa\u00e7o est\u00e1 na base da concep\u00e7\u00e3o do projeto. Deixar para tr\u00e1s \u00e9 sobre a imperman\u00eancia, a transitoriedade das coisas, mas n\u00e3o se trata s\u00f3 de movimento, \u00e9 tamb\u00e9m o esfor\u00e7o de capturar, de guardar o que se move. Ao final de cada percurso, a a\u00e7\u00e3o perform\u00e1tica inclui uma etapa contemplativa, im\u00f3vel na cadeira, em que o trajeto percorrido \u00e9 observado. Costumo dizer que \u00e9 o &#8220;olhar de quem se despede&#8221;, aquela observa\u00e7\u00e3o atenta de quem procura registrar na mem\u00f3ria todos os detalhes, sons, cheiros\u2026 Mas \u00e9 quase um trabalho de S\u00edsifo, porque uma vez percorrido, o caminho j\u00e1 n\u00e3o \u00e9 mais o mesmo. A fotografia ent\u00e3o faz parte desta inten\u00e7\u00e3o de conservar o ef\u00eamero, fragmentar a a\u00e7\u00e3o, isolar o movimento para evidenciar detalhes que, no instante seguinte \u00e0 captura da imagem, podem se alterar ou deixar de existir.\u00a0<\/span><\/i><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nO uso das cores na constru\u00e7\u00e3o da imagem e na caracteriza\u00e7\u00e3o da pessoa que <\/span><i><span style=\"font-weight: 400;\">deixa para tr\u00e1s<\/span><\/i><span style=\"font-weight: 400;\"> sempre \u00e9 muito significativo no seu trabalho. Nos registros da s\u00e9rie realizados no Brasil, vemos a altern\u00e2ncia entre tons de preto na constitui\u00e7\u00e3o da roupa que utiliza para a fotoperformance. J\u00e1 em Portugal, \u00e9 o vermelho que marca um contraste nos registros, tanto com rela\u00e7\u00e3o ao ambiente da imagem, quanto com as imagens anteriores da s\u00e9rie. O que motivou a mudan\u00e7a e como ela reflete nas caracter\u00edsticas do pr\u00f3prio trabalho?<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Tainah Dadda _<br \/>\n<\/b><\/span><span style=\"font-size: 10pt;\"><i><span style=\"font-weight: 400;\">Devo mencionar que, assim como as cadeiras, os figurinos de Deixar para tr\u00e1s s\u00e3o sempre pe\u00e7as de roupas usadas, que s\u00e3o doadas ou emprestadas em cada cidade que realizo a a\u00e7\u00e3o. \u00c9 importante que sejam objetos impregnados de mem\u00f3ria, que &#8220;vestem&#8221; esse corpo momentaneamente, mas n\u00e3o pertencem a ele. Por isso, jamais fico com nenhum deles, ao final da performance. Assim, h\u00e1 sempre um espa\u00e7o para o acaso. O crit\u00e9rio principal \u00e9 que sejam pe\u00e7as de cores s\u00f3lidas e linhas minimais. A busca por contraste entre a figura humana e o ambiente urbano, no caso do Brasil, e dom\u00e9stico, em Portugal, tamb\u00e9m est\u00e1 sempre presente.<br \/>\n<\/span><\/i><\/span><span style=\"font-size: 10pt;\"><i><span style=\"font-weight: 400;\">As s\u00e9ries no sul do Brasil foram realizadas, duas no outono, e uma ao final do inverno, enquanto em Portugal, era o auge do ver\u00e3o. Evidentemente, a quest\u00e3o clim\u00e1tica e geogr\u00e1fica acarreta mudan\u00e7as na composi\u00e7\u00e3o das imagens em rela\u00e7\u00e3o \u00e0 luminosidade, mas n\u00e3o s\u00f3, tamb\u00e9m na disponibilidade corporal tanto de quem performa, quanto de quem fotografa e outros aspectos sensoriais que s\u00e3o invis\u00edveis, mas determinantes para o objeto fotogr\u00e1fico.<br \/>\n<\/span><\/i><\/span><i><span style=\"font-weight: 400;\"><span style=\"font-size: 10pt;\">Mas voltando \u00e0s roupas e as cores, tive a op\u00e7\u00e3o de um vestido preto tamb\u00e9m no Porto, mas o vermelho contava mais hist\u00f3rias &#8211; pelo modelo, acredito que seja dos anos 70, a etiqueta dizia que fora feito em outro pa\u00eds europeu, e foi oferecido para mim por uma brasileira que que vivia h\u00e1 poucos meses em Portugal e o comprou de segunda m\u00e3o. Colocar um tom t\u00e3o permeado de intensidades e extrovers\u00e3o no ambiente introvertido e \u00edntimo da casa, embora promova uma ruptura em rela\u00e7\u00e3o \u00e0s edi\u00e7\u00f5es anteriores da fotoperformance, tamb\u00e9m estabelece um di\u00e1logo de oposi\u00e7\u00f5es.<\/span><\/span><\/i><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/li>\n\t\t\t\t<li class=\"sow-slider-image\" style=\"visibility: hidden;\" >\n\t\t\t\t\t<div class=\"sow-slider-image-container\">\n\t\t\t<div class=\"sow-slider-image-wrapper\">\n\t\t\t\t<div id=\"pl-we7b64673\"  class=\"panel-layout\" ><div id=\"pg-we7b64673-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-we7b64673-0\" data-stretch-type=\"full\" ><div id=\"pgc-we7b64673-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-we7b64673-0-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0035.jpg\" width=\"1280\" height=\"1280\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0035.jpg 1280w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0035-400x400.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0035-900x900.jpg 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0035-200x200.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0035-768x768.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-we7b64673-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-we7b64673-0-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"1\" ><div class=\"panel-widget-style panel-widget-style-for-we7b64673-0-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0034.jpg\" width=\"1280\" height=\"1280\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0034.jpg 1280w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0034-400x400.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0034-900x900.jpg 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0034-200x200.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/IMG-20211012-WA0034-768x768.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-we7b64673-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-we7b64673-1\" data-stretch-type=\"full\" ><div id=\"pgc-we7b64673-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-we7b64673-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div class=\"panel-widget-style panel-widget-style-for-we7b64673-1-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nA s\u00e9rie de trabalhos \u201cObra em Derretimento\u201d \u00e9 parte de uma pesquisa dividida em um eixo te\u00f3rico e pr\u00e1tico de sua pesquisa pessoal na especializa\u00e7\u00e3o em Artes, em 2012. Nela, voc\u00ea menciona como aplicamos significa\u00e7\u00f5es ao per\u00edodo que compreende o in\u00edcio, o meio e o fim do tempo. Lidando com materiais ef\u00eameros, como o gelo, para onde se desloca o final do processo: o derretimento ou o registro?<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Patrick Tedesco _<br \/>\n<\/b><\/span><em><span style=\"font-size: 10pt;\">O final do processo \u00e9 a morte do artista ou a morte da obra. Se, com o passar dos anos, ningu\u00e9m mais lembrar que o artista existiu, ent\u00e3o aquele percurso chegou ao seu fim. Da mesma forma, se a obra de Arte pegar fogo ou se perder em nuvens de HDs enferrujados, nada mais restar\u00e1 dela, e ela ter\u00e1 ent\u00e3o completado a finalidade de sua exist\u00eancia.<br \/>\n<\/span><\/em><em><span style=\"font-size: 10pt;\">\u00c9 por isso que eu gosto de pensar que entre \u201cin\u00edcios\u201d e \u201cfins\u201d o que importa \u00e9 o \u201cmeio\u201d. Considero que em meu trabalho, tanto as performances do derretimento quanto os registros produzidos, fazem parte deste \u201cmeio\u201d. Assim como em nossas breves e relapsas vidas, as esculturas de gelo e seus registros possuem um tempo diminuto de exist\u00eancia. Por ir\u00f4nico que pare\u00e7a, sim, at\u00e9 mesmo os registros possuem esse tempo limitado de dura\u00e7\u00e3o (n\u00e3o tenho a pretens\u00e3o de que ir\u00e3o se manter vivos e acess\u00edveis ao p\u00fablico daqui a algumas dezenas ou centenas de anos).<br \/>\n<\/span><\/em><em><span style=\"font-size: 10pt;\">A minha brincadeira como artista \u00e9, ent\u00e3o, colocar foco e luz sobre o gelo, conseguir o maior n\u00famero de realiza\u00e7\u00f5es e desdobramentos poss\u00edveis a partir deste raro objeto, pois, com isso, estou preenchendo de significado minha pr\u00f3pria exist\u00eancia, no meio que existe entre o tique e o taque do rel\u00f3gio, no meio que existe entre um nascimento e uma morte.<\/span><\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b><span style=\"font-size: 10pt;\">Nicolas Beidacki _<br \/>\n<\/span><\/b><\/span><span style=\"font-size: 10pt;\">Existe, al\u00e9m do registro fotogr\u00e1fico ou filmado, o suporte para o derretimento, onde fica gravado o processo material do trabalho. Pode-se afirmar que ele atua, ent\u00e3o, entre os m\u00e9todos da escultura, fotografia, videoarte e performance. Como \u00e9 operar as diferentes linguagens dentro de um mesmo processo? Isso esgota ou expande o sentido inicial dado ao trabalho?<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Patrick Tedesco _<br \/>\n<\/b><\/span><em><span style=\"font-size: 10pt;\">Eu entendo o suporte para o derretimento como uma \u201ctela de pintura\u201d, este processo de grava\u00e7\u00e3o eu costumo chamar de \u201cpintura indicial\u201d. Para a semi\u00f3tica de Peirce, a pegada de um cachorro, por exemplo, pode ser considerada como um \u00edndice (embora n\u00e3o vemos o cachorro que a produziu, pela sua forma de pata conseguimos concluir que \u201ca\u00ed esteve um cachorro\u201d). \u00c9 o mesmo que ocorre com aquelas magn\u00edficas pinturas rupestres, em que podem ser vistas marcas de m\u00e3os sobre paredes de pedras, carimbadas que nos fazem compreender que viveram naquele local e produziram cultura milhares de anos atr\u00e1s. Este \u00e9 o mesmo tipo de rela\u00e7\u00e3o que existe entre a marca\u00e7\u00e3o do gelo e a tela de pintura em meu projeto \u201cObra em Derretimento\u201d.<br \/>\n<\/span><\/em><em><span style=\"font-size: 10pt;\">Conforme voc\u00ea observou, coexistem, ent\u00e3o, diferentes processos e m\u00e9todos de trabalho com os quais eu gosto de trabalhar: pintura, escultura, fotografia, videoarte e execu\u00e7\u00e3o de performances. Certamente \u00e9 uma quest\u00e3o de expandir (e n\u00e3o de esgotar) o sentido do trabalho. Outros m\u00e9todos de produzir arte ainda pouco explorados por mim poderiam ser adotados, como por exemplo a observa\u00e7\u00e3o atrav\u00e9s da escrita, do desenho ou o planejamento de instala\u00e7\u00f5es &#8211; infinitas possibilidades de produ\u00e7\u00e3o que passam longe de qualquer chance de esgotamento.<br \/>\n<\/span><\/em><em><span style=\"font-size: 10pt;\">Com essa pergunta eu me lembrei de uma incr\u00edvel exposi\u00e7\u00e3o que visitei em Porto Alegre, em 2010, no in\u00edcio de meu percurso como artista, se chamava \u201cHorizonte Expandido\u201d. Essa exposi\u00e7\u00e3o, com curadoria de Andr\u00e9 Severo e Maria Helena Bernardes, trazia uma gera\u00e7\u00e3o de artistas que expandiram os horizontes de cria\u00e7\u00e3o para al\u00e9m de formas cristalizadas, contribuindo para o surgimento da Arte Contempor\u00e2nea conforme conhecemos atualmente, expandindo a viv\u00eancia de Arte para a vida cotidiana e colocando-a lado a lado com outras \u00e1reas do conhecimento. Entre os artistas estavam H\u00e9lio Oiticica, Marina Abramovic, Allan Kaprow, Bruce Nauman, Joseph Beuys &#8211; acho que n\u00e3o preciso dizer mais nada &#8211; acabei pegando gosto por essa coisa de me tornar um artista interdisciplinar com horizontes expandidos.<\/span><\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>\u00a0<\/b><\/span><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-we7b64673-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-we7b64673-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-we7b64673-1-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nSeja no registro que permanece no suporte das obras ou nas imagens fotografadas, o seu trabalho apresenta muito, como \u00e9 comum \u00e0 fotoperformance, da ideia do p\u00f3s-processo, que acaba se tornando um outro m\u00e9todo art\u00edstico. \u00c9 poss\u00edvel afirmar que esse resultado, no suporte e nas imagens, \u00e9 um exerc\u00edcio da mem\u00f3ria do trabalho?