{"id":85,"date":"2026-04-21T21:41:36","date_gmt":"2026-04-22T00:41:36","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/?page_id=85"},"modified":"2026-10-26T12:00:11","modified_gmt":"2026-10-26T15:00:11","slug":"programacao","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/programacao\/","title":{"rendered":"Programa\u00e7\u00e3o"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/programacao\/cronograma\/\" rel=\"attachment wp-att-238\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-238\" src=\"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/files\/2026\/10\/Cronograma.png\" alt=\"\" width=\"747\" height=\"486\" srcset=\"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/files\/2026\/10\/Cronograma.png 747w, https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/files\/2026\/10\/Cronograma-400x260.png 400w, https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/files\/2026\/10\/Cronograma-461x300.png 461w\" sizes=\"auto, (max-width: 747px) 100vw, 747px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><b>25\/11 &#8211; Quarta-Feira <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\"><b>10h &#8211; Abertura <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\">Confer\u00eancia &#8211; F\u00e1bio Vergara Cerqueira<\/span><\/p>\n<p><span style=\"color: #000000;\"><i>A dan\u00e7arina com v\u00e9u nas figurinhas de terracotta e na pintura dos vasos <\/i><i style=\"font-size: 1.8rem;\">\u00e1pulos (s\u00e9c. IV-III a.C.)<\/i><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><b>14h &#8211; Mesa de Comunica\u00e7\u00f5es 1 <\/b><\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Palestra &#8211; Jos\u00e9 Roberto Paiva Gomes<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><i>Sappho e a lira: debates e discuss\u00f5es <\/i><\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Comunica\u00e7\u00e3o &#8211; Ana Maria Ribeiro (virtual)<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><i>Simples ou Sofisticados? Uma defesa dos Hinos de Mesomedes <\/i><\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Comunica\u00e7\u00e3o &#8211; Marco Almansa Fern\u00e1ndez (virtual)<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><i>El sonido del sacrificio: m\u00fasica y silencio en la religi\u00f3n romana <\/i><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><b>15:45 &#8211; Confer\u00eancia <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\">Paula da Cunha Corr\u00eaa<\/span><\/p>\n<p><span style=\"color: #000000;\"><i>Poetas, m\u00fasica e instrumentos no jambo grego arcaico <\/i><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><b>26\/11 &#8211; Quinta-feira <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\"><b>9:30 &#8211; Mesa de Comunica\u00e7\u00f5es 2 <\/b><\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Palestra &#8211; Felipe Nascimento Ara\u00fajo<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><i>Representa\u00e7\u00f5es de m\u00fasicos profissionais como personagens m\u00edticas nas <\/i><\/span><\/p>\n<p><span style=\"color: #000000;\"><i>cer\u00e2micas \u00e1ticas do final do s\u00e9culo V a.C. <\/i><\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Comunica\u00e7\u00e3o &#8211; Jo\u00e3o Pedro Vitorino Fabri<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><i>Cenas Amorosas de Dioniso e Ariadne nos vasos \u00e1pulos do s\u00e9culo IV AEC <\/i><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><b>10:40 &#8211; Lan\u00e7amento de Livro <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\">Marcus Mota<\/span><\/p>\n<p><span style=\"color: #000000;\"><i>Infinitude sonora: criatividade multissensorial de Homero a Clarice Lispector. <\/i><\/span><\/p>\n<p><span style=\"color: #000000;\">Bras\u00edlia: Editora Universidade de Bras\u00edlia, 2026.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><b>11h &#8211; Confer\u00eancia <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\">Rafael Brunhara<\/span><\/p>\n<p><span style=\"color: #000000;\"><i>O aulo e o entrelugar da elegia grega arcaica <\/i><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><b>14h &#8211; Mesa de Comunica\u00e7\u00f5es 3 <\/b><\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Palestra &#8211; Lidiane Carderaro<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><i>De volta a Antemisa: revisitando as Sereias e suas ressignifica\u00e7\u00f5es no Mundo <\/i><\/span><i style=\"color: #000000; font-size: 1.8rem;\">Grego<\/i><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Comunica\u00e7\u00e3o &#8211; Laura Prates Bellozi Monteiro<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><i>A recep\u00e7\u00e3o da tradi\u00e7\u00e3o musical antiga no Micrologus de Guido d\u2019Arezzo <\/i><\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Comunica\u00e7\u00e3o &#8211; Caroline Melo Armesto<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><i>A recep\u00e7\u00e3o dos instrumentos antigos no patrim\u00f4nio cultural de Pelotas, Rio <\/i><\/span><i style=\"color: #000000; font-size: 1.8rem;\">Grande do Sul<\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><b>15:45 &#8211; Confer\u00eancia <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\">Marcus Mota<\/span><\/p>\n<p><span style=\"color: #000000;\"><i>Coralidades: A reinven\u00e7\u00e3o da dramaturgia ateniense antiga em Richard <\/i><\/span><\/p>\n<p><span style=\"color: #000000;\"><i>Wagner <\/i><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><b>27\/11 &#8211; Sexta-feira <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\"><b>9:30 &#8211; Mesa de Comunica\u00e7\u00f5es 4 <\/b><\/span><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Palestra -Maria Cecilia Colombani<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><i>Una arqueolog\u00eda musical. M\u00fasica, celebraci\u00f3n e identidad en el mundo <\/i><\/span><i style=\"color: #000000; font-size: 1.8rem;\">arcaico<\/i><\/p>\n<ul>\n<li><span style=\"color: #000000;\">Comunica\u00e7\u00e3o &#8211; Emanuelle Kotsan de Medeiros (virtual)<\/span><\/li>\n<\/ul>\n<p><span style=\"color: #000000;\"><i>Do objeto ao atributo: instrumentos musicais, representa\u00e7\u00e3o e identidade <\/i><\/span><i style=\"color: #000000; font-size: 1.8rem;\">religiosa na pintura romana<\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><b>10:40 &#8211; Lan\u00e7amento de livro <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\">Marcus Mota<\/span><\/p>\n<p><span style=\"color: #000000;\"><i>Tradu\u00e7\u00e3o, Introdu\u00e7\u00e3o de Notas. \u00c9squilo. Os Persas. Sete contra Tebas. As <\/i><\/span><i style=\"color: #000000; font-size: 1.8rem;\">Suplicantes.<\/i><\/p>\n<p><span style=\"color: #000000;\">S\u00e3o Paulo: Companhia das Letras, 2026.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><b>11h &#8211; Confer\u00eancia <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\">Cynthia Gusm\u00e3o<\/span><\/p>\n<p><span style=\"color: #000000;\"><i>M\u00c1QUINAS DE MARAVILHAMENTO Aut\u00f4matos, m\u00fasica e teatro em Hero <\/i><\/span><i style=\"color: #000000; font-size: 1.8rem;\">de Alexandria<\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><b>14h &#8211; Confer\u00eancia <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\">Roosevelt Rocha<\/span><\/p>\n<p><span style=\"color: #000000;\"><i>Um exame de fontes textuais e imag\u00e9ticas e de reconstru\u00e7\u00f5es recentes. <\/i><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000;\"><b>15:45h &#8211; Confer\u00eancia de Encerramento <\/b><\/span><\/p>\n<p><span style=\"color: #000000;\">Erica Angliker<\/span><\/p>\n<p><span style=\"color: #000000;\"><i>O Santu\u00e1rio de Apolo P\u00edtio em Kea: Natureza, Movimento, Paisagem e a <\/i><\/span><i style=\"color: #000000; font-size: 1.8rem;\">Constru\u00e7\u00e3o da Paisagem Sonora Sagrada<\/i><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">ACESSE O CADERNO DE RESUMOS COMPLETO: <strong><a style=\"color: #000000;\" href=\"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/files\/2026\/10\/Caderno-de-Resumos-IV-Encontro-GBEMGRR.pdf\">Caderno de Resumos IV Encontro GBEMGRR<\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; 25\/11 &#8211; Quarta-Feira 10h &#8211; Abertura Confer\u00eancia &#8211; F\u00e1bio Vergara Cerqueira A dan\u00e7arina com v\u00e9u nas figurinhas de terracotta e na pintura dos vasos \u00e1pulos (s\u00e9c. IV-III a.C.) &nbsp; 14h &#8211; Mesa de Comunica\u00e7\u00f5es 1 Palestra &#8211; Jos\u00e9 Roberto Paiva Gomes Sappho e a lira: debates e discuss\u00f5es Comunica\u00e7\u00e3o &#8211; Ana Maria Ribeiro (virtual)&#8230; <\/p>\n<div class=\"link-more\"><a href=\"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/programacao\/\">Leia mais<\/a><\/div>\n","protected":false},"author":907,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-85","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/wp-json\/wp\/v2\/pages\/85","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/wp-json\/wp\/v2\/users\/907"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/wp-json\/wp\/v2\/comments?post=85"}],"version-history":[{"count":3,"href":"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/wp-json\/wp\/v2\/pages\/85\/revisions"}],"predecessor-version":[{"id":242,"href":"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/wp-json\/wp\/v2\/pages\/85\/revisions\/242"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/lyrabrasileira\/wp-json\/wp\/v2\/media?parent=85"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}