{"id":1131,"date":"2019-10-31T10:59:53","date_gmt":"2019-10-31T13:59:53","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/malg\/?p=1131"},"modified":"2021-09-24T19:32:36","modified_gmt":"2021-09-24T22:32:36","slug":"ukiyo-e-gravura-japonesa-na-colecao-l-c-vinholes","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/malg\/ukiyo-e-gravura-japonesa-na-colecao-l-c-vinholes\/","title":{"rendered":"UKIYO-E: Gravura Japonesa na Cole\u00e7\u00e3o L. C. Vinholes"},"content":{"rendered":"
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UKIYO-E: Gravura Japonesa na Cole\u00e7\u00e3o L. C. Vinholes<\/span><\/strong><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div>

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Convite padr\u00e3o<\/a>\u00a0 |\u00a0\u00a0Convite completo<\/a>\u00a0 |\u00a0\u00a0Folder<\/a><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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31\/out _ 17\/nov\/2019<\/span><\/strong><\/span><\/p>\n<\/div>\n<\/div><\/div>

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A express\u00e3o nip\u00f4nica Ukiyo-e<\/em>, presente na historiografia art\u00edstica internacional desde o \u00e1pice de sua difus\u00e3o, no s\u00e9culo XIX, traduz-se por Imagens do Mundo Flutuante<\/em>. Apressadamente reduzida \u00e0 gravura japonesa, especificamente \u00e0quela produzida no \u00faltimo s\u00e9culo do Per\u00edodo Edo (1603-1868), tais imagens correspondem ao gosto urbano da sede do shogunato Tokugawa, desenvolvido na \u00e1rea que se tornaria a megal\u00f3pole de T\u00f3quio. A Era Meiji (1868-1912) – marcada pela ocidentaliza\u00e7\u00e3o – testemunha, a um s\u00f3 tempo, o decl\u00ednio do g\u00eanero no Jap\u00e3o e a febre do colecionismo japonista na Europa, onde as estampas multicoloridas produzidas em grandes tiragens operam como \u00e1libi est\u00e9tico para os artistas da vanguarda parisiense.<\/span><\/p>\n

Da Cole\u00e7\u00e3o L. C. Vinholes, formada por mais de 300 gravuras, para n\u00e3o mencionar os demais objetos art\u00edsticos e etnogr\u00e1ficos de origem asi\u00e1tica doados ao MALG, selecionamos, para a presente exposi\u00e7\u00e3o, exemplos que ilustram tal Mundo Flutuante<\/em>, associados \u00e0 geografia das \u00e1reas de divers\u00e3o, prazeres, escapismo. Dividida em quatro eixos tem\u00e1ticos, a curadoria apresenta um panorama da gravura Ukiyo-e<\/em><\/strong>, a partir de quatro dos seus principais g\u00eaneros: Meshio-e<\/em><\/strong>, caracterizadas por cenas de locais famosos, ou cart\u00f5es postais; Yakusha-e<\/em><\/strong>, que s\u00e3o gravuras de atores do teatro Kabuki, na pele de personagens famosos, com colorido particularmente marcante; Bijin-ga<\/em><\/strong>, que s\u00e3o imagens de mulheres bonitas ou jovens; e Shunga<\/em><\/strong>, imagens er\u00f3ticas marcadas pela hipertrofia dos \u00f3rg\u00e3os genitais.<\/span><\/p>\n

curadoria _ Rosana Pereira de Freitas<\/strong><\/span>
\nEscola de Belas Artes | Universidade Federal do Rio de Janeiro<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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