<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Patrick Tedesco _<br \/>\n<\/b><\/span><span style=\"font-size: 10pt;\"><i><span style=\"font-weight: 400;\">Mais do que ser um exerc\u00edcio da mem\u00f3ria do trabalho, vejo o trabalho resultante do registro como obra propriamente dita. \u00c9 o que acontece, por exemplo, com os quadros de fotografias e as videoartes que apresento em exibi\u00e7\u00f5es (as vezes lado a lado, inclusive, junto \u00e0s pinturas indiciais). \u00c9 claro que o m\u00e9todo adotado segue sim uma ideia de documenta\u00e7\u00e3o, de expor o processo na posterioridade, mas esses documentos acabam por sofrer novas a\u00e7\u00f5es do artista: sele\u00e7\u00e3o, montagem, colagem, enquadramento, publica\u00e7\u00e3o. De forma que, com a a\u00e7\u00e3o da m\u00e3o do artista, o registro acaba por conquistar aura de objeto de Arte \u2013 e isso \u00e9 muito legal. <\/span><\/i><\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nAo longo do processo de cria\u00e7\u00e3o dos trabalhos da s\u00e9rie, h\u00e1 momentos em que ele opera sobre retratos pessoais, a cidade de Pelotas, ou que se encontra focado na exclusividade da mat\u00e9ria em derretimento. Sendo um projeto que aborda as rela\u00e7\u00f5es entre o tempo e mem\u00f3ria, como esses elementos dialogam quando s\u00e3o colocados em diferentes contextos ou acrescidos de diferentes objetos?<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Patrick Tedesco _<br \/>\n<\/b><\/span><i><span style=\"font-weight: 400;\"><span style=\"font-size: 10pt;\">O projeto \u201cObra em Derretimento\u201d segue o procedimento operativo de constru\u00e7\u00e3o de esculturas de gelo e o registro, posterior, de seus desdobramentos, conforme j\u00e1 comentamos. No entanto, as circunst\u00e2ncias de exposi\u00e7\u00e3o e tamb\u00e9m a forma do objeto se alteram a cada trabalho. Os primeiros trabalhos que desenvolvi a partir de 2009 tratavam da constru\u00e7\u00e3o de blocos de gelo produzidos atrav\u00e9s de \u00e1gua e tinta acr\u00edlica. O foco do olhar se tornava, ent\u00e3o, a pr\u00f3pria mat\u00e9ria do objeto, sua cor, sua textura e suas modifica\u00e7\u00f5es ao longo do tempo, com um resultado essencialmente minimalista. Alguns anos depois, entre 2014 e 2015, criei uma nova s\u00e9rie que se intitula \u201cImagem em Derretimento\u201d, que segue o procedimento de imprimir imagens sobre blocos transparentes de gelo, como \u00e9 o caso das obras \u201cObra em derretimento: autorretrato n\u00ba1\u201d e \u201cA Mona Lisa em derretimento\u201d. Essa nova estrat\u00e9gia estimula o olhar para a observa\u00e7\u00e3o da imagem impressa no gelo, ou seja, o foco est\u00e1 mais na imagem apresentada do que na escultura, se afastando do contexto minimalista presente nas primeiras experi\u00eancias. Em 2017, executei a performance \u201cDerretimentos Urbanos\u201d, que se caracterizou pela constru\u00e7\u00e3o de esculturas em tamanhos maiores as quais foram depositadas em locais emblem\u00e1ticos da cidade de Pelotas \u2013 essa atitude, por sua vez, fez com que a obra estivesse mais presente no cotidiano da cidade, uma vez que passou a estar acess\u00edvel, como um outdoor, aos olhos dos transeuntes.<br \/>\nCada escolha gera formas distintas de interpreta\u00e7\u00e3o e rela\u00e7\u00e3o com o p\u00fablico, da mesma forma como as leituras podem ser extremamente variadas de acordo com o a idade ou hist\u00f3rico psicol\u00f3gico e social do p\u00fablico que entra em contato com a obra, por exemplo: crian\u00e7as gostam muito mais de brincar e tocar no objeto, enquanto adultos tendem a produzir um significado existencial consciente ou comentar sobre alguma mem\u00f3ria que a obra proporcionou. Em certa medida, quando estamos no processo de produ\u00e7\u00e3o e planejamento, conseguimos prever e imaginar certas rea\u00e7\u00f5es e possibilidades de leituras para a obra, mas o artista apenas conhece o real significado no momento em que o p\u00fablico passa a interagir e produzir sentido para o objeto est\u00e9tico constru\u00eddo.<br \/>\n<\/span><\/span><\/i><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/li>\n\t\t\t\t<li class=\"sow-slider-image\" style=\"visibility: hidden;\" >\n\t\t\t\t\t<div class=\"sow-slider-image-container\">\n\t\t\t<div class=\"sow-slider-image-wrapper\">\n\t\t\t\t<div id=\"pl-we726e94a\"  class=\"panel-layout\" ><div id=\"pg-we726e94a-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-we726e94a-0\" data-stretch-type=\"full\" ><div id=\"pgc-we726e94a-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-we726e94a-0-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-2.jpg\" width=\"1280\" height=\"1280\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-2.jpg 1280w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-2-400x400.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-2-900x900.jpg 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-2-200x200.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-2-768x768.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" title=\"Foto de Nicolas (2)\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-we726e94a-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-we726e94a-0-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"1\" ><div class=\"panel-widget-style panel-widget-style-for-we726e94a-0-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-3.jpg\" width=\"1280\" height=\"1280\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-3.jpg 1280w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-3-400x400.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-3-900x900.jpg 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-3-200x200.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Foto-de-Nicolas-3-768x768.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" title=\"Foto de Nicolas (3)\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-we726e94a-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-we726e94a-1\" data-stretch-type=\"full\" ><div id=\"pgc-we726e94a-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-we726e94a-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div class=\"panel-widget-style panel-widget-style-for-we726e94a-1-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nAl\u00e9m dos trabalhos art\u00edsticos, voc\u00ea possui um extenso projeto te\u00f3rico \u2013 extremamente diversificado \u2013 onde reflete e discute aspectos de sua pr\u00f3pria produ\u00e7\u00e3o e da arte contempor\u00e2nea. Como voc\u00ea interpreta o papel do artista contempor\u00e2neo nessa possibilidade da conceitualiza\u00e7\u00e3o e teoriza\u00e7\u00e3o?<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Ali do Esp\u00edrito Santo _<br \/>\n<\/b><\/span><span style=\"font-size: 10pt;\"><em>Estamos vivendo o tempo do Fim. O desmantelamento dos estados de bem estar social, as promessas de emancipa\u00e7\u00e3o, a crise clim\u00e1tica, tudo parece estar desabando. E de fato est\u00e1, mas isso n\u00e3o \u00e9 novidade, vem acontecendo faz v\u00e1rios anos. Ent\u00e3o, aquela promessa da \u201cculturaliza\u00e7\u00e3o\u201d do ocidente como forma de levar adiante o projeto de uma modernidade bastante espec\u00edfica, que se instaura no final dos anos 80 com o modelo do \u201cMuseu Commodity&#8221; tamb\u00e9m vem definhando de modo incontrol\u00e1vel. Me parece que as elites que anteriormente patrocinavam essa especula\u00e7\u00e3o financeira na arte, ou deram uma guinada de fato para a extrema direita, ou n\u00e3o se interessam mais tanto por esse mercado.<\/em><\/span><\/span><br \/>\n<span style=\"font-size: 10pt; color: #303030;\"><em>Obviamente, o que ocorre com esse mundo global da arte, afeta ainda mais a periferia do mundo. Aqui, nunca foi tanto o capital externo um regulador desse projeto de culturaliza\u00e7\u00e3o, mas o pr\u00f3prio Estado, o qual, desde as \u00faltimas d\u00e9cadas, tem falhado na persegui\u00e7\u00e3o de um outro modelo, bastante amb\u00edguo por sinal, que foi o da equa\u00e7\u00e3o Cultura = A\u00e7\u00e3o Social &#8211; um velho acordo que o mundo p\u00f3s guerra firmou e fez prevalecer at\u00e9 as primeiras d\u00e9cadas da formula\u00e7\u00e3o do conceito de Multiculturalismo nos anos 80. Podemos pensar, por exemplo, no imenso corte de recursos que as Bienais latinas sofreram. Uma bienal, \u00e9 um modelo bastante log\u00edstico de organizar as propostas da arte contempor\u00e2nea num mesmo plano de visibilidade. Esse evento, h\u00e1 alguns atr\u00e1s, n\u00e3o fazia parte da l\u00f3gica da institui\u00e7\u00e3o Galeria de Arte, tanto que por muito tempo, a quest\u00e3o da &#8220;arte pol\u00edtica\u201d nas bienais, focava exclusivamente em projetos mais coletivos e voltados para uma inser\u00e7\u00e3o comunit\u00e1ria. Altos valores de circula\u00e7\u00e3o significavam grandes trabalhos expansivos, sempre com muita colabora\u00e7\u00e3o envolvida.<\/em><\/span><br \/>\n<span style=\"font-size: 10pt; color: #303030;\"><em>Hoje, j\u00e1 no in\u00edcio da segunda d\u00e9cada do s\u00e9culo 21, a precariza\u00e7\u00e3o intensa dos pa\u00edses do sul global, que inclusive est\u00e1 \u201cbrasilizando\u201d o norte, impede que pensemos em projetos que possam operar n\u00e3o como produtos finais, mas como processos abertos \u00e0 grupos que n\u00e3o est\u00e3o diretamente ligados ao sistema da arte. E em termos de Brasil, esses eventos t\u00eam adotado cada vez mais a forma do artista individualizado, ou seja, a velha estrat\u00e9gia das galerias.<\/em><\/span><br \/>\n<span style=\"font-size: 10pt; color: #303030;\"><em>Nesses dois exemplos que cito, tanto o Museu Commodity como o da Cultura= A\u00e7\u00e3o Social s\u00e3o problem\u00e1ticos. Certamente o segundo \u00e9 mais desej\u00e1vel por ter esse vi\u00e9s mais aberto dos 90 e in\u00edcio dos 2000, o que Foster chama de \u201cartista etn\u00f3grafo&#8221; devido esse flerte direto com o Outro, e o segundo, \u00e9 quase um exemplo distante. O que ambos dividem \u00e9 o fato de apostarem na cultura todas as suas cartas; para um, ela \u00e9 uma forma bruta de lucro tal qual qualquer outro mercado, e para o outro, uma esp\u00e9cie de fazer pol\u00edtico exclusivista da est\u00e9tica que anula as rela\u00e7\u00f5es concretas da arte, como por exemplo, com as estruturas que sustentam esse sistema. E a\u00ed est\u00e1 o grande n\u00f3 para a maioria dos\/das artistas hoje, os\/as quais em sua absoluta maioria s\u00e3o tamb\u00e9m ideologicamente de esquerda. Acredito que estamos imersos nos desdobramentos desse segundo ponto.<\/em><\/span><br \/>\n<span style=\"font-size: 10pt; color: #303030;\"><em>O que quero dizer com isso \u00e9 que tematizar uma quest\u00e3o pol\u00edtica na obra n\u00e3o \u00e9 l\u00e1 muita coisa. Nessa terceira onda do multiculturalismo, a dimens\u00e3o hist\u00f3rica das minorias tem sido esvaziada por a\u00e7\u00f5es focadas em discuss\u00f5es de ordem muitas vezes de representa\u00e7\u00e3o, e isso faz com que a tradu\u00e7\u00e3o est\u00e9tica das pol\u00edticas de g\u00eanero, ra\u00e7a e sexualidade sejam personalizadas na figura de um Indiv\u00edduo, quando na verdade se trata a priori e sempre, das dimens\u00f5es exteriores das opress\u00f5es, de condi\u00e7\u00f5es grupais da pol\u00edtica minorit\u00e1ria. O sistema de galerias \u00e9 neoliberal porque sabe filtrar muito bem o peso material das nossas lutas, saindo da\u00ed n\u00e3o mais grupos ou coletivos que lutam, mas indiv\u00edduos singularizados por um tema espec\u00edfico que est\u00e1 vendendo. Esse revival da galeria hoje, como \u201cespa\u00e7o \u00fanico da arte\u201d, deve-se boa parte, por essa revitaliza\u00e7\u00e3o que n\u00f3s, dissid\u00eancias, fizemos a\u00ed.<\/em><\/span><br \/>\n<span style=\"font-size: 10pt; color: #303030;\"><em>Esse talvez seja um dos limbos onde a esquerda dorme seu sono imaterial atualmente, pois acredita que desta culturaliza\u00e7\u00e3o individualizada da pol\u00edtica, que por sinal \u00e9 bastante narc\u00edsica e niilista, vai sair alguma nova condi\u00e7\u00e3o. N\u00e3o se trata de negar a cultura como processo pol\u00edtico, ao contr\u00e1rio, mas de entend\u00ea-la como zona de manejo e de interven\u00e7\u00e3o, e de certa forma, buscar desnaturar o modo como essa se apresenta. E se tematizar a pol\u00edtica na obra n\u00e3o basta, a Cr\u00edtica Institucional tampouco pode nos levar a algum lugar em quest\u00e3o de a\u00e7\u00e3o pol\u00edtica efetiva atrav\u00e9s da arte. Essas quest\u00f5es se tornam obsoletas pois o momento \u00e9 complexo em suas m\u00faltiplas camadas, parece ser o Fim, mas n\u00e3o \u00e9, apenas demanda inteligibiliza\u00e7\u00e3o desse caos atrav\u00e9s do que a arte pode fazer.<\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b><span style=\"font-size: 10pt;\">Nicolas Beidacki _<br \/>\n<\/span><\/b><\/span><span style=\"font-size: 10pt;\">Hoje, depois de alguns anos com pr\u00e1ticas diversas na arte contempor\u00e2nea, \u00e9 poss\u00edvel dizer que seus trabalhos s\u00e3o estabelecidos a partir da pesquisa da Geoperformance, conceito cunhado por voc\u00ea em 2016? Na concep\u00e7\u00e3o pr\u00e1tica, como se d\u00e1 a rela\u00e7\u00e3o de &#8220;Entre o parto e o estrondo&#8221; e o termo e suas aplica\u00e7\u00f5es? Como se configura a ideia da Geoperformance quando pensada a partir da fotoperformance?