{"id":980,"date":"2019-08-10T09:35:27","date_gmt":"2019-08-10T12:35:27","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/jel\/?page_id=980"},"modified":"2019-08-26T09:57:14","modified_gmt":"2019-08-26T12:57:14","slug":"comunicacoes","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/jel\/5a-edicao\/programacao-2\/comunicacoes\/","title":{"rendered":"Comunica\u00e7\u00f5es"},"content":{"rendered":"<p><strong>Para fazer o download da programa\u00e7\u00e3o completa das sess\u00f5es de comunica\u00e7\u00e3o, clique <a href=\"https:\/\/wp.ufpel.edu.br\/jel\/files\/2019\/08\/Cronograma-das-Comunicac\u0327o\u0303es_atualizado.pdf\">aqui<\/a> (vers\u00e3o atualizada).<\/strong><\/p>\n<h2 style=\"text-align: center\"><span style=\"color: #3b6969\"><strong>TER\u00c7A-FEIRA | manh\u00e3<\/strong><\/span><\/h2>\n<p style=\"text-align: center\"><strong><br \/>\nSESS\u00c3O 1 | MINIAUDIT\u00d3RIO 1 &#8211; CEHUS<br \/>\n<\/strong><\/p>\n<table style=\"height: 674px;background-color: #ffffff;width: 745px;border-style: solid\" width=\"745\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"height: 39px;width: 270px;text-align: center\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"height: 39px;width: 360px;text-align: center\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"width: 114px;height: 39px;text-align: center\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 270px;text-align: center\" width=\"32%\">CRISTIANO SANDIM PASCHOAL<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"49%\">LER E ESCREVER: ATOS DIAL\u00d3GICOS<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">09:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 270px;text-align: center\" width=\"32%\">RITA DE LIMA N\u00d3BREGA<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"49%\">O ESTRANHAMENTO NO DISCURSO DE GABRIELA LEITE<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">09:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 270px;text-align: center\" width=\"32%\">RUANY MAIRA DA SILVA SILVA | SUZANE DA ROSA RIBEIRO<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"49%\">BAJUB\u00c1 AL\u00c9M DO LACRE: PROCESSOS DE SUBJETIVA\u00c7\u00c3O E CONSTITUI\u00c7\u00c3O DE SENTIDOS<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">09:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 270px;text-align: center\" width=\"32%\">VER\u00d4NICA LORENSET PADOIN<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"49%\">MAPEAMENTO DE ESTUDOS SOBRE (MULTI)LETRAMENTO(S) NO CONTEXTO ACAD\u00caMICO BRASILEIRO<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">09:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 270px;text-align: center\" width=\"32%\">BRUNA VIT\u00d3RIA TEJADA<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"49%\">PR\u00c9-CONSTRU\u00cdDOS DO MACHISMO NO DISCURSO SOBRE FEMINISMO<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">10:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 270px;text-align: center\" width=\"32%\">D\u00c9BORA LUCIENE PORTO BOENAVIDES<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"49%\">A REVALORIZA\u00c7\u00c3O VOCABULAR POR MOVIMENTOS SOCIAIS BRASILEIROS: A RESIST\u00caNCIA CONTRA O DISCURSO CONSERVADOR<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">10:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 270px;text-align: center\" width=\"32%\">DOUGLAS GADELHA S\u00c1<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"49%\">O DISCURSO NEOLIBERAL E A PRODU\u00c7\u00c3O DO IMAGIN\u00c1RIO SOCIAL NO CONTEXTO DAS PARCERIAS P\u00daBLICO-PRIVADAS NA EDUCA\u00c7\u00c3O<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">10:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 270px;text-align: center\" width=\"32%\">LUCIANA SARATT<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"49%\">ETHOS E CR\u00cdTICA SOCIAL EM CHICO BUARQUE: UMA AN\u00c1LISE DISCURSIVA<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">10:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 270px;text-align: center\" width=\"32%\">LUCIANE ALVES BRANCO MARTINS<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"49%\">O DISCURSO DA INTOLER\u00c2NCIA SOBRE A MULHER NAS REDES SOCIAIS: UMA AN\u00c1LISE BAKHTINIANA<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">11:00<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2 style=\"text-align: center\"><span style=\"font-size: 12pt\"><strong><br \/>\nSESS\u00c3O 2 | SALA 202 &#8211; CCHS<\/strong><\/span><\/h2>\n<table style=\"background-color: #ffffff;height: 831px;width: 744px\" width=\"588\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"height: 39px;width: 269px;text-align: center\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"height: 39px;width: 360px;text-align: center\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"width: 114px;text-align: center\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 269px;text-align: center\" width=\"33%\">EDUARDA F. RODRIGUES | EMILI