{"id":90,"date":"2014-06-18T13:53:37","date_gmt":"2014-06-18T16:53:37","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/malg\/?page_id=90"},"modified":"2019-05-15T14:39:38","modified_gmt":"2019-05-15T17:39:38","slug":"biblioteca-pesquisa-e-documentacao-n-z","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/malg\/biblioteca-pesquisa-e-documentacao-n-z\/","title":{"rendered":"Biblioteca | N – Z"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
T\u00edtulo<\/span><\/strong><\/span><\/td>\nAutor \/ Organizador<\/span><\/strong><\/span><\/td>\nN\u00ba do Registro<\/span><\/strong><\/span><\/td>\n<\/tr>\n
\n

M<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Madame Tussaud\u2019s<\/span><\/td>\nStrong, Roy<\/span><\/td>\n395<\/span><\/td>\n<\/tr>\n
Manual de Pintura Mural<\/span><\/td>\nMotta Jr., Edson<\/span><\/td>\n411<\/span><\/td>\n<\/tr>\n
Manuseio e Embalagem de Obras de Arte<\/span><\/td>\nOuriques, Evandro Vieira<\/span><\/td>\n154<\/span><\/td>\n<\/tr>\n
MARCELO MOSCHETA<\/span><\/td>\nBE\u00cd<\/span><\/td>\n449<\/span><\/td>\n<\/tr>\n
Marcel Leite, Sal da Terra<\/span><\/td>\nMuseu de Arte do Paran\u00e1<\/span><\/td>\n335<\/span><\/td>\n<\/tr>\n
Maria In\u00eas Rodrigues<\/span><\/td>\nFUNPROARTE<\/span><\/td>\n277<\/span><\/td>\n<\/tr>\n
M\u00e1rio Pedrosa- Arte, Revolu\u00e7\u00e3o, Reflex\u00e3o<\/span><\/td>\nCentro Cultural Banco do Brasil<\/span><\/td>\n306<\/span><\/td>\n<\/tr>\n
MATA- A Cidade de Pedra que j\u00e1 foi Madeira<\/span><\/td>\nUniversidade Federal de Santa Maria<\/span><\/td>\n425<\/span><\/td>\n<\/tr>\n
Materiais de Arte no Brasil – an\u00e1lise das tintas a \u00f3leo<\/span><\/td>\nFUNARTE<\/span><\/td>\n380<\/span><\/td>\n<\/tr>\n
Mauro Fuke<\/span><\/td>\nMuseu de Arte do Rio Grande do Sul \u2013 A. Malagoli<\/span><\/td>\n175<\/span><\/td>\n<\/tr>\n
MEM\u00d3RIAS \u2013 Di\u00e1rio de um processo de cria\u00e7\u00e3o<\/span><\/td>\nMaur\u00edcio, Fl\u00e1via<\/span><\/td>\n368<\/span><\/td>\n<\/tr>\n
Mem\u00f3ria do Atelier Coletivo \u2013 Recife 1952 – 1957<\/span><\/td>\nJos\u00e9, Claudio<\/span><\/td>\n103<\/span><\/td>\n<\/tr>\n
Mestre da Pintura- Tiepolo<\/span><\/td>\nCivita, Victor<\/span><\/td>\n19<\/span><\/td>\n<\/tr>\n
Meu neg\u00f3cio \u00e9 TURISMO<\/span><\/td>\nFunda\u00e7\u00e3o Roberto Marinho<\/span><\/td>\n321<\/span><\/td>\n<\/tr>\n
Mir\u00f3 (1924 \u2013 1940)<\/span><\/td>\nCirlot, Juan \u00a0Eduardo<\/span><\/td>\n55<\/span><\/td>\n<\/tr>\n
Misiones \u2013 Jesu\u00edticas – Brasile\u00f1as<\/span><\/td>\nMuseu de Arte\/RS Ado Malagoli<\/span><\/td>\n118<\/span><\/td>\n<\/tr>\n
MO\u00c7A LUA e Outras Lendas<\/span><\/td>\nAyala, Walmir<\/span><\/td>\n351<\/span><\/td>\n<\/tr>\n
Monografias – Revis\u00e3o da P\u00f3s-Gradua\u00e7\u00e3o de Artes<\/span><\/td>\nInstituto de Letras e Artes \u2013 UFPel<\/span><\/td>\n158<\/span><\/td>\n<\/tr>\n
Monumentos de Porto Alegre<\/span><\/td>\nTill,Rodrigues<\/span><\/td>\n358<\/span><\/td>\n<\/tr>\n
Mostra do Redescobrimento<\/span><\/td>\nAguilar, Nelson<\/span><\/td>\n152<\/span><\/td>\n<\/tr>\n
Mostra do Redescobrimento Brasil 500 \u2013 Porto Alegre<\/span><\/td>\nCoutinho, F\u00e1bio Luiz Boratti<\/span><\/td>\n99<\/span><\/td>\n<\/tr>\n