<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Ali do Esp\u00edrito Santo _<br \/>\n<\/b><\/span><span style=\"font-size: 10pt;\"><em>Sim, esse termo foi cunhado por mim em 2016, ap\u00f3s uma resid\u00eancia que fiz com integrantes do grupo POCHA NOSTRA. Algumas quest\u00f5es surgiram desse processo, uma delas foi como podemos acessar o Afecto desde nossas premissas de liberdade, e ent\u00e3o poder produzir desvios pol\u00edticos que favore\u00e7am nossa posi\u00e7\u00e3o no mundo. Mas isso s\u00f3 veio \u00e0 tona porque durante a resid\u00eancia esse tema foi tratado de modo convencional, desde um senso comum limitante \u00e0s condi\u00e7\u00f5es poss\u00edveis da Afec\u00e7\u00e3o.<\/em><\/span><\/span><br \/>\n<span style=\"font-size: 10pt; color: #303030;\"><em>Deleuze e Guattari n\u00e3o s\u00e3o pau para toda obra, mas nesse caso foram muito importantes na formula\u00e7\u00e3o desse conceito, e no que eles fizeram com Espinosa. Nessa perspectiva relacional, n\u00e3o h\u00e1 indiv\u00edduos, quando falamos, somos produtos de inst\u00e2ncias pr\u00e9-individuais que nos fazem falar e que n\u00e3o est\u00e3o nos regimes simb\u00f3licos. A quest\u00e3o da Geoperformance \u00e9 sobre isso, aproveitar a disson\u00e2ncia cognitiva a significante da arte de a\u00e7\u00e3o (performance) para criar rela\u00e7\u00e3o com os afectos, com as exterioridades, com esse pr\u00e9 individual. H\u00e1 algo antes da estrutura\u00e7\u00e3o, e n\u00e3o \u00e9 uma psicologia, mas extrapsicologia. A forma Indiv\u00edduo continua sendo um problema, pois a afec\u00e7\u00e3o n\u00e3o vem do Eu, \u201csomos afectados antes de nomear\u201d. Nesse sentido, organizei uma s\u00e9rie de laborat\u00f3rios onde esse conceito foi testado, reuni bastante material e talvez saia um livro. Preciso retomar os laborat\u00f3rios quando essa crise sanit\u00e1ria do covid passar.<\/em><\/span><br \/>\n<span style=\"font-size: 10pt; color: #303030;\"><em>Por\u00e9m, entre o Parto e o Estrondo \u00e9 um trabalho que est\u00e1 bem fora desse arco da Geoperformance. Procuro construir uma metodologia de produ\u00e7\u00e3o que seja tentacular, ou seja, que algumas coisas n\u00e3o se encontrem tanto. Isso d\u00e1 maior fluxo de circula\u00e7\u00e3o, e permite n\u00e3o estacionar numa linguagem espec\u00edfica, me agrada bastante essa intensifica\u00e7\u00e3o do movimento. Esse \u00e9 um trabalho que fala diretamente sobre a Imagem e como ela tem um poder literal em si mesma de capturar quem a observa, mesmo que de relance. Por isso as construo ora beirando o absurdo, como \u00e9 o caso do guarda-chuva pegando fogo, ora uso de um metalismo pop das cores.<\/em><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-we726e94a-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-we726e94a-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-we726e94a-1-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><em>Isso me interessa muito, porque acredito que essas imagens podem soar herm\u00e9ticas para quem est\u00e1 acostumado com as linguagens da arte contempor\u00e2nea, mas podem ter tamb\u00e9m algo de familiar para o p\u00fablico. Como um kitsch \u00e0s avessas, acho que o que venho fazendo com as imagens tem algo de uma publicidade imag\u00e9tica que toca \u201cnossos cora\u00e7\u00f5es\u201d, e nos faz agregar o Weird que elas convocam. Essa quest\u00e3o do pop por exemplo, tem uma apela\u00e7\u00e3o ao popular num sentido de massifica\u00e7\u00e3o mesmo, no entanto, isso n\u00e3o est\u00e1 colado apenas nas formas que o mainstream produz, como a pop art fazia nos anos 60, mas no saldo que resta dessa imagina\u00e7\u00e3o mercadol\u00f3gica hist\u00f3rica que o p\u00fablico muita vezes tem. \u00c9 nessa parcela do inconsciente destinada a ser ocupada pela imagem do capital, fonte de imagina\u00e7\u00e3o abundante, que essas imagens querem estar.<\/em><\/span><br \/>\n<span style=\"font-size: 10pt; color: #303030;\"><em>Sobre a fotoperformance, penso ser um termo recente, mas que soa um tanto deslocado, a meu ver, daquilo que a performance se prop\u00f5e enquanto rela\u00e7\u00e3o com o corpo. Tudo que os anos 70 queriam era o rompimento com a pintura, com a media\u00e7\u00e3o est\u00e1tica do espa\u00e7o, por isso a ruptura da performance. Acho que esse conceito precisa ser mais discutido, pois sua filia\u00e7\u00e3o com a fotografia, bidimensional por ess\u00eancia, pode ser um tiro no p\u00e9 (sem sangue nesse caso, forjado com ketchup rsrsrs). Acho que precisamos falar mais dessa abordagem.<\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nEm alguns textos dispon\u00edveis a respeito do seu trabalho, voc\u00ea aborda a quest\u00e3o de ser um artista aconceitual. Como isso se d\u00e1 numa s\u00e9rie de trabalhos que dialogam profundamente com quest\u00f5es relacionadas ao capitalismo, fim do mundo, ang\u00fastia e desterritorializa\u00e7\u00e3o? Como podemos separar e\/ou compreender a diferen\u00e7a entre aconceitual e apol\u00edtico? E ainda: de que forma se relacionam os conceitos de arte e contempor\u00e2nea e realismo capitalista no teu trabalho?<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Ali do Esp\u00edrito Santo _<br \/>\n<\/b><em>Sou um artista tomado pela condu\u00e7\u00e3o dos conceitos, e n\u00e3o vejo problema <\/em><\/span><em><span style=\"font-size: 10pt;\">algum nisso. Mas como coloquei anteriormente, quando falo da Geoperformane, \u00e9 <\/span><span style=\"font-size: 10pt;\">que o espa\u00e7o simb\u00f3lico n\u00e3o consegue mediar tudo que existe no mundo, h\u00e1 coisas <\/span><span style=\"font-size: 10pt;\">que saltam dessa superf\u00edcie vis\u00edvel. Alguns trabalhos de performance que fa\u00e7o, tem <\/span><span style=\"font-size: 10pt;\">por objetivo adentrar nessa zona n\u00e3o fenom\u00eanica, s\u00e3o trabalhos que envolvem <\/span><span style=\"font-size: 10pt;\">bruxaria, pr\u00e1ticas de sigilos m\u00e1gicos, e muit\u00edssima energia, onde o desgaste <\/span><span style=\"font-size: 10pt;\">posterior \u00e9 imenso. \u201cA-conceitual\u201d \u00e9 mais sobre apontar limites na linguagem nesse <\/span><span style=\"font-size: 10pt;\">sentido.<\/span><\/em><br \/>\n<em><span style=\"font-size: 10pt;\">Esses temas que voc\u00ea enumera, fiz aparecer em alguns textos mais antigos que <\/span><span style=\"font-size: 10pt;\">escrevi e que recentemente foram subidos nas plataformas que colaboro. Mas s\u00e3o <\/span><span style=\"font-size: 10pt;\">escritos bem po\u00e9ticos, onde essas quest\u00f5es aparecem muito soltas. Hoje em dia, <\/span><span style=\"font-size: 10pt;\">esses problemas, que s\u00e3o de ordem estrutural no sistema das artes, me caem de <\/span><span style=\"font-size: 10pt;\">maneira mais direta, por exemplo na competi\u00e7\u00e3o naturalizada dessa guerra de todxs <\/span><span style=\"font-size: 10pt;\">contra todxs que alguns colegas de trabalho (artistas) insistem. Tem muita <\/span><span style=\"font-size: 10pt;\">ansiedade, um ensurdecimento por fama e visibilidade, competindo por merrecas e <\/span><span style=\"font-size: 10pt;\">produzindo trabalhos apressados sem qualidade \u201cest\u00e9tica\u201d. Isso \u00e9 horr\u00edvel.<\/span><\/em><br \/>\n<em><span style=\"font-size: 10pt;\">Sobre o apol\u00edtico, algumas pessoas j\u00e1 me perguntaram sobre isso, e entendo <\/span><span style=\"font-size: 10pt;\">que quem l\u00ea esses escritos pode chegar nessa associa\u00e7\u00e3o. No entanto, trata-se de <\/span><span style=\"font-size: 10pt;\">uma provoca\u00e7\u00e3o subentendida apenas contra essa figura magistral dx Artista <\/span><span style=\"font-size: 10pt;\">Pol\u00edtico pseudo engajadx numa causa, mas que opera s\u00f3 como umx commodity de <\/span><span style=\"font-size: 10pt;\">galeria. Precisamos dizer aos ricos propriet\u00e1rios, que suas almas n\u00e3o ser\u00e3o salvas ao <\/span><span style=\"font-size: 10pt;\">tocar em temas como racismo, sexismo e contrassexualidade. N\u00e3o h\u00e1 purifica\u00e7\u00e3o <\/span><span style=\"font-size: 10pt;\">nesse jogo para quem nunca vai abdicar de sua estrutura material para de fato ser solid\u00e1rio concretamente a esses marcadores sociais. Penso que precisamos de mudan\u00e7as estruturais que perdurem no tempo e que possam modificar de fato o sistema de redistribui\u00e7\u00e3o de riqueza, e n\u00e3o aux\u00edlios tempor\u00e1rios no calor de tend\u00eancias.<br \/>\nMark Fisher forja esse conceito de Realismo Capitalista em 2009, logo depois da crise do Subprime de 2008. Um momento onde a esquerda mundial j\u00e1 demonstrava-se incapaz de formular alternativas para al\u00e9m do capitalismo. Ent\u00e3o, ser realista, \u00e9 estar conformado com a ideia de que nada h\u00e1 para ser feito, nada pode ser mudado, como se a via neoliberal fosse a \u00fanica sa\u00edda, onde um prolongamento infinito dessa ordem tida como natural da realidade \u00e9 inclusive desejada no \u00e2mago libidinal da esquerda. Da\u00ed deriva um problema temporal tamb\u00e9m, pois o futuro desaparece do horizonte do pens\u00e1vel e do poss\u00edvel.<br \/>\nIsso atravessa minha disserta\u00e7\u00e3o de mestrado, e tamb\u00e9m fui o primeiro pesquisador a ligar essa atmosfera de fracasso da esquerda ao campo da arte contempor\u00e2nea no Brasil, durante esse curso que ministrei, linkando as duas coisas em 2021. N\u00e3o d\u00e1 pra falar muito sobre, pois precisar\u00edamos de outra entrevista s\u00f3 para tal. Mas a analogia trata-se de entender que o Tempo orientado ao Futuro foi uma premissa sine qua non para a pol\u00edtica da arte no s\u00e9culo 20 ( inclusive e tamb\u00e9m em produ\u00e7\u00f5es fora da matriz colonial ! ) e que cada vez mais vemos o tempo da arte hoje adentrar num presentismo formal, subjetivo e epist\u00eamico. Essa hegemonia do presente \u00e9 pr\u00f3pria da temporalidade capitalista, uma ideologia em v\u00e1rios estratos sociais, inclusive no sistema da arte. N\u00e3o se trata de enxergar tradi\u00e7\u00e3o por futuro nas vanguardas hist\u00f3ricas, no entanto havia nesses processos modernos de pol\u00edtica art\u00edstica algo orientado a construir temporalidades diferenciais em rela\u00e7\u00e3o ao presente. Esse \u00e9 o meu ponto ao correlacionar o Fisher de 2009 com o niilismo sem futuro da arte contempor\u00e2nea. Esse \u00e9 um projeto bastante te\u00f3rico.<br \/>\nVoltando \u00e0 quest\u00e3o da Geoperformance, vejo isso mais como uma ferramenta circunstancial, localizada, e que n\u00e3o pode ser posta como uma solu\u00e7\u00e3o geral. Dizer que o afeto \u00e9 pol\u00edtico n\u00e3o basta, \u00e9 preciso agir coletivamente, criar inst\u00e2ncias vis\u00edveis de a\u00e7\u00e3o ambiciosas, rompendo tamb\u00e9m com esse a \u201cpriori\u201d do agir e estar entre iguais.<\/span><\/em><br \/>\n<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nEm uma das vers\u00f5es de \u201cEntre o parto e o estrondo\u201d, havia a presen\u00e7a do elemento textual sobre o v\u00eddeo. Como esse elemento se relacionava com as quest\u00f5es abordadas pela fotoperformance e sob quais circunst\u00e2ncias ele foi modificado?<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Ali do Esp\u00edrito Santo _<br \/>\n<\/b><\/span><i><span style=\"font-weight: 400;\"><span style=\"font-size: 10pt;\">Colocar texto sobre a imagem \u00e9 algo que me persegue desde 2008. Um dos primeiros trabalhos que fiz em est\u00fadio foi finalizar desse modo, um texto sobre uma fotografia. Nesse v\u00eddeo eram trechos da poesia de Roberto Piva Vis\u00e3o de S\u00e3o Paulo \u00e0 noite -Poema Antrop\u00f3fago sob Narc\u00f3tico (Paran\u00f3ia). Acabei tirando essa parte por n\u00e3o ver mais muito sentido visual nessa sobreposi\u00e7\u00e3o.<\/span><\/span><\/i><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/li>\n\t\t\t\t<li class=\"sow-slider-image\" style=\"visibility: hidden;\" >\n\t\t\t\t\t<div class=\"sow-slider-image-container\">\n\t\t\t<div class=\"sow-slider-image-wrapper\">\n\t\t\t\t<div id=\"pl-w3dd18bae\"  class=\"panel-layout\" ><div id=\"pg-w3dd18bae-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w3dd18bae-0\" data-stretch-type=\"full\" ><div id=\"pgc-w3dd18bae-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w3dd18bae-0-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem1.jpg\" width=\"1280\" height=\"1280\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem1.jpg 1280w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem1-400x400.