F. FERNANDES<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"48%\">BANCO DE POL\u00cdTICAS P\u00daBLICAS SOBRE L\u00cdNGUAS NO BRASIL: CONSTRU\u00c7\u00c2O DE ARQUIVO E PRODU\u00c7\u00c3O DE CONHECIMENTO<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">09:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 269px;text-align: center\" width=\"33%\">\u00c1LVARO RUTKOSKI DIDIO | ANAMARIA WELP<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"48%\">MAPEAMENTO DAS NECESSIDADES LINGU\u00cdSTICAS DA COMUNIDADE INTERNACIONAL EM MOBILIDADE NA UFRGS: CAMINHOS PARA A CONSTRU\u00c7\u00c3O DE UMA POL\u00cdTICA LINGU\u00cdSTICA DE INTERNACIONALIZA\u00c7\u00c3O<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">09:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 269px;text-align: center\" width=\"33%\">ANNA J\u00daLIA KARINI MARTINS<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"48%\">POR QUE APRENDER L\u00cdNGUAS? MOTIVA\u00c7\u00d5ES DE ALUNOS E IDEOLOGIAS LINGU\u00cdSTICAS<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">09:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 269px;text-align: center\" width=\"33%\">D\u00c9BORA MEDEIROS DA ROSA AIRES<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"48%\">FRONTEIRAS E CONTATOS NA SALA DE AULA DE L\u00cdNGUA ESTRANGEIRA: REFLEX\u00d5ES SOBRE IDEOLOGIAS LINGU\u00cdSTICAS<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">09:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 269px;text-align: center\" width=\"33%\">ALESSANDRA STEFANELLO<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"48%\">RELA\u00c7\u00d5ES DE PODER NO DISCURSO: AGRICULTURA FAMILIAR SIGNIFICADA NA PROPAGANDA \u201cAGRO, A IND\u00daSTRIA RIQUEZA DO BRASIL\u201d<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">10:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 269px;text-align: center\" width=\"33%\">MARION RODRIGUEZ DARIZ | CLARICE VAZ PERES ALVES<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"48%\">ATIVIDADES ORGANIZADORAS DE ENSINO: PRODU\u00c7\u00c3O E AN\u00c1LISE<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">10:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 269px;text-align: center\" width=\"33%\">LUCIANE OLIVEIRA DE SOUZA SINOTT DA SILVA<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"48%\">A SUPERF\u00cdCIE DA SOMBRA: UMA ABORDAGEM DOS ESPA\u00c7OS FRONTEIRI\u00c7OS E SUA TRANSMIDIA\u00c7\u00c3O PARA O CINEMA<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">10:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 269px;text-align: center\" width=\"33%\">ANDR\u00c9 LUIZ RAMALHO AGUIAR<\/td>\n<td style=\"width: 360px;text-align: center\" width=\"48%\">PRA\u00c7A CORONEL PEDRO OS\u00d3RIO COMO FONTE PARA O ESTUDO DO PATRIM\u00d4NIO CULTURAL DA HIST\u00d3RIA DA TRADU\u00c7\u00c3O EM PELOTAS<\/td>\n<td style=\"width: 114px;text-align: center\" width=\"18%\">10:45<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: center\"><strong><br \/>\nSESS\u00c3O 3 | AUDIT\u00d3RIO &#8211; CEHUS<br \/>\n<\/strong><\/p>\n<table style=\"background-color: #ffffff;height: 675px;width: 754px\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"text-align: center;height: 39px;width: 274px\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"text-align: center;height: 39px;width: 364px\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"text-align: center;width: 115px\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 274px;text-align: center\" width=\"33%\">AROLDO GARCIA DOS ANJOS<\/td>\n<td style=\"width: 364px;text-align: center\" width=\"48%\">METAPOESIA E INTERTEXTUALIDADE: ASPECTOS DA MODERNIDADE NO POEMA \u201cREVISITA\u00c7\u00c3O\u201d, DE JOS\u00c9 PAULO PAES<\/td>\n<td style=\"width: 115px;text-align: center\" width=\"18%\">09:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 274px;text-align: center\" width=\"33%\">FERNANDA GON\u00c7ALVES VIEIRA<\/td>\n<td style=\"width: 364px;text-align: center\" width=\"48%\">OCRE (1925), DE ALFONSINA STORNI, \u00c0 LUZ DA PO\u00c9TICA DO ESPA\u00c7O, DE GASTON BACHELARD<\/td>\n<td style=\"width: 115px;text-align: center\" width=\"18%\">09:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 274px;text-align: center\" width=\"33%\">JO\u00c3O WILSON DE FREITAS FONTOURA<\/td>\n<td style=\"width: 364px;text-align: center\" width=\"48%\">AS VOZES DO TESTEMUNHO NO ROMANCE NAS TUAS M\u00c3OS DE IN\u00caS PEDROSA (1997)<\/td>\n<td style=\"width: 115px;text-align: center\" width=\"18%\">09:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 274px;text-align: center\" width=\"33%\">N\u00cdCOLLAS CAYANN | JULIANA PRESTES DE OLIVEIRA<\/td>\n<td style=\"width: 364px;text-align: center\" width=\"48%\">O LUGAR DO QUEER EM SAL\u00d3N DE BELLEZA<\/td>\n<td style=\"width: 115px;text-align: center\" width=\"18%\">09:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 274px;text-align: center\" width=\"33%\">DANIELA SCHWARCKE DO CANTO<\/td>\n<td style=\"width: 364px;text-align: center\" width=\"48%\">AS CARTAS DE AMOR DE WHITMAN