Monet<\/span><\/td>\nSalinger, Margaretta<\/span><\/td>\n256<\/span><\/td>\n<\/tr>\n
Museologia<\/span><\/td>\nUniversidade de S\u00e3o Paulo<\/span><\/td>\n233<\/span><\/td>\n<\/tr>\n
Museologia \/ Roteiros Pr\u00e1ticos<\/span><\/td>\nUniversidade de S\u00e3o Paulo<\/span><\/td>\n240<\/span><\/td>\n<\/tr>\n
Museologia \u2013 Roteiros Pr\u00e1ticos<\/span><\/td>\nDepartamento T\u00e9cnico da Biblioteca\/ USP<\/span><\/td>\n209<\/span><\/td>\n<\/tr>\n
Museologia \u2013 Relat\u00f3rios T\u00e9cnicos ( 6 )<\/span><\/td>\nWeinberg, Regina<\/span><\/td>\n224<\/span><\/td>\n<\/tr>\n
Museologia – Palestras e Debates ( 7 )<\/span><\/td>\nMason, Timothi<\/span><\/td>\n225<\/span><\/td>\n<\/tr>\n
Museu Antropol\u00f3gico Diretor Pestana- 40 Anos de Hist\u00f3ria<\/span><\/td>\nFIDENE<\/span><\/td>\n363<\/span><\/td>\n<\/tr>\n
Museu de Belas Artes de Budapeste<\/span><\/td>\nGibele, Nicol\u00e1s J.<\/span><\/td>\n177<\/span><\/td>\n<\/tr>\n
Museu da Casa Brasileira<\/span><\/td>\nBorges, Ad\u00e9lia<\/span><\/td>\n53<\/span><\/td>\n<\/tr>\n
Museu da Baronesa \u2013 Banco de Dados<\/span><\/td>\nAMBAR<\/span><\/td>\n414<\/span><\/td>\n<\/tr>\n
Museu de Arte Carlos Ayres<\/span><\/td>\nCentro Cultural Brasil<\/span><\/td>\n268<\/span><\/td>\n<\/tr>\n
Museu de Arte Contempor\u00e2nea do Paran\u00e1<\/span><\/td>\nAmaral, Jo\u00e3o Henrique<\/span><\/td>\n97<\/span><\/td>\n<\/tr>\n
Museu de Arte da Catalunha<\/span><\/td>\nO Mundo dos Museus<\/span><\/td>\n324<\/span><\/td>\n<\/tr>\n
Museu de Arte de Basil\u00e9ia<\/span><\/td>\nO Mundo dos Museus<\/span><\/td>\n328<\/span><\/td>\n<\/tr>\n
Museu de Arte de S\u00e3o Paulo<\/span><\/td>\nGibele, Nicol\u00e1s J.<\/span><\/td>\n180<\/span><\/td>\n<\/tr>\n
Museu de Arte do Rio Grande do Sul – Ado Malagolli<\/span><\/td>\nVasconcellos, Naira; Grecco, Regina<\/span><\/td>\n106<\/span><\/td>\n<\/tr>\n
Museu de Arte Sacra da Boa Morte<\/span><\/td>\nUniversidade Cat\u00f3lica de Goi\u00e1s<\/span><\/td>\n108<\/span><\/td>\n<\/tr>\n
Museu do Estado \u2013 Amsterd\u00e3<\/span><\/td>\nGibele, Nicol\u00e1s J.<\/span><\/td>\n178<\/span><\/td>\n<\/tr>\n
Museu do Estado \u2013 Amsterd\u00e3<\/span><\/td>\nO Mundo dos Museus<\/span><\/td>\n330<\/span><\/td>\n<\/tr>\n
Museu Dom Diogo de Souza \u2013 Bag\u00e9\/RS- 1988<\/span><\/td>\nTaborda, Tarcisio Antonio Costa<\/span><\/td>\n388<\/span><\/td>\n<\/tr>\n
Museu, Identidades e Patrim\u00f4nio Cultural<\/span><\/td>\nMuseu de Arqueologia.e Etnologia-USP<\/span><\/td>\n289<\/span><\/td>\n<\/tr>\n
Museu Lasar Segall<\/span><\/td>\nMinist\u00e9rio das Rel.Exteriores<\/span><\/td>\n381<\/span><\/td>\n<\/tr>\n
Museu Nacional de Belas Artes<\/span><\/td>\nInstituto Cultural Banco Santos<\/span><\/td>\n285<\/span><\/td>\n<\/tr>\n
Museu Paraense Em\u00edlio Goeldi \u2013 120 Anos<\/span><\/td>\nMinist\u00e9rio da Ci\u00eancia e Tecnologia<\/span><\/td>\n362<\/span><\/td>\n<\/tr>\n
Museus do Brasil<\/span><\/td>\nEmpresa das Artes<\/span><\/td>\n481<\/span><\/td>\n<\/tr>\n
Museus do Rio Grande do Sul<\/span><\/td>\nMedina, Aroldo; Bueno, Gilnei<\/span><\/td>\n22<\/span><\/td>\n<\/tr>\n
Museus em N\u00fameros<\/span><\/td>\nMinist\u00e9rio da Cultura<\/span><\/td>\n465<\/span><\/td>\n<\/tr>\n
\n