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem1-900x900.jpg 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem1-200x200.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem1-768x768.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" title=\"C\u00f3pia de 04_ Entrevista &#8211; TELA (imagem1)\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-w3dd18bae-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w3dd18bae-0-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"1\" ><div class=\"panel-widget-style panel-widget-style-for-w3dd18bae-0-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem2.jpg\" width=\"1280\" height=\"1280\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem2.jpg 1280w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem2-400x400.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem2-900x900.jpg 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem2-200x200.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Copia-de-04_-Entrevista-TELA-imagem2-768x768.jpg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" title=\"C\u00f3pia de 04_ Entrevista &#8211; TELA (imagem2)\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w3dd18bae-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w3dd18bae-1\" data-stretch-type=\"full\" ><div id=\"pgc-w3dd18bae-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w3dd18bae-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div class=\"panel-widget-style panel-widget-style-for-w3dd18bae-1-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nUm desvio pode ser um rearranjo no movimento de um corpo; pode ser, tamb\u00e9m, uma anomalia, um resultado inesperado, um engano. A composi\u00e7\u00e3o da palavra \u00e9 multifacetada e pode ser interpretada de formas variadas, bem como o prefixo \u201cmeta\u201d, que pode significar mudan\u00e7a, contempla\u00e7\u00e3o ou ainda, transcend\u00eancia. No caso de \u201cMetadesvio\u201d, o t\u00edtulo precede o trabalho ou o acompanha? De que forma ele atua sobre sua din\u00e2mica?<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>La\u00eds Possamai _<br \/>\n<\/b><em>Nem uma coisa nem outra. Para falar de \u201cMetadesvio\u201d, \u00e9 preciso falar primeiro de \u201cTerrit\u00f3rio Mudo\u201d, de 2018, trabalho realizado nas dunas do Cassino, em Rio Grande &#8211; RS. Quando se trabalha com a paisagem, uma s\u00e9rie de elementos deve ser levado em considera\u00e7\u00e3o al\u00e9m dos aspectos formais e naturais do fazer art\u00edstico; no caso de \u201cTerrit\u00f3rio Mudo\u201d, por exemplo, precisamos pensar a instabilidade, o vento, o sol, como fatores compositivos do trabalho. Havia a presen\u00e7a de um performer que dialogava tanto com a estrutura quanto com o ambiente, manejando esse vento e interagindo com ele. Esse performer provinha, por sua vez, de um personagem, que provinha de uma dramaturgia. Quando pensamos \u201cMetadesvio\u201d, transportamos esse di\u00e1logo inteiramente para a constru\u00e7\u00e3o da estrutura: sem o performer, a a\u00e7\u00e3o tornava-se o montar e o desmontar, processo que foi repetido in\u00fameras vezes. Novamente, os elementos adjacentes ao trabalho, que prov\u00e9m do ambiente, foram fundamentais: n\u00e3o havia vento ou sol forte, est\u00e1vamos em solo plano e firme e, principalmente, t\u00ednhamos tempo. Ao longo de uma tarde inteira, repetimos e modificamos o processo de montagem da estrutura. T\u00ednhamos em mente o \u201cdesvio\u201d, a princ\u00edpio, porque transitamos por esse novo aspecto da montagem: a a\u00e7\u00e3o em si como performance. Depois, pensamos o prefixo, que soou coerente, uma vez que cogitamos a natureza de palavras como \u201cmetalinguagem\u201d, por exemplo: descrever a si mesmo, descrever o desvio. O t\u00edtulo n\u00e3o atua sobre o trabalho, mas justamente o contr\u00e1rio, \u00e9 a exemplifica\u00e7\u00e3o do conceito mais extenso, que est\u00e1 nas imagens e na a\u00e7\u00e3o, e sucede a execu\u00e7\u00e3o do outro como uma consequ\u00eancia de sua exist\u00eancia. Mas \u00e9 sempre interessante pensar nessa a\u00e7\u00e3o de nomear um trabalho, de substantivar uma a\u00e7\u00e3o, conferir identidade a algo. Nenhuma montagem em si necessita de um nome, mas sempre nomeamos, mesmo quando o t\u00edtulo se torna \u201csem t\u00edtulo\u201d. Para que exista enquanto resultado, parece precisar existir enquanto sujeito. Em todos os casos at\u00e9 hoje, nos trabalhos executados pelo grupo, n\u00e3o houve nenhum inomin\u00e1vel.<\/em><\/span><br \/>\n<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b><span style=\"font-size: 10pt;\">Nicolas Beidacki _<br \/>\n<\/span><\/b><\/span><span style=\"font-size: 10pt;\">Trabalhando com artes visuais, teatro e literatura, \u00e9 poss\u00edvel destacar que suas produ\u00e7\u00f5es n\u00e3o s\u00e3o fruto do encontro\/mistura entre as diferentes linguagens, mas elas se situam individualmente em campos espec\u00edficos de cada \u00e1rea. Podemos dizer que voc\u00ea desenvolve uma produ\u00e7\u00e3o em teatro, uma produ\u00e7\u00e3o em artes visuais e uma em literatura, ou elas est\u00e3o conectadas de alguma forma e constituem um todo, formam uma \u00fanica po\u00e9tica? Qual a diferen\u00e7a em produzir artisticamente em cada uma delas?<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>La\u00eds Possamai _<br \/>\n<\/b><\/span><\/span><span style=\"font-size: 10pt; color: #303030;\"><em>N\u00e3o gosto de usar a palavra \u201cpo\u00e9tica\u201d, mas \u201cm\u00e9todo\u201d. A po\u00e9tica presume, dentre muitas coisas, um compromisso enorme com uma certa linguagem e com a constru\u00e7\u00e3o de uma persona. \u201cSou artista porque fa\u00e7o isso sobre isso\u201d. Al\u00e9m de limitante, pode ser prepotente presumir essa exclusividade, porque presume tamb\u00e9m uma certa especialidade. Claro que a constru\u00e7\u00e3o desse personagem-artista sempre existe em cima de qualquer aspecto do fazer art\u00edstico, basta dizer que se trabalha com isso ou aquilo. Mas quando eu coloco como \u201cm\u00e9todo\u201d, quero dizer que penso mais no que fazer com esse personagem, no seu modo de atua\u00e7\u00e3o, do que na sua personalidade pr\u00e9-estabelecida em si. Na po\u00e9tica, h\u00e1 essa insist\u00eancia no \u201ctema\u201d, por exemplo, sobre o que se trabalha. Eu acho isso um tanto insignificante. Na constru\u00e7\u00e3o de um m\u00e9todo, h\u00e1 de pensar como se trabalha.<br \/>\nNo desenho, h\u00e1 o resultado e o processo, nessa ordem. O resultado prov\u00e9m do rascunho, do planejamento, do ensaio do desenho. O processo \u00e9 somente uma a\u00e7\u00e3o que acarreta nesse resultado j\u00e1 estabelecido. \u00c9 a constru\u00e7\u00e3o da imagem sem atribui\u00e7\u00f5es reais, sem ilus\u00f5es, coloca-se como um desenho e somente isso desde o princ\u00edpio. O tema \u00e9 uma adjac\u00eancia, como a t\u00e9cnica, o estilo, o suporte.<br \/>\nNa escrita e no teatro, no meu caso, indissoci\u00e1veis, esse m\u00e9todo de resultado &gt; processo torna-se de outra natureza, relacionada ao som &gt; sil\u00eancio. H\u00e1 a visualidade, h\u00e1 a constru\u00e7\u00e3o de imagens, mas o que define o ritmo de uma frase sempre s\u00e3o os intervalos de som e sil\u00eancio. Como no primeiro caso, um dos fatores subjuga o outro para o resultado ideal. A imagem vem depois, como adjac\u00eancia. E esse ritmo \u00e9 o equivalente ao rascunho, ao planejamento antes da montagem. Ele \u00e9 quem define todo o resto, independente de fatores como tema, por exemplo. Em todo caso, eu jamais atribuiria isso \u00e0 po\u00e9tica do meu trabalho. Se eu me detivesse a isso, penso que me preocuparia muito em estar traindo-a constantemente.<\/em><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w3dd18bae-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w3dd18bae-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-w3dd18bae-1-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nAo longo dos \u00faltimos anos, voc\u00ea tem produzido diferentes projetos sonoros com distintas parcerias. Ha\u0301 uma pesquisa antropolo\u0301gica em S\u00e3o Paulo, uma pesquisa sobre sonoridades brasileiras, projetos de trilha sonora e a sua produc\u0327a\u0303o individual. Como essas diferentes produc\u0327o\u0303es surgiram para voc\u00ea? Como elas se diferenciam e se aproximam no seu trabalho?<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Daniel Dos Santos _<br \/>\n<\/b><\/span><em><span style=\"font-size: 10pt;\">Desde o in\u00edcio, minha experi\u00eancia com som e m\u00fasica se fez por caminhos intermitentes. Quero dizer, naturalmente, em contraponto com a constru\u00e7\u00e3o da linguagem do artista visual, fui \u2013 trazendo aqui um conceito deleuziano \u2013 cultivando rizomas a partir dos quais pudesse desenvolver discursos e projetos heterog\u00eaneos e, ao mesmo tempo, gerar conex\u00f5es de identidade entre eles. Na verdade, tal como a analogia que faz L\u00e9vi-Strauss entre a narrativa mitol\u00f3gica e uma partitura de orquestra, assim \u00e9 minha percep\u00e7\u00e3o sobre meu pr\u00f3prio trabalho: art\u00edstico em leitura mel\u00f3dica (horizontal) e acad\u00eamico em leitura harm\u00f4nica (vertical). Agora, os trabalhos que voc\u00ea citou, claro, t\u00eam sua g\u00eanese na universidade. Sou formado em Ci\u00eancias Musicais pela Universidade Federal de Pelotas e minha produ\u00e7\u00e3o intelectual durante o curso \u2013 tendo apresentado, inclusive, um texto no Congresso Nacional de Musicologia na Argentina &#8211; girou em torno dos contextos socioculturais nos quais se inserem a m\u00fasica cai\u00e7ara do litoral de S\u00e3o Paulo, especificamente, na cidade do Guaruj\u00e1, minha cidade natal. Por minha ascend\u00eancia cai\u00e7ara, essa pesquisa torna-se bastante \u00edntima. Em rela\u00e7\u00e3o aos projetos audiovisuais (todos pensados por artistas que conheci atrav\u00e9s da universidade) participei de 3 videoperformances: \u201cManual Para N\u00e1ufragos\u201d ,2020; \u201cparafazerdastripascora\u00e7\u00e3o\u201d, 2020; e \u201cmenor\u201d, de 2021. Al\u00e9m de ter composto tr\u00eas pe\u00e7as para o cat\u00e1logo desta exposi\u00e7\u00e3o. Em todos esses trabalhos, minhas influ\u00eancias foram desde o Roberto Damatta com a proposta do \u201colhar, ouvir e escrever\u201d, L\u00e9vi-Strauss e a an\u00e1lise narrativa do mito, John Cage, Philip Glass at\u00e9 David Lynch. E sobre meus projetos pessoais: estou produzindo um EP duo de guitarra e baixo que ser\u00e1 lan\u00e7ado no final deste ano e que tem uma proposta smooth jazz; e, h\u00e1 algumas semanas, comecei o \u201cUm Brasil Por Todos Os Cantos: Interpreta\u00e7\u00f5es e Leituras Cr\u00edticas de Brasis Musicais \u2013 um podcast que acontece enquanto live pelas minhas redes sociais. Seu prop\u00f3sito \u00e9, influenciado pela micro hist\u00f3ria, convidar musicistas independentes de diversas linguagens sonoras e regi\u00f5es do Brasil a ensaiarem suas percep\u00e7\u00f5es e perspectivas a respeito do pa\u00eds sob a \u00f3tica de seus fazeres musicais.<br \/>\nH\u00e1 tamb\u00e9m o blog desse projeto que surgiu, em primeiro lugar, como forma de oferecer um espa\u00e7o de aprofundamento de reflex\u00f5es para os entrevistados atrav\u00e9s do texto escrito; e, em segundo, para criar uma comunidade de interesse em m\u00fasica ativamente cr\u00edtica acerca dos aspectos que formaram e formam o conceito de mem\u00f3ria, identidade, na\u00e7\u00e3o e Brasil.<\/span><\/em><br \/>\n<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #303030;\"><b>Nicolas Beidacki _<\/b><span style=\"font-weight: 400;\"><br \/>\nNo T.E.L.A \u2013 Teatro da Estrutura Latino-Americana, a interdisciplinaridade e\u0301 um fator que constitui o grupo. Tendo esse cruzamento entre teatro, mu\u0301sica e artes visuais, voc\u00ea iniciou experimentos diversos enquanto artista multidisciplinar. Como voc\u00ea articula a relac\u0327a\u0303o entre paisagem, lugar e produc\u0327a\u0303o sonora?