N<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Nascimento da Arte Crist\u00e3, do In\u00edcio do Ano Mil<\/span><\/td>\nLeroy, Alfred<\/span><\/td>\n15<\/span><\/td>\n<\/tr>\n
N\u00e1ssara, Desenhista<\/span><\/td>\nLoredano, C\u00e1ssio<\/span><\/td>\n261<\/span><\/td>\n<\/tr>\n
Navegadores de Imagens<\/span><\/td>\nBettiol, Zoravia<\/span><\/td>\n291<\/span><\/td>\n<\/tr>\n
Nelson Jungbluth<\/span><\/td>\nGaleria de Arte Mosaico<\/span><\/td>\n433<\/span><\/td>\n<\/tr>\n
Nerdisk Malarkonst<\/span><\/td>\nEm Alem\u00e3o S\/Tradu\u00e7\u00e3o<\/span><\/td>\n332<\/span><\/td>\n<\/tr>\n
Nossa Cidade Era Assim \u2013 Vol. 3<\/span><\/td>\nNascimento,Heloisa Assun\u00e7\u00e3o<\/span><\/td>\n51<\/span><\/td>\n<\/tr>\n
Novo Dicion\u00e1rio da L\u00edngua Portuguesa<\/span><\/td>\nHolanda, Aur\u00e9lio Buarque de<\/span><\/td>\n215<\/span><\/td>\n<\/tr>\n
\n

O<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

O Barro na Arte Popular Brasileira<\/span><\/td>\nMachado, Clotilde de Carralo<\/span><\/td>\n28<\/span><\/td>\n<\/tr>\n
O Barroco no Brasil<\/span><\/td>\nEtzel, Eduardo<\/span><\/td>\n23<\/span><\/td>\n<\/tr>\n
Obra Completa<\/span><\/td>\nLopes Neto, Jo\u00e3o Sim\u00f5es<\/span><\/td>\n199<\/span><\/td>\n<\/tr>\n
Obra Gr\u00e1fica<\/span><\/td>\nFingermann, Sergio<\/span><\/td>\n386<\/span><\/td>\n<\/tr>\n
O Brasil de John Graz<\/span><\/td>\nCaixa Econ\u00f4mica Federal Cultural<\/span><\/td>\n496<\/span><\/td>\n<\/tr>\n
O Brasil de John Graz<\/span><\/td>\nCaixa Cultural<\/span><\/td>\n502<\/span><\/td>\n<\/tr>\n
Obras Para Museu<\/span><\/td>\nForbes, Maria Anna e Raul Souza<\/span><\/td>\n104<\/span><\/td>\n<\/tr>\n
O Expressionismo e a Arte Brasileira<\/span><\/td>\nInstitutos Goethe no Brasil<\/span><\/td>\n416<\/span><\/td>\n<\/tr>\n
O Imp\u00e9rio em Bras\u00edlia<\/span><\/td>\nCongresso Nacional \/ Instituto Brasileiro de Museus<\/span><\/td>\n478<\/span><\/td>\n<\/tr>\n
O Impressionismo<\/span><\/td>\nSerullaz, M.<\/span><\/td>\n47<\/span><\/td>\n<\/tr>\n
\u201cO Louvre e seus Visitantes\u201d<\/span><\/td>\nMuseu de Arte do Esp\u00edrito Santo<\/span><\/td>\n451<\/span><\/td>\n<\/tr>\n
O Mago Das Cores \u201cAldo Locateli\u201d<\/span><\/td>\nCompanhia Estadual de Energia<\/span><\/td>\n132<\/span><\/td>\n<\/tr>\n
O Modernismo na Pintura Brasileira<\/span><\/td>\nMuseu de Arte\/RS Ado Malagoli<\/span><\/td>\n111<\/span><\/td>\n<\/tr>\n
O Mundo dos Museus, Paris, Londres, Munique<\/span><\/td>\nGibele; Nicol\u00e1s J.<\/span><\/td>\n176<\/span><\/td>\n<\/tr>\n
O Mundo Imagin\u00e1rio de Denise Roman<\/span><\/td>\nHSBC<\/span><\/td>\n447<\/span><\/td>\n<\/tr>\n
O Museu de Arte do Rio Grande do Sul<\/span><\/td>\nBorgarri, F\u00e1bio Luiz Coutinho<\/span><\/td>\n105<\/span><\/td>\n<\/tr>\n
O Museu do Louvre I<\/span><\/td>\nO Mundo dos Museus<\/span><\/td>\n325<\/span><\/td>\n<\/tr>\n
O Museu do Louvre II<\/span><\/td>\nO Mundo dos Museus<\/span><\/td>\n326<\/span><\/td>\n<\/tr>\n
O Museu do Prado<\/span><\/td>\nO Mundo dos Museus<\/span><\/td>\n322<\/span><\/td>\n<\/tr>\n
O Museu do Saber e do Fazer<\/span><\/td>\nFrancisca Michelon, Douver Michelon, Chana\u00edsa Melo<\/span><\/td>\n505<\/span><\/td>\n<\/tr>\n
O Museu e a Vida<\/span><\/td>\nGeraudy, Daniele \u2013 Bovilhet, Henri<\/span><\/td>\n157<\/span><\/td>\n<\/tr>\n
Opul\u00eancia e Cultura na Prov\u00edncia de S\u00e3o Pedro do Rio Grande do Sul<\/span><\/td>\nMagalh\u00e3es,M\u00e1rio Os\u00f3rio<\/span><\/td>\n50<\/span><\/td>\n<\/tr>\n
O RETRATO BRASILEIRO<\/span><\/td>\nFUNARTE<\/span><\/td>\n446<\/span><\/td>\n<\/tr>\n
Os Impressionistas \u201cREDON\u201d<\/span><\/td>\nBardi, Pietro Maria<\/span><\/td>\n27<\/span><\/td>\n<\/tr>\n
Os Procedimentos da Arte<\/span><\/td>\nSchamaltz, Y\u00eada<\/span><\/td>\n144<\/span><\/td>\n<\/tr>\n
Os Quatro Mestres do Renascimento<\/span><\/td>\nUniversidade Federal de Pelotas<\/span><\/td>\n431<\/span><\/td>\n<\/tr>\n
O Triunfo do Contempor\u00e2neo<\/span><\/td>\nSantander Cultural POA<\/span><\/td>\n470<\/span><\/td>\n<\/tr>\n
O Universo Gr\u00e1fico de Glauco Rodrigues<\/span><\/td>\nAntonio Cava<\/span><\/td>\n482<\/span><\/td>\n<\/tr>\n
\n

P<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

PANORAMA de Arte Atual Brasileira<\/span><\/td>\nMuseu de Arte Moderna de S\u00e3o Paulo<\/span><\/td>\n298<\/span><\/td>\n<\/tr>\n
Paris 1900<\/span><\/td>\nMuseu de Arte\/RS Ado Malagoli<\/span><\/td>\n122<\/span><\/td>\n<\/tr>\n
Patrim\u00f4nio Cultural e Museus<\/span><\/td>\nI Sal\u00e3o Cient\u00edfico Cultural MARS Santander Cultural<\/span><\/td>\n499<\/span><\/td>\n<\/tr>\n
Patrim\u00f4nio Cultural \u2013 02<\/span><\/td>\nGoverno do Estado de Minas Gerais<\/span><\/td>\n424<\/span><\/td>\n<\/tr>\n
Paulo Paes I Pneum\u00e1tico<\/span><\/td>\nCaixa Cultural<\/span><\/td>\n462<\/span><\/td>\n<\/tr>\n
PEDRO GERALDO ESCOSTEGUYI: po\u00e9ticas visuais<\/span><\/td>\nGastal ,Susana<\/span><\/td>\n344<\/span><\/td>\n<\/tr>\n
Pedro Os\u00f3rio, Sim Senhor<\/span><\/td>\nCaldas, Pedro<\/span><\/td>\n64<\/span><\/td>\n<\/tr>\n
Pel\u00edculas de la Rep\u00fablica\u00a0 Federal\u00a0 Del Alemanha<\/span><\/td>\nInternationes<\/span><\/td>\n262<\/span><\/td>\n<\/tr>\n
Pequena Hist\u00f3ria da Arte<\/span><\/td>\nBardi, P.M<\/span><\/td>\n08<\/span><\/td>\n<\/tr>\n
Picasso, Cubismo e Am\u00e9rica Latina<\/span><\/td>\nFunda\u00e7\u00e3o Bienal de Artes do Mercosul<\/span><\/td>\n231<\/span><\/td>\n<\/tr>\n
Pintura Chilena<\/span><\/td>\nMuseu Nacional de Belas Artes<\/span><\/td>\n292<\/span><\/td>\n<\/tr>\n
Pintura Contempor\u00e2nea de S\u00e3o Paulo<\/span><\/td>\nFunda\u00e7\u00e3o Armando Alvares Penteado<\/span><\/td>\n427<\/span><\/td>\n<\/tr>\n
Pintura e Poesia<\/span><\/td>\nEspa\u00e7o BNDES<\/span><\/td>\n294<\/span><\/td>\n<\/tr>\n
Plano de A\u00e7\u00e3o UFPEL 2001<\/span><\/td>\nUniversidade Federal de Pelotas<\/span><\/td>\n390<\/span><\/td>\n<\/tr>\n
Plano de A\u00e7\u00e3o UFPel 2000 – Avalia\u00e7\u00e3o<\/span><\/td>\nUniversidade Federal de Pelotas<\/span><\/td>\n401<\/span><\/td>\n<\/tr>\n
Plano de Desenvolvimento da UFPEL\/1998-2001<\/span><\/td>\nUniversidade Federal de Pelotas<\/span><\/td>\n391<\/span><\/td>\n<\/tr>\n
Plano Diretor F\u00edsico\/ 1998- 2002<\/span><\/td>\nUniversidade Federal de Pelotas<\/span><\/td>\n392<\/span><\/td>\n<\/tr>\n
Plano Nacional de Cultura \u2013 Diretrizes Gerais<\/span><\/td>\nMinist\u00e9rio da Cultura<\/span><\/td>\n402<\/span><\/td>\n<\/tr>\n
Plano Nacional Setorial de Museus<\/span><\/td>\nInstituto Brasileiro de Museus<\/span><\/td>\n463<\/span><\/td>\n<\/tr>\n
PL\u00c1STICA<\/span><\/td>\nFEEVALE<\/span><\/td>\n420<\/span><\/td>\n<\/tr>\n
Po\u00e9tica<\/span><\/td>\nJulio Plaza<\/span><\/td>\n488<\/span><\/td>\n<\/tr>\n
Pol\u00edtica Nacional de Museus \u2013 Relat\u00f3rio 2003\/2004<\/span><\/td>\nMinist\u00e9rio da Cultura<\/span><\/td>\n265<\/span><\/td>\n<\/tr>\n
Pomares \u2013 Revista da FVCB<\/span><\/td>\nFunda\u00e7\u00e3o Vera Chaves Barcellos<\/span><\/td>\n457<\/span><\/td>\n<\/tr>\n
PONTO CEGO<\/span><\/td>\nBranco, Miguel Rio<\/span><\/td>\n459<\/span><\/td>\n<\/tr>\n
Portas de Bronze \u2013 F\u00e9 \u2013 Arte – Hist\u00f3ria<\/span><\/td>\nBrugalli, Alvino Melquides<\/span><\/td>\n453<\/span><\/td>\n<\/tr>\n
Portugal Na Abertura Do Mundo<\/span><\/td>\nCom.Nac.\/Com.Desc.Portugueses<\/span><\/td>\n316<\/span><\/td>\n<\/tr>\n
Portugueses Em El\u00a0 R\u00edo De La Plata<\/span><\/td>\nAssun\u00e7\u00e3o, Fernando O.<\/span><\/td>\n349<\/span><\/td>\n<\/tr>\n
Preserva\u00e7\u00e3o do Patrim\u00f4nio Cultural<\/span><\/td>\nClaudia Aristimunha; Ligia Fagundes e Lorete Malta<\/span><\/td>\n491<\/span><\/td>\n<\/tr>\n
Programa de Forma\u00e7\u00e3o e Capacita\u00e7\u00e3o em Museologia<\/span><\/td>\nSantos, Maria C\u00e9lia T. Moura<\/span><\/td>\n341<\/span><\/td>\n<\/tr>\n
Projeto Atelier<\/span><\/td>\nN\u00facleo de Gravura do Museu de Arte do Rio Grande do Sul<\/span><\/td>\n396<\/span><\/td>\n<\/tr>\n
Projeto \u201cCaixa Resgatando a Mem\u00f3ria\u201d<\/span><\/td>\nCaixa Econ\u00f4mica Federal<\/span><\/td>\n129<\/span><\/td>\n<\/tr>\n
Projeto Rio Grande da Arte<\/span><\/td>\nIEAVI- Instituto Estadual de Artes Visuais<\/span><\/td>\n278<\/span><\/td>\n<\/tr>\n
\n