<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #303030;\"><span style=\"font-size: 10pt;\"><b>Daniel Dos Santos _<br \/>\n<\/b><\/span><i><span style=\"font-weight: 400;\"><span style=\"font-size: 10pt;\">A partir do T.E.L.A, tenho a oportunidade de experimentar bastante a perspectiva da audiovis\u00e3o \u2013 como escreve Michel Chion. Minhas reflex\u00f5es tem a ver com a diegese do som na cena, ou seja, como a narrativa sonora se entrela\u00e7a com as outras. Sendo mais espec\u00edfico, minha ideia \u00e9 borrar as fronteiras entre o som dieg\u00e9tico (som que acontece dentro da realidade da cena), n\u00e3o-dieg\u00e9tico (som que acontece fora da realidade da cena e n\u00e3o interage diretamente com ela) e meta-dieg\u00e9tico (som que acontece fora da realidade da cena e interage diretamente com ela). Utilizando, para isso, artif\u00edcios como a m\u00fasica eletr\u00f4nica modular enquanto texto narrativo, o som como personagem e o foley ao vivo. Al\u00e9m disso, falando especialmente do \u201cMetadesvio\u201d, reflito sobre a constru\u00e7\u00e3o de paisagem sonora silenciosa a partir da fotografia; a frui\u00e7\u00e3o do som da paisagem na perspectiva do observador que interpreta de maneira metadieg\u00e9tica o sil\u00eancio.<\/span><\/span><\/i><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/li>\n\t\t<\/ul>\t\t\t\t<ol class=\"sow-slider-pagination\">\n\t\t\t\t\t\t\t\t\t\t\t<li><a href=\"#\" data-goto=\"0\" aria-label=\"Display slide 1\"><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li><a href=\"#\" data-goto=\"1\" aria-label=\"Display slide 2\"><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li><a href=\"#\" data-goto=\"2\" aria-label=\"Display slide 3\"><\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t<li><a href=\"#\" data-goto=\"3\" aria-label=\"Display slide 4\"><\/a><\/li>\n\t\t\t\t\t\t\t\t\t<\/ol>\n\n\t\t\t\t<div class=\"sow-slide-nav sow-slide-nav-next\">\n\t\t\t\t\t<a href=\"#\" data-goto=\"next\" aria-label=\"Next slide\" data-action=\"next\">\n\t\t\t\t\t\t<em class=\"sow-sld-icon-ultra-thin-right\"><\/em>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\n\t\t\t\t<div class=\"sow-slide-nav sow-slide-nav-prev\">\n\t\t\t\t\t<a href=\"#\" data-goto=\"previous\" aria-label=\"Previous slide\" data-action=\"prev\">\n\t\t\t\t\t\t<em class=\"sow-sld-icon-ultra-thin-left\"><\/em>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-13\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-13\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-13-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-13-0-0\" class=\"so-panel widget widget_sow-headline panel-first-child\" data-index=\"26\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-13-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-530f47dccf43 so-widget-fittext-wrapper\"\n\t\t\t data-fit-text-compressor=\"0.85\"\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h1 class=\"sow-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/pubblicato.com.br\/nohorizonteprofundo\/\" target=\"_blank\" rel=\"noopener noreferrer\">\n\t\t\t\t\t\t\t\tCAT\u00c1LOGO<\/a>\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/pubblicato.com.br\/nohorizonteprofundo\/\" >\n\t\t\t\t\t\t\t\tAcesse o cat\u00e1logo da exposi\u00e7\u00e3o<\/a>\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"decoration\">\n\t\t\t\t\t\t<div class=\"decoration-inside\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-w617adf4acdc29-13-0-1\" class=\"so-panel widget widget_sow-image panel-last-child\" data-index=\"27\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-13-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-113ccd71f3e6\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/pubblicato.com.br\/nohorizonteprofundo\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Capa-Catalogo-900x900.jpg\" width=\"720\" height=\"720\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Capa-Catalogo-900x900.jpg 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Capa-Catalogo-400x400.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Capa-Catalogo-200x200.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Capa-Catalogo-768x768.jpg 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Capa-Catalogo.jpg 1280w\" sizes=\"(max-width: 720px) 100vw, 720px\" title=\"Capa Cat\u00e1logo\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-14\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-14\" id=\"reportagens\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-14-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-14-0-0\" class=\"so-panel widget widget_sow-headline panel-first-child panel-last-child\" data-index=\"28\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-14-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-headline so-widget-sow-headline-default-530f47dccf43 so-widget-fittext-wrapper\"\n\t\t\t data-fit-text-compressor=\"0.85\"\n\t\t><div class=\"sow-headline-container \">\n\t\t\t\t\t\t\t<h1 class=\"sow-headline\">\n\t\t\t\t\t\tREPORTAGENS\t\t\t\t\t\t<\/h1>\n\t\t\t\t\t\t\t\t\t\t\t\t<p class=\"sow-sub-headline\">\n\t\t\t\t\t\tConfira as reportagens sobre a exposi\u00e7\u00e3o\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"decoration\">\n\t\t\t\t\t\t<div class=\"decoration-inside\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-15\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-15\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-15-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-w617adf4acdc29-15-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-15-1-0\" class=\"so-panel widget widget_sow-button panel-first-child\" data-index=\"29\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-15-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-flat-84e85c33246a\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-center\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.correiodopovo.com.br\/arteagenda\/mostra-no-horizonte-profundo-em-pelotas-1.693964\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-top ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-elegantline\" data-sow-icon=\"&#xe009;\"\n\t\tstyle=\"color: #ffffff\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tCORREIO DO POVO\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-w617adf4acdc29-15-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"30\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-15-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 14pt;\"><strong>Mostra \u2018No Horizonte Profundo\u2019 em Pelotas<br \/>\n<\/strong><\/span>Com realiza\u00e7\u00e3o do Museu de Arte Leopoldo Gotuzzo (Malg), exposi\u00e7\u00e3o pode ser visitada por meio virtual<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-15-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-w617adf4acdc29-15-3\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-w617adf4acdc29-15-3-0\" class=\"so-panel widget widget_sow-button panel-first-child\" data-index=\"31\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-15-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-button so-widget-sow-button-flat-84e85c33246a\"\n\t\t\t\n\t\t><div class=\"ow-button-base ow-button-align-center\"\n>\n\t\t\t<a\n\t\t\t\t\thref=\"https:\/\/www.extraclasse.org.br\/cultura\/2021\/09\/mostra-no-horizonte-profundo-entra-em-cartaz-no-museu-de-arte-leopoldo-gotuzzo-em-pelotas\/\"\n\t\t\t\t\tclass=\"sowb-button ow-icon-placement-top ow-button-hover\" target=\"_blank\" rel=\"noopener noreferrer\" \t>\n\t\t<span>\n\t\t\t<span class=\"sow-icon-elegantline\" data-sow-icon=\"&#xe009;\"\n\t\tstyle=\"color: #ffffff\" \n\t\taria-hidden=\"true\"><\/span>\n\t\t\tEXTRA CLASSE\t\t<\/span>\n\t\t\t<\/a>\n\t<\/div>\n<\/div><\/div><\/div><div id=\"panel-w617adf4acdc29-15-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"32\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-15-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span style=\"font-family: 'arial black', sans-serif; font-size: 14pt;\"><strong>Mostra No Horizonte Profundo entra em cartaz no Museu de Arte Leopoldo Gotuzzo, em Pelotas<br \/>\n<\/strong><\/span>Inaugura\u00e7\u00e3o ser\u00e1 nesta quarta-feira, 22, e visita\u00e7\u00e3o se estender\u00e1 at\u00e9 31 de outubro, no site e nas redes sociais do Museu e dos artistas<br \/>\n<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-15-4\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-16\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-16\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-w617adf4acdc29-16-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-16-0-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"33\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/alidoespiritosanto\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_alidoespiritosanto.png\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_alidoespiritosanto.png 1000w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_alidoespiritosanto-400x400.png 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_alidoespiritosanto-900x900.png 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_alidoespiritosanto-200x200.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_alidoespiritosanto-768x768.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-w617adf4acdc29-16-0-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"34\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-16-0-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p class=\"q_team_name\" style=\"text-align: center;\"><span style=\"color: #000000;\"><span style=\"font-size: 14pt;\"><strong>Ali do Esp\u00edrito Santo<br \/>\n<\/strong><\/span><a style=\"color: #000000;\" href=\"https:\/\/www.instagram.com\/alidoespiritosanto\/\" target=\"_blank\" rel=\"noopener\">@alidoespiritosanto<\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">performer mato-grossense residente em Porto Alegre com gradua\u00e7\u00e3o em Artes Visuais pela Universidade Federal do Rio Grande do Sul (UFRGS) e indicado ao Pr\u00eamio Alian\u00e7a Francesa em 2017 com uma cosmogonia de trabalhos que envolviam performance, fotografia, v\u00eddeo e instala\u00e7\u00e3o.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-16-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-16-1-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"35\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-c67d20f9f743\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/patricktedesco\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_patricktedesco.png\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_patricktedesco.png 1000w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_patricktedesco-400x400.png 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_patricktedesco-900x900.png 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_patricktedesco-200x200.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_patricktedesco-768x768.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-w617adf4acdc29-16-1-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"36\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-16-1-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p class=\"q_team_name\" style=\"text-align: center;\"><span style=\"color: #000000;\"><strong><span style=\"font-size: 14pt;\">Patrick Tedesco<\/span><\/strong><br \/>\n<span style=\"font-size: 12pt;\"><a style=\"color: #000000;\" href=\"https:\/\/www.instagram.com\/patricktedesco\/\" target=\"_blank\" rel=\"noopener\">@patricktedesco<\/a><\/span><br \/>\n<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">graduado em Design Digital e p\u00f3s-graduado em Artes Visuais \u2013 Ensino e Percursos Po\u00e9ticos pela Universidade Federal de Pelotas (UFPEL), residente em Pelotas, artista multim\u00eddia com enfoque em literatura, escultura, fotografia, videoarte e performance.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-16-2\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-16-2-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"37\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/tainahdadda\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_tainahdadda.png\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_tainahdadda.png 1000w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_tainahdadda-400x400.png 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_tainahdadda-900x900.png 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_tainahdadda-200x200.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_tainahdadda-768x768.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-w617adf4acdc29-16-2-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"38\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-16-2-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: center;\"><span style=\"font-size: 14pt; color: #000000;\"><strong>Tainah Dadda<br \/>\n<\/strong><a style=\"color: #000000;\" href=\"https:\/\/www.instagram.com\/tainahdadda\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: 12pt;\">@tainahdadda<\/span><\/a><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">natural de Porto Alegre, com gradua\u00e7\u00e3o em Teatro e habilita\u00e7\u00e3o em Dire\u00e7\u00e3o Teatral pela Universidade Federal do Rio Grande do Sul (UFRGS), atuante como encenadora, produtora cultural, artista visual e oficineira, colaboradora do coletivo art\u00edstico Cena Expandida e cofundadora e produtora executiva da Ag\u00eancia CKCO em Pelotas.