Q<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Quarenta Mil Anos de Arte Moderna<\/span><\/td>\nMauduit, J.A.<\/span><\/td>\n09<\/span><\/td>\n<\/tr>\n
Qu\u00e9 es el Clasicismo?<\/span><\/td>\nPeyre, Henri<\/span><\/td>\n39<\/span><\/td>\n<\/tr>\n
\n

R<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Ra\u00edzes de Gramado \u2013 40 Anos<\/span><\/td>\nDaros Mar\u00edlia e Barroso, Vera L.<\/span><\/td>\n62<\/span><\/td>\n<\/tr>\n
Recortes<\/span><\/td>\nSimon, Ronald<\/span><\/td>\n287<\/span><\/td>\n<\/tr>\n
Reflex\u00f5es Sobre a Arte Antiga<\/span><\/td>\nWinckelmann, J.J.<\/span><\/td>\n300<\/span><\/td>\n<\/tr>\n
Relat\u00f3rio da UFPel 1997 (2)<\/span><\/td>\nUniversidade Federal de Pelotas<\/span><\/td>\n399<\/span><\/td>\n<\/tr>\n
Relat\u00f3rio do Museu J\u00falio de Castilhos – Gest\u00e3o 1995\/1998<\/span><\/td>\nAvruch, Miriam Aloisio<\/span><\/td>\n95<\/span><\/td>\n<\/tr>\n
Relat\u00f3rio do 4\u00ba F\u00f3rum Nacional de Museu<\/span><\/td>\nMinist\u00e9rio da Cultura<\/span><\/td>\n495<\/span><\/td>\n<\/tr>\n
Relat\u00f3rio 2000 \u2013 \u00c1rea de Letras e Artes<\/span><\/td>\nUniversidade Federal de Pelotas<\/span><\/td>\n403<\/span><\/td>\n<\/tr>\n
Relevos 1958\/2002<\/span><\/td>\nPiza, Arthur Luiz<\/span><\/td>\n156<\/span><\/td>\n<\/tr>\n
Rembrandt (1606 \u2013 1669)<\/span><\/td>\nKoehler,Wilhelm<\/span><\/td>\n60<\/span><\/td>\n<\/tr>\n
Resumo Gr\u00e1fico de la Hist\u00f3ria Del Arte<\/span><\/td>\nM, D, D,<\/span><\/td>\n45<\/span><\/td>\n<\/tr>\n
Revolu\u00e7\u00e3o de 32<\/span><\/td>\nFunarte<\/span><\/td>\n290<\/span><\/td>\n<\/tr>\n
Rosa-dos-Ventos- Hist\u00f3ria da Arte do Espa\u00e7o<\/span><\/td>\nV Bienal Del Mercosul<\/span><\/td>\n237<\/span><\/td>\n<\/tr>\n
Rousseau (1844 \u2013 1926)<\/span><\/td>\nWerner, Alfred<\/span><\/td>\n57<\/span><\/td>\n<\/tr>\n
Rubens<\/span><\/td>\nLibrairie, Hachette<\/span><\/td>\n169<\/span><\/td>\n<\/tr>\n
Rubens<\/span><\/td>\nHeld, Julius S.<\/span><\/td>\n255<\/span><\/td>\n<\/tr>\n
\n

S<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Sal\u00e3o Preto e Branco<\/span><\/td>\nFUNARTE<\/span><\/td>\n359<\/span><\/td>\n<\/tr>\n
Salvador Dali \u2013 Esculturas<\/span><\/td>\nCaixa Cultural<\/span><\/td>\n503<\/span><\/td>\n<\/tr>\n
Santa Casa- 200 Anos- Caridade e Ci\u00eancia<\/span><\/td>\nFranco, S\u00e9rgio da Costa<\/span><\/td>\n206<\/span><\/td>\n<\/tr>\n
Schwanke: Rastros<\/span><\/td>\nWalter de Queiroz Guerreiro<\/span><\/td>\n467<\/span><\/td>\n<\/tr>\n
Seguran\u00e7a de Museus<\/span><\/td>\nUniversidade de S\u00e3o Paulo<\/span><\/td>\n239<\/span><\/td>\n<\/tr>\n
Se o clima for favor\u00e1vel<\/span><\/td>\nFunda\u00e7\u00e3o Bienal do Mercosul<\/span><\/td>\n466<\/span><\/td>\n<\/tr>\n
SEP\u00c9 TIARAJU – Hist\u00f3ria das Ru\u00ednas de S\u00e3o Miguel<\/span><\/td>\nCheuiche, Alcy<\/span><\/td>\n346<\/span><\/td>\n<\/tr>\n
S\u00e9rgio de Camargo<\/span><\/td>\nMuseu de Arte Moderna de s\u00e3o Paulo<\/span><\/td>\n247<\/span><\/td>\n<\/tr>\n
SIL\u00caNCIOS & SUSSURROS<\/span><\/td>\nFunda\u00e7\u00e3o Vera Chaves Barcellos<\/span><\/td>\n456<\/span><\/td>\n<\/tr>\n
Siron Franco<\/span><\/td>\nMuseu de Arte\/RS Ado Malagoli<\/span><\/td>\n123<\/span><\/td>\n<\/tr>\n
Siron, Franco<\/span><\/td>\nMuseu de Arte Moderna\u00a0 de S\u00e3o Paulo<\/span><\/td>\n246<\/span><\/td>\n<\/tr>\n
SKANSKT ADERTONHUNDRATAL I BILD<\/span><\/td>\nKroon,J.- Kjellberg, S. T.<\/span><\/td>\n343<\/span><\/td>\n<\/tr>\n
Sommets Des Beaux \u2013 Arts<\/span><\/td>\nHorteel, R<\/span><\/td>\n07<\/span><\/td>\n<\/tr>\n
SP: Polo de Arte Contempor\u00e2neo<\/span><\/td>\nFunda\u00e7\u00e3o Bienal de S\u00e3o Paulo<\/span><\/td>\n469<\/span><\/td>\n<\/tr>\n
Sviluppi in Germania<\/span><\/td>\nBusch, Bernd, Leuschel,K.S, Oelke H<\/span><\/td>\n201<\/span><\/td>\n<\/tr>\n
\n

T<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

TARANTINO<\/span><\/td>\nCiclo Bienal \u2013 DAN GALERIA<\/span><\/td>\n418<\/span><\/td>\n<\/tr>\n
Tarsila do Amaral na BM&F<\/span><\/td>\nBM&F Brasil – Espa\u00e7o Cultural<\/span><\/td>\n273<\/span><\/td>\n<\/tr>\n
The Impressioniste<\/span><\/td>\nLaver, James<\/span><\/td>\n17<\/span><\/td>\n<\/tr>\n
TORSTEN ANDERSSON<\/span><\/td>\nXVII\u00a0 Bienal de S\u00e3o Paulo 1983<\/span><\/td>\n419<\/span><\/td>\n<\/tr>\n
Toulouse Lautrec<\/span><\/td>\nFlorissone, Michel<\/span><\/td>\n88<\/span><\/td>\n<\/tr>\n
Tra\u00e7ando Jap\u00e3o<\/span><\/td>\nVer\u00edssimo, Luis Fernando<\/span><\/td>\n67<\/span><\/td>\n<\/tr>\n
Tra\u00e7ando Porto Alegre<\/span><\/td>\nVer\u00edssimo,Luis F,Fonseca Joaquim<\/span><\/td>\n141<\/span><\/td>\n<\/tr>\n
Trajet\u00f3ria de Uma Artista<\/span><\/td>\nLakselzirik, Paolina<\/span><\/td>\n68<\/span><\/td>\n<\/tr>\n
Transforma\u00e7\u00f5es do Espa\u00e7o P\u00fablico<\/span><\/td>\nV Bienal do Mercosul<\/span><\/td>\n276<\/span><\/td>\n<\/tr>\n
Trilhas da Modernidade<\/span><\/td>\nBiblioteca do Banco Central do Brasil<\/span><\/td>\n477<\/span><\/td>\n<\/tr>\n
\n

U<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Unidades Fundadoras da UFPel<\/span><\/td>\nMALG\/IAD\/UFPel<\/span><\/td>\n405<\/span><\/td>\n<\/tr>\n
\n