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-16-3\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-16-3-0\" class=\"so-panel widget widget_sow-image panel-first-child\" data-index=\"39\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/teatrodaestrutura\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_grupoTELA.png\" width=\"1000\" height=\"1000\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_grupoTELA.png 1000w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_grupoTELA-400x400.png 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_grupoTELA-900x900.png 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_grupoTELA-200x200.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/foto_grupoTELA-768x768.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><div id=\"panel-w617adf4acdc29-16-3-1\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"40\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-16-3-1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p class=\"q_team_name\" style=\"text-align: center;\"><span style=\"color: #000000;\"><span style=\"font-size: 14pt;\"><strong>grupo T.E.L.A.<br \/>\n<\/strong><\/span><a style=\"color: #000000;\" href=\"https:\/\/www.instagram.com\/teatrodaestrutura\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: 12pt;\">@teatrodaestrutura<\/span><\/a><\/span><\/p>\n<p class=\"q_team_name\" style=\"text-align: justify;\"><span style=\"color: #000000;\">composto por La\u00eds Possamai, graduanda em Artes Visuais pela Universidade Federal de Pelotas (UFPEL) e artista visual; Nicolas Beidacki, graduado em Teatro pela Universidade Federal de Pelotas (UFPEL), Conselheiro de Cultura do Rio Grande do Sul, dramaturgo e artista visual; e Daniel dos Santos, graduado em M\u00fasica pela Universidade Federal de Pelotas e m\u00fasico independente.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-17\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-17\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-17-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-17-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"41\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-17-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: right;\"><span style=\"color: #ffffff;\"><span style=\"font-size: 12pt;\"><strong>PRIMAVERA DOS MUSEUS 2021<br \/>\n<\/strong><\/span><span style=\"font-size: 10pt;\">Cards de divulga\u00e7\u00e3o da exposi\u00e7\u00e3o como programa\u00e7\u00e3o da 15\u00aa Primavera dos Museus<br \/>\n<\/span><\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify;\">\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-18\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-18\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-18-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-18-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"42\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-18-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\"><span style=\"font-size: 10pt;\">Comemorando a XV Primavera dos Museus em \u00e2mbito nacional, o MALG &#8211; Museu de Arte Leopoldo Gotuzzo est\u00e1 inserido no calend\u00e1rio de eventos com a exposi\u00e7\u00e3o &#8220;No Horizonte Profundo&#8221;. <\/span><span style=\"font-size: 10pt;\">Parabenizamos os organizadores da XV Primavera dos Museus e desejamos que o legado dessa edi\u00e7\u00e3o comemorativa traga bons frutos para um futuro pr\u00f3ximo.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><strong><span style=\"color: #ffffff;\">#PrimaveraDosMuseus2021<\/span><\/strong><\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify;\">\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-w617adf4acdc29-18-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-18-1-0\" class=\"so-panel widget widget_media_image panel-first-child panel-last-child\" data-index=\"43\" ><a href=\"https:\/\/www.instagram.com\/p\/CUI2vuaFkp8\/?utm_source=ig_web_copy_link\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2562\" data-permalink=\"https:\/\/wp.ufpel.edu.br\/malg\/no-horizonte-profundo\/01-3\/#main\" data-orig-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01.png\" data-orig-size=\"1919,1919\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"01\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-400x400.png\" data-large-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-900x900.png\" width=\"1919\" height=\"1919\" src=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01.png\" class=\"image wp-image-2562  attachment-full size-full\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01.png 1919w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-400x400.png 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-900x900.png 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-200x200.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-768x768.png 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-1536x1536.png 1536w\" sizes=\"auto, (max-width: 1919px) 100vw, 1919px\" data-attachment-id=\"2562\" data-permalink=\"https:\/\/wp.ufpel.edu.br\/malg\/no-horizonte-profundo\/01-3\/#main\" data-orig-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01.png\" data-orig-size=\"1919,1919\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"01\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-400x400.png\" data-large-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-900x900.png\" \/><\/a><\/div><\/div><div id=\"pgc-w617adf4acdc29-18-2\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-18-2-0\" class=\"so-panel widget widget_media_image panel-first-child panel-last-child\" data-index=\"44\" ><a href=\"https:\/\/www.instagram.com\/p\/CUI2sJClYQ4\/?utm_source=ig_web_copy_link\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2563\" data-permalink=\"https:\/\/wp.ufpel.edu.br\/malg\/no-horizonte-profundo\/02-3\/#main\" data-orig-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1.png\" data-orig-size=\"1919,1919\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"02\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1-400x400.png\" data-large-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1-900x900.png\" width=\"1919\" height=\"1919\" src=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1.png\" class=\"image wp-image-2563  attachment-full size-full\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1.png 1919w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1-400x400.png 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1-900x900.png 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1-200x200.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1-768x768.png 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1-1536x1536.png 1536w\" sizes=\"auto, (max-width: 1919px) 100vw, 1919px\" data-attachment-id=\"2563\" data-permalink=\"https:\/\/wp.ufpel.edu.br\/malg\/no-horizonte-profundo\/02-3\/#main\" data-orig-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1.png\" data-orig-size=\"1919,1919\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"02\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1-400x400.png\" data-large-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/02-1-900x900.png\" \/><\/a><\/div><\/div><div id=\"pgc-w617adf4acdc29-18-3\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-18-3-0\" class=\"so-panel widget widget_media_image panel-first-child panel-last-child\" data-index=\"45\" ><a href=\"https:\/\/www.instagram.com\/p\/CUI2oDVpD9v\/?utm_source=ig_web_copy_link\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2564\" data-permalink=\"https:\/\/wp.ufpel.edu.br\/malg\/no-horizonte-profundo\/03-2\/#main\" data-orig-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03.png\" data-orig-size=\"1919,1919\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"03\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03-400x400.png\" data-large-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03-900x900.png\" width=\"1919\" height=\"1919\" src=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03.png\" class=\"image wp-image-2564  attachment-full size-full\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03.png 1919w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03-400x400.png 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03-900x900.png 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03-200x200.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03-768x768.png 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03-1536x1536.png 1536w\" sizes=\"auto, (max-width: 1919px) 100vw, 1919px\" data-attachment-id=\"2564\" data-permalink=\"https:\/\/wp.ufpel.edu.br\/malg\/no-horizonte-profundo\/03-2\/#main\" data-orig-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03.png\" data-orig-size=\"1919,1919\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"03\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03-400x400.png\" data-large-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/03-900x900.png\" \/><\/a><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-19\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-19\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-19-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-19-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"46\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-19-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: left;\"><span style=\"color: #ffffff;\"><span style=\"font-size: 12pt;\"><strong>SOBRE O PROJETO<\/strong><\/span><\/span><span style=\"font-size: 10pt;\"><br \/>\n<\/span><\/p>\n<hr \/>\n<p style=\"text-align: left;\">\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w617adf4acdc29-20\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w617adf4acdc29-20\" data-stretch-type=\"full\" ><div id=\"pgc-w617adf4acdc29-20-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w617adf4acdc29-20-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"47\" ><div class=\"panel-widget-style panel-widget-style-for-w617adf4acdc29-20-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">FotoTerrit\u00f3rio: Trajet\u00f3rias do Lugar e do Corpo \u00e9 um projeto que tem como atividade principal uma exposi\u00e7\u00e3o coletiva de \u00e2mbito virtual de fotoperformance de seis artistas do eixo Pelotas \u2013 Porto Alegre, no Rio Grande do Sul, a ser realizada atrav\u00e9s das redes sociais do Museu de Arte Leopoldo Gotuzzo \u2013 MALG, no segundo semestre de 2021. A proposta \u00e9 desenvolvida pelos produtores culturais e artistas c\u00eanico-visuais La\u00eds Possamai, Nicolas Beidacki e Tainah Dadda e foi selecionada para financiamento do Procultura Pelotas para sua realiza\u00e7\u00e3o.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">Os artistas que comp\u00f5em a exposi\u00e7\u00e3o &#8220;No Horizonte Profundo&#8221;, resultado da pesquisa efetuada pelo projeto FotoTerrit\u00f3rio, s\u00e3o Ali do Esp\u00edrito Santo, performer mato-grossense residente em Porto Alegre com gradua\u00e7\u00e3o em Artes Visuais pela Universidade Federal do Rio Grande do Sul (UFRGS) e indicado ao Pr\u00eamio Alian\u00e7a Francesa em 2017 com uma cosmogonia de trabalhos que envolviam performance, fotografia, v\u00eddeo e instala\u00e7\u00e3o. Participar\u00e1 com o trabalho \u201cEntre o parto e o estrondo\u201d, de 2017; Patrick Tedesco, graduado em Design Digital e p\u00f3s-graduado em Artes Visuais \u2013 Ensino e Percursos Po\u00e9ticos pela Universidade Federal de Pelotas (UFPEL), residente em Pelotas, artista multim\u00eddia com enfoque em literatura, escultura, fotografia, videoarte e performance. Participar\u00e1 com o trabalho Obra em Derretimento; Tainah Dadda, natural de Porto Alegre, com gradua\u00e7\u00e3o em Teatro e habilita\u00e7\u00e3o em Dire\u00e7\u00e3o Teatral pela Universidade Federal do Rio Grande do Sul (UFRGS), atuante como encenadora, produtora cultural, artista visual e oficineira, colaboradora do coletivo art\u00edstico Cena Expandida e cofundadora e produtora executiva da Ag\u00eancia CKCO em Pelotas. Participar\u00e1 com registros da performance \u201cDeixar Para Tr\u00e1s\u201d, de 2017; e o grupo T.E.L.A., composto por La\u00eds Possamai, graduanda em Artes Visuais pela Universidade Federal de Pelotas (UFPEL) e artista visual; Nicolas Beidacki, graduado em Teatro pela Universidade Federal de Pelotas (UFPEL), Conselheiro de Cultura do Rio Grande do Sul, curador, dramaturgo e artista visual; e Daniel dos Santos, graduado em M\u00fasica pela Universidade Federal de Pelotas e m\u00fasico independente. O trabalho do grupo tem foco na produ\u00e7\u00e3o de espa\u00e7os que transitam entre a cenografia e a instala\u00e7\u00e3o. Participar\u00e3o com registros da montagem da instala\u00e7\u00e3o \u201cMetadesvio\u201d, de 2019.