V<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Van Gogh, Vincent (1853 \u2013 1890)<\/span><\/td>\nLeymarie, Jean<\/span><\/td>\n58<\/span><\/td>\n<\/tr>\n
Vasco Prado<\/span><\/td>\nAmorim, Joaquim P. de Almeida<\/span><\/td>\n73<\/span><\/td>\n<\/tr>\n
Vasco Prado<\/span><\/td>\nCoutinho, Fabio<\/span><\/td>\n112<\/span><\/td>\n<\/tr>\n
Vasco Prado \u2013 Escultura<\/span><\/td>\nMuseu de Arte\/RS Ado Malagoli<\/span><\/td>\n114<\/span><\/td>\n<\/tr>\n
Vera Chaves Barcelos<\/span><\/td>\nVigiano, Cris<\/span><\/td>\n200<\/span><\/td>\n<\/tr>\n
Vel\u00e1squez<\/span><\/td>\nSalinger, Margaretta<\/span><\/td>\n257<\/span><\/td>\n<\/tr>\n
VERNISSAGE Um Conto Um Livro<\/span><\/td>\nBorda, Celina<\/span><\/td>\n355<\/span><\/td>\n<\/tr>\n
Vinte Anos de Pintura de Aldir Mendes de Souza<\/span><\/td>\nBeutenm\u00fcller, Alberto<\/span><\/td>\n77<\/span><\/td>\n<\/tr>\n
\n

W<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Waldemar Cordeiro<\/span><\/td>\nCentro Cultural S\u00e3o Paulo<\/span><\/td>\n412<\/span><\/td>\n<\/tr>\n
\n

X<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Xilogravura<\/span><\/td>\nAbramo, L\u00edvio<\/span><\/td>\n69<\/span><\/td>\n<\/tr>\n
Xilogravura, Arte e T\u00e9cnica<\/span><\/td>\nHerskovits, Anico<\/span><\/td>\n66<\/span><\/td>\n<\/tr>\n
Xingu Dia Noite Terra<\/span><\/td>\nXIII Bienal de S\u00e3o Paulo<\/span><\/td>\n310<\/span><\/td>\n<\/tr>\n
\n

Y<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Y sigue siendo el Rey<\/span><\/td>\nFundaci\u00f3n Cultural Artenci\u00f3n,A.C.<\/span><\/td>\n207<\/span><\/td>\n<\/tr>\n
\n

Z<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

Z\u00e9lia Salgado Retrospectiva -1935- 1988<\/span><\/td>\nMuseu de Arte Brasileira<\/span><\/td>\n426<\/span><\/td>\n<\/tr>\n
\n

NUMERAL<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

ll Bienal de Artes Visuais do Mercosul – Arte e Tecnologia<\/span><\/td>\nFunda\u00e7\u00e3o Bienal de Artes do Mercosul<\/span><\/td>\n229<\/span><\/td>\n<\/tr>\n
II Bienal MERCOSUL<\/span><\/td>\nFunda\u00e7\u00e3o Bienal de Artes Visuais<\/span><\/td>\n91<\/span><\/td>\n<\/tr>\n
\u00a0II Bienal Mercosul \u2013 Cat\u00e1logo Geral<\/span><\/td>\nFunda\u00e7\u00e3o Bienal de Artes do Mercosul<\/span><\/td>\n232<\/span><\/td>\n<\/tr>\n
II Bienal Mercosul \u2013 Picasso, Cubismo e Am\u00e9rica Latina<\/span><\/td>\nNesralla, Ivo<\/span><\/td>\n102<\/span><\/td>\n<\/tr>\n
III Bienal Mercosul \u2013 Porto Alegre<\/span><\/td>\nFunda\u00e7\u00e3o Bienal de Artes Visuais do Mercosul<\/span><\/td>\n235<\/span><\/td>\n<\/tr>\n
IV Encontro Brasileiro para o Estudo de Quir\u00f3pteros<\/span><\/td>\nMuseu de Ci\u00eancias e Tecnologia PUC<\/span><\/td>\n375<\/span><\/td>\n<\/tr>\n
V Mostra Anual de Gravura<\/span><\/td>\nFunda\u00e7\u00e3o Cultural de Curitiba<\/span><\/td>\n334<\/span><\/td>\n<\/tr>\n
V Mostra Anual de Gravura \u2013 Cidade de Curitiba<\/span><\/td>\nFunda\u00e7\u00e3o Cultural de Curitiba<\/span><\/td>\n258<\/span><\/td>\n<\/tr>\n
X Bienal – Setembro\/Dezembro \u2013 1969<\/span><\/td>\nInstituto Paname\u00f1o de Arte<\/span><\/td>\n243<\/span><\/td>\n<\/tr>\n
XXIV Bienal de S\u00e3o Paulo<\/span><\/td>\nMinist\u00e9rio da Cultura<\/span><\/td>\n86<\/span><\/td>\n<\/tr>\n
\n

0<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

0 Ponto Zero da Fotografia<\/span><\/td>\nBavcar, Evgen<\/span><\/td>\n312<\/span><\/td>\n<\/tr>\n
\n

1<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

100 anos de Artes Pl\u00e1sticas<\/span><\/td>\nInstituto de Artes da UFRGS<\/span><\/td>\n484<\/span><\/td>\n<\/tr>\n
110 Anos de Cria\u00e7\u00e3o\/Comiss\u00e3o Geograf. e Geol\u00f3gica-SP<\/span><\/td>\nGoverno de S\u00e3o Paulo<\/span><\/td>\n94<\/span><\/td>\n<\/tr>\n
12000 Anos de Hist\u00f3ria \u2013 Arqueologia e Pr\u00e9-hist\u00f3ria<\/span><\/td>\nMuseu da UFRGS<\/span><\/td>\n490<\/span><\/td>\n<\/tr>\n
1\u00aa FOTOSUL<\/span><\/td>\nFUNARTE<\/span><\/td>\n280<\/span><\/td>\n<\/tr>\n
1\u00ba Semin\u00e1rio de Metodologia da Pesquisa em Artes<\/span><\/td>\nUniversidade Federal de Pelotas<\/span><\/td>\n385<\/span><\/td>\n<\/tr>\n
10\u00ba Sal\u00e3o Nacional de Artes Pl\u00e1sticas<\/span><\/td>\nFUNARTE<\/span><\/td>\n394<\/span><\/td>\n<\/tr>\n
\n

2<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

2\u00ba F\u00f3rum Nacional de Museus<\/span><\/td>\nMinist\u00e9rio da Cultura<\/span><\/td>\n313<\/span><\/td>\n<\/tr>\n
2\u00ba Semin\u00e1rio da Pesquisa em Artes \u2013 II<\/span><\/td>\nUniversidade Federal de Pelotas<\/span><\/td>\n318<\/span><\/td>\n<\/tr>\n
\n

3<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

30 Segundos de Televis\u00e3o<\/span><\/td>\nKlintowitz, Jacob<\/span><\/td>\n378<\/span><\/td>\n<\/tr>\n
38 Projetos Culturais<\/span><\/td>\nSecretaria de Estado da Cultura do Paran\u00e1<\/span><\/td>\n372<\/span><\/td>\n<\/tr>\n
3\u00aa Mostra do Desenho Brasileiro<\/span><\/td>\nSecretaria da Cultura e do Esporte do Paran\u00e1<\/span><\/td>\n303<\/span><\/td>\n<\/tr>\n
\n

4<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

4\u00aa Bienal do Mercosul<\/span><\/td>\nMalcon, Renato<\/span><\/td>\n228<\/span><\/td>\n<\/tr>\n
4\u00aa Bienal de Artes Pl\u00e1sticas do Mercosul<\/span><\/td>\nMalcon, Renato<\/span><\/td>\n226<\/span><\/td>\n<\/tr>\n
4\u00aa Exposi\u00e7\u00e3o de Belas Artes Brasil -Jap\u00e3o<\/span><\/td>\nFunda\u00e7\u00e3o Brasil – Jap\u00e3o de Artes Pl\u00e1sticas<\/span><\/td>\n320<\/span><\/td>\n<\/tr>\n
\n

5<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

54 Sal\u00e3o Paranaense<\/span><\/td>\nSecretaria de Estado da Cultura do Paran\u00e1<\/span><\/td>\n393<\/span><\/td>\n<\/tr>\n
\n

6<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

60 Anos de Arte Brasileira<\/span><\/td>\nCaixa Econ\u00f4mica Federal<\/span><\/td>\n130<\/span><\/td>\n<\/tr>\n
\n

8<\/span><\/strong><\/p><\/blockquote>\n<\/td>\n<\/tr>\n

8\u00aa Bienal do Mercosul<\/span><\/td>\nMinist\u00e9rio da Cultura<\/span><\/td>\n487<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Mais informa\u00e7\u00f5es<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00edtulo Autor \/ Organizador N\u00ba do Registro M Madame Tussaud\u2019s Strong, Roy 395 Manual de Pintura Mural Motta […]<\/p>\n","protected":false},"author":401,"featured_media":793,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-90","page","type-page","status-publish","has-post-thumbnail","hentry","post","post-with-thumbnail","post-with-thumbnail-large"],"yoast_head":"\nBiblioteca | N - Z — Museu de Arte Leopoldo Gotuzzo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wp.ufpel.edu.br\/malg\/biblioteca-pesquisa-e-documentacao-n-z\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biblioteca | N - Z — Museu de Arte Leopoldo Gotuzzo\" \/>\n<meta property=\"og:description\" content=\"T\u00edtulo Autor \/ Organizador N\u00ba do Registro M Madame Tussaud\u2019s Strong, Roy 395 Manual de Pintura Mural Motta […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/wp.ufpel.edu.br\/malg\/biblioteca-pesquisa-e-documentacao-n-z\/\" \/>\n<meta property=\"og:site_name\" content=\"Museu de Arte Leopoldo Gotuzzo\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/museuleopoldogotuzzo\/\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-15T17:39:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/wp.ufpel.edu.br\/malg\/files\/2019\/04\/MALG-fragemtos-de-memoria-984x220.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"984\" \/>\n\t<meta property=\"og:image:height\" content=\"220\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/wp.ufpel.edu.br\/malg\/biblioteca-pesquisa-e-documentacao-n-z\/\",\"url\":\"https:\/\/wp.ufpel.edu.br\/malg\/biblioteca-pesquisa-e-documentacao-n-z\/\",\"name\":\"Biblioteca | N - 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