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">A curadoria \u00e9 de Nicolas Beidacki. A proposta visa oferecer ao p\u00fablico uma mostra de projetos de fotoperformance que tenham em comum a rela\u00e7\u00e3o espa\u00e7o, deslocamento e movimento, e como essa rela\u00e7\u00e3o se traduz na po\u00e9tica de cada artista. O projeto tamb\u00e9m prev\u00ea uma s\u00e9rie de atividades ao redor do tema e da exposi\u00e7\u00e3o, condensada em um box educativo a ser distribu\u00eddo para cinco escolas p\u00fablicas da cidade de Pelotas, para alunos do ensino fundamental e m\u00e9dio, em car\u00e1ter virtual, devido \u00e0 pandemia da Covid-19. O projeto educativo ser\u00e1 ministrado pela artista, pesquisadora e mediadora La\u00eds Possamai.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n\n<div id=\"pl-gb2544-69d9920f7eed3\"  class=\"panel-layout\" ><div id=\"pg-gb2544-69d9920f7eed3-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-gb2544-69d9920f7eed3-0\" data-stretch-type=\"full\" ><div id=\"pgc-gb2544-69d9920f7eed3-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb2544-69d9920f7eed3-0-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"0\" ><div id=\"pl-w614c401a885f9\"  class=\"panel-layout\" ><div id=\"pg-w614c401a885f9-0\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w614c401a885f9-0\" data-stretch-type=\"full\" ><div id=\"pgc-w614c401a885f9-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify\"><span style=\"color: #ffffff;font-size: 14pt\"><strong>FICHA T\u00c9CNICA<\/strong><\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify\">\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-w614c401a885f9-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w614c401a885f9-1\" data-stretch-type=\"full\" ><div id=\"pgc-w614c401a885f9-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span style=\"font-size: 10pt; color: #ffffff;\"><strong data-rich-text-format-boundary=\"true\">UFPel _ Universidade Federal de Pelotas<\/strong><\/span><span style=\"color: #999999; font-size: 10pt;\"><strong data-rich-text-format-boundary=\"true\"><br data-rich-text-line-break=\"true\" \/><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #999999; font-size: 10pt;\"><strong data-rich-text-format-boundary=\"true\"><span style=\"color: #ffffff;\">Reitora da Universidade Federal de Pelotas<\/span><br data-rich-text-line-break=\"true\" \/><\/strong><span style=\"color: #e6e6e6;\">Isabela Fernandes Andrade<br \/>\n<strong data-rich-text-format-boundary=\"true\"><span style=\"color: #ffffff;\">Vice-reitora da Universidade Federal de Pelotas<\/span><br data-rich-text-line-break=\"true\" \/><\/strong>Ursula Rosa da Silva<br \/>\n<\/span><\/span><span style=\"color: #ffffff; font-size: 10pt;\"><strong>Presidente da Rede de Museus da UFPEL<\/strong><\/span><br data-rich-text-line-break=\"true\" \/><span style=\"color: #e6e6e6; font-size: 10pt;\">Silvana Bojaoski<\/span><br data-rich-text-line-break=\"true\" \/><span style=\"color: #ffffff; font-size: 10pt;\"><strong>Diretor do Centro de Artes<\/strong><\/span><br data-rich-text-line-break=\"true\" \/><span style=\"color: #e6e6e6; font-size: 10pt;\">Carlos Walter Alves Soares<\/span><br data-rich-text-line-break=\"true\" \/><span style=\"color: #ffffff; font-size: 10pt;\"><strong>Presidente da SaMALG<\/strong><\/span><br data-rich-text-line-break=\"true\" \/><span style=\"color: #e6e6e6; font-size: 10pt;\">Luciana Dias da Costa Vianna<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span style=\"font-size: 10pt; color: #ffffff;\"><strong data-rich-text-format-boundary=\"true\"><span style=\"font-size: 10pt;\">MALG _ Museu de Arte Leopoldo Gotuzzo<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><strong data-rich-text-format-boundary=\"true\"><span style=\"color: #ffffff; font-size: 10pt;\">Diretor do Museu de Arte Leopoldo Gotuzzo<\/span><br data-rich-text-line-break=\"true\" \/><span style=\"color: #e6e6e6; font-size: 10pt;\">Lauer Alves Nunes dos Santos<\/span><br \/>\n<span style=\"color: #ffffff;\">Equipe do Museu de Arte Leopoldo Gotuzzo<\/span><\/strong><\/span><br data-rich-text-line-break=\"true\" \/><span style=\"font-size: 10pt; color: #e6e6e6;\">F\u00e1bio Galli Alves \u2013 Conserva\u00e7\u00e3o e Restauro<\/span><br data-rich-text-line-break=\"true\" \/><span style=\"font-size: 10pt; color: #e6e6e6;\">Joana Soster Lizott \u2013 Museologia<\/span><br data-rich-text-line-break=\"true\" \/><span style=\"font-size: 10pt; color: #e6e6e6;\">Roberta Trierweiler \u2013 Secretaria, Documenta\u00e7\u00e3o e Pesquisa<\/span><br data-rich-text-line-break=\"true\" \/><span style=\"font-size: 10pt; color: #f5f5f5;\"><strong><span style=\"color: #ffffff;\">Bolsista<\/span><br data-rich-text-line-break=\"true\" \/><\/strong><span style=\"color: #e6e6e6;\">Daniel Moura<\/span><\/span><br data-rich-text-line-break=\"true\" \/><span style=\"font-size: 10pt; color: #f5f5f5;\"><strong><span style=\"color: #ffffff;\">Design e expografia virtual<\/span><br data-rich-text-line-break=\"true\" \/><\/strong><span style=\"color: #e6e6e6;\">Amanda Machado Madruga<\/span><br \/>\n<span style=\"color: #e6e6e6;\">Renan Espirito Santo<\/span><br \/>\n<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-1-2\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-1-2-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span style=\"font-size: 10pt; color: #ffffff;\"><strong data-rich-text-format-boundary=\"true\"><span style=\"font-size: 10pt;\">Exposi\u00e7\u00e3o virtual _ No Horizonte Profundo<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #ffffff;\"><span style=\"font-size: 10pt; color: #e6e6e6;\"><span style=\"color: #ffffff;\"><b>Curadoria<br \/>\n<\/b><\/span><\/span><span style=\"font-size: 10pt; color: #e6e6e6;\">Nicolas Beidacki<\/span><strong style=\"color: #ffffff;\"><br \/>\n<\/strong><\/span><span style=\"font-size: 10pt; color: #e6e6e6;\"><span style=\"color: #ffffff;\"><b>Artistas particiantes<br \/>\n<\/b><\/span><\/span><span style=\"font-size: 10pt; color: #e6e6e6;\">Ali do Esp\u00edrito Santo<br \/>\nPatrick Tedesco<br \/>\nTainah Dadda<br \/>\ngrupo T.E.L.A.<br \/>\n\/ La\u00eds Possamai<br \/>\n\/ Nicolas Beidacki<br \/>\n\/ Daniel dos Santos<\/span><span style=\"font-size: 10pt; color: #999999;\"><br \/>\n<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-w614c401a885f9-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w614c401a885f9-2\" data-stretch-type=\"full\" ><div id=\"pgc-w614c401a885f9-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify\"><span style=\"font-size: 10pt;color: #ffffff\"><strong>REALIZA\u00c7\u00c3O<\/strong><\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify\">\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-2-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"5\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-2-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/teatrodaestrutura\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logorealizacao_grupoTEIA-200x105.png\" width=\"200\" height=\"105\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logorealizacao_grupoTEIA-200x105.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logorealizacao_grupoTEIA.png 207w\" sizes=\"(max-width: 200px) 100vw, 200px\" title=\"logo(realiza\u00e7\u00e3o)_grupoTEIA\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-2-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-w614c401a885f9-2-3\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-w614c401a885f9-2-4\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-w614c401a885f9-2-5\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-w614c401a885f9-3\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w614c401a885f9-3\" data-stretch-type=\"full\" ><div id=\"pgc-w614c401a885f9-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"6\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #ffffff;\"><strong>APOIO<\/strong><\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify;\">\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-3-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"7\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-3-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/ufpeloficial\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-2-200x89.png\" width=\"200\" height=\"89\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-2-200x89.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-2-400x178.png 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-2-768x341.png 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-2.png 1421w\" sizes=\"(max-width: 200px) 100vw, 200px\" title=\"Ativo 2\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-3-2\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-3-2-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"8\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-3-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/ca_ufpel\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2020\/12\/CA-200x69.png\" width=\"200\" height=\"69\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2020\/12\/CA-200x69.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2020\/12\/CA.png 363w\" sizes=\"(max-width: 200px) 100vw, 200px\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-3-3\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-3-3-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"9\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-3-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/malg.ufpel\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-6-200x200.png\" width=\"200\" height=\"200\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-6-200x200.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-6-400x400.png 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-6-900x900.png 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-6-768x768.png 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/Ativo-6.png 1185w\" sizes=\"(max-width: 200px) 100vw, 200px\" title=\"Ativo 6\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-3-4\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-w614c401a885f9-3-5\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-w614c401a885f9-4\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w614c401a885f9-4\" data-stretch-type=\"full\" ><div id=\"pgc-w614c401a885f9-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-4-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"10\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\"><span style=\"font-size: 10pt; color: #ffffff;\"><strong>FINANCIAMENTO<\/strong><\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-4-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"11\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-4-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/secultpel\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logofinanciamento_procultura-200x41.png\" width=\"200\" height=\"41\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logofinanciamento_procultura-200x41.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logofinanciamento_procultura.png 280w\" sizes=\"(max-width: 200px) 100vw, 200px\" title=\"logo(financiamento)_procultura\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-4-2-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"12\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-4-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/prefeituradepelotas\/\"\n\t\t\t\t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logofinanciamento_prefeituraPelotas-200x66.png\" width=\"200\" height=\"66\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logofinanciamento_prefeituraPelotas-200x66.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logofinanciamento_prefeituraPelotas.png 360w\" sizes=\"(max-width: 200px) 100vw, 200px\" title=\"logo(financiamento)_prefeituraPelotas\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-4-3\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-w614c401a885f9-4-4\"  class=\"panel-grid-cell panel-grid-cell-empty panel-grid-cell-mobile-last\" ><\/div><div id=\"pgc-w614c401a885f9-4-5\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><\/div><div id=\"pg-w614c401a885f9-5\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w614c401a885f9-5\" data-stretch-type=\"full\" ><div id=\"pgc-w614c401a885f9-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-5-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: left;\"><span style=\"font-size: 10pt; color: #ffffff;\"><strong>PRIMAVERA DOS MUSEUS 2021<\/strong><\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 126px; top: -7px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-5-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"14\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-5-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.gov.br\/museus\/pt-br\"\n\t\t\t\t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_sbm.png\" width=\"196\" height=\"79\" sizes=\"(max-width: 196px) 100vw, 196px\" title=\"logo(primaveraMuseus)_sbm\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-5-2\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-5-2-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"15\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-5-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/museusbr\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_ibram-200x81.png\" width=\"200\" height=\"81\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_ibram-200x81.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_ibram.png 253w\" sizes=\"(max-width: 200px) 100vw, 200px\" title=\"logo(primaveraMuseus)_ibram\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-5-3\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-5-3-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"16\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-5-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/culturagovbr\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_secretariaCultura-200x33.png\" width=\"200\" height=\"33\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_secretariaCultura-200x33.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_secretariaCultura.png 289w\" sizes=\"(max-width: 200px) 100vw, 200px\" title=\"logo(primaveraMuseus)_secretariaCultura\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-5-4\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-5-4-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"17\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-5-4-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/mturismo\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_ministerioTurismo.png\" width=\"170\" height=\"53\" sizes=\"(max-width: 170px) 100vw, 170px\" title=\"logo(primaveraMuseus)_minist\u00e9rioTurismo\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pgc-w614c401a885f9-5-5\"  class=\"panel-grid-cell\" ><div id=\"panel-w614c401a885f9-5-5-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"18\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-5-5-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-334eeca80698\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.instagram.com\/governodobrasil\/\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_br-200x58.png\" width=\"200\" height=\"58\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_br-200x58.png 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/logoprimaveraMuseus_br.png 363w\" sizes=\"(max-width: 200px) 100vw, 200px\" title=\"logo(primaveraMuseus)_br\" alt=\"\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-w614c401a885f9-6\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-w614c401a885f9-6\" data-stretch-type=\"full-stretched\" ><div id=\"pgc-w614c401a885f9-6-0\"  class=\"panel-grid-cell\" ><div class=\"panel-cell-style panel-cell-style-for-w614c401a885f9-6-0\" ><div id=\"panel-w614c401a885f9-6-0-0\" class=\"so-panel widget widget_sow-social-media-buttons panel-first-child panel-last-child\" data-index=\"19\" ><div class=\"panel-widget-style panel-widget-style-for-w614c401a885f9-6-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-social-media-buttons so-widget-sow-social-media-buttons-flat-b522cf5df00d\"\n\t\t\t\n\t\t>\n\n<div class=\"social-media-button-container\">\n\t\n\t\t<a \n\t\tclass=\"ow-button-hover sow-social-media-button-facebook-0 sow-social-media-button\" title=\"Museu de Arte Leopoldo Gotuzzo em Facebook\" aria-label=\"Museu de Arte Leopoldo Gotuzzo em Facebook\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/www.facebook.com\/museuleopoldogotuzzo\" \t\t>\n\t\t\t<span>\n\t\t\t\t\t\t\t\t<span class=\"sow-icon-fontawesome sow-fab\" data-sow-icon=\"&#xf39e;\"\n\t\t \n\t\taria-hidden=\"true\"><\/span>\t\t\t\t\t\t\t<\/span>\n\t\t<\/a>\n\t\n\t\t<a \n\t\tclass=\"ow-button-hover sow-social-media-button-instagram-0 sow-social-media-button\" title=\"Museu de Arte Leopoldo Gotuzzo em Instagram\" aria-label=\"Museu de Arte Leopoldo Gotuzzo em Instagram\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"https:\/\/www.instagram.com\/malg.ufpel\/\" \t\t>\n\t\t\t<span>\n\t\t\t\t\t\t\t\t<span class=\"sow-icon-fontawesome sow-fab\" data-sow-icon=\"&#xf16d;\"\n\t\t \n\t\taria-hidden=\"true\"><\/span>\t\t\t\t\t\t\t<\/span>\n\t\t<\/a>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div id=\"pl-gb2544-69d9920f9220f\"  class=\"panel-layout\" ><div id=\"pg-gb2544-69d9920f9220f-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb2544-69d9920f9220f-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb2544-69d9920f9220f-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span style=\"font-size: 24pt;\"><strong>No horizonte profundo<\/strong><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-gb2544-69d9920f9220f-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb2544-69d9920f9220f-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: right;\"><span style=\"font-family: helvetica, arial, sans-serif; font-size: 10pt;\">Convite\u00a0 |\u00a0\u00a0Cat\u00e1logo<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-gb2544-69d9920f9220f-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-gb2544-69d9920f9220f-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb2544-69d9920f9220f-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<hr \/>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-gb2544-69d9920f9220f-2\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-gb2544-69d9920f9220f-2\" data-stretch-type=\"full\" ><div id=\"pgc-gb2544-69d9920f9220f-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-gb2544-69d9920f9220f-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: right;\"><span style=\"font-size: 14pt;\"><strong><span style=\"font-family: helvetica, arial, sans-serif;\">22\/set _ 31\/out\/2021<\/span><\/strong><\/span><\/p>\n<\/div>\n<\/div><\/div><div id=\"panel-gb2544-69d9920f9220f-2-0-1\" class=\"so-panel widget widget_media_image panel-last-child\" data-index=\"4\" ><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2554\" data-permalink=\"https:\/\/wp.ufpel.edu.br\/malg\/no-horizonte-profundo\/01-2\/#main\" data-orig-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01.jpg\" data-orig-size=\"1280,1280\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"01\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-400x400.jpg\" data-large-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-900x900.jpg\" width=\"400\" height=\"400\" src=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-400x400.jpg\" class=\"image wp-image-2554  attachment-medium size-medium\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-400x400.jpg 400w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-900x900.jpg 900w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-200x200.jpg 200w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-768x768.jpg 768w, https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01.jpg 1280w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" data-attachment-id=\"2554\" data-permalink=\"https:\/\/wp.ufpel.edu.br\/malg\/no-horizonte-profundo\/01-2\/#main\" data-orig-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01.jpg\" data-orig-size=\"1280,1280\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"01\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-400x400.jpg\" data-large-file=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2021\/09\/01-900x900.jpg\" \/><\/div><\/div><div id=\"pgc-gb2544-69d9920f9220f-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-gb2544-69d9920f9220f-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: justify;\">Marcada pela rela\u00e7\u00e3o experimental entre performance, paisagem, desencaixes e pertencimentos, a exposi\u00e7\u00e3o aproxima pr\u00e1ticas distintas sobre a necessidade de movimento e a pausa contemplativa frente a um lugar ou tempo que nunca cessam de recome\u00e7ar. Entrela\u00e7adas por um contexto e observadas por suas dimens\u00f5es po\u00e9ticas, as obras de Ali do Esp\u00edrito Santo, Tainah Dadda, Patrick Tedesco e do Grupo T.E.L.A procuram um di\u00e1logo entre o geopol\u00edtico e o geof\u00edsico, a cat\u00e1strofe e o ef\u00eamero ou at\u00e9 mesmo entre o tempo hist\u00f3rico, ecol\u00f3gico, meteorol\u00f3gico e o inadi\u00e1vel cataclisma.<\/p>\n<p style=\"text-align: justify;\">\nA fuga que promovem para um ponto de contempla\u00e7\u00e3o no horizonte evidencia um retorno \u00edntimo e subjetivo para si e uma indaga\u00e7\u00e3o sobre o jogo de dualidade e associa\u00e7\u00e3o que existe entre o ambientado e o ambiente. Esse embate no qual nunca deixamos de exercer um papel crucial, tardio e muito provavelmente repleto de ang\u00fastia. Sensa\u00e7\u00f5es de \u201cdeixar para tr\u00e1s\u201d, \u201couvir o estrondoso sil\u00eancio\u201d, \u201cdesviar-se de si\u201d e \u201cdiluir a mat\u00e9ria\u201d mesclam a interioriza\u00e7\u00e3o de uma certeza que paira sobre os trabalhos: \u201cnascer leva tempo\u201d. Assim, sem deixar de abrir discuss\u00f5es sobre a linguagem da performance, da fotografia, da escultura e da instala\u00e7\u00e3o, as obras parecem sugerir a percep\u00e7\u00e3o de que existe uma inquietude, uma ruptura desconfort\u00e1vel com o lugar que nos cabe neste mundo. As \u00e1guas do Gua\u00edba, a Lagoa dos Patos, as margens, o objeto em chamas, o derretimento e o colocar-se na terra, por mais que se insiram numa lentid\u00e3o visual programada, s\u00e3o interven\u00e7\u00f5es de uma travessia, movimento, um turbilh\u00e3o de delicadezas que avan\u00e7am constantemente.<\/p>\n<p style=\"text-align: justify;\">Avassaladora tamb\u00e9m \u00e9 a sua radicalidade no vazio. A incerteza e a ambiguidade, partes fundamentais para as quest\u00f5es sobre os fins e come\u00e7os, os lugares e n\u00e3o-lugares e o movimento interno e externo, v\u00e3o surgindo quando todos os elementos utilizados nos trabalhos param, se desintegram, desambientam-se e voltam novamente a existir. Uma revela\u00e7\u00e3o de que tudo que conhecemos est\u00e1 permanentemente mudando, se desfazendo, ressurgindo e que n\u00e3o temos controle sobre a busca na qual seremos lan\u00e7ados. Nossa subst\u00e2ncia \u00e9 um colocar-se no inesgot\u00e1vel fluxo que re\u00fane o sentimento de \u201cum mundo sem n\u00f3s\u201d e um \u201cn\u00f3s sem um mundo\u201d, pouco a pouco andando, buscando o caminho do pr\u00f3prio caminho, numa travessia turva, triste e sombria. \u00c9 a temporalidade daqueles que unificam passado e presente e estabelecem um mapa da compreens\u00e3o do territ\u00f3rio de si, lan\u00e7am uma cartografia da express\u00e3o mais \u00edntima e veem a vida circular na terra.<\/p>\n<p style=\"text-align: right;\">Setembro de 2021<\/p>\n<p style=\"text-align: right;\"><strong> Nicolas Beidacki<\/strong><br \/>\n<span style=\"font-size: 10pt;\">Curador da exposi\u00e7\u00e3o virtual No horizonte profundo<br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: helvetica, arial, sans-serif;\">realiza\u00e7\u00e3o<strong> _ <a href=\"https:\/\/www.instagram.com\/teatrodaestrutura\/\" target=\"_blank\" rel=\"noopener\">Teatro da Estrutura Latino-Americana<\/a><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Exposi\u00e7\u00e3o virtual _ curadoria Nicolas Beidacki [ 2021 ]<\/p>\n","protected":false},"author":401,"featured_media":2788,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":{"0":"post-2544","1":"post","2":"type-post","3":"status-publish","4":"format-gallery","5":"has-post-thumbnail","6":"hentry","7":"category-malg","8":"post_format-post-format-gallery","10":"post-with-thumbnail","11":"post-with-thumbnail-large"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>No horizonte profundo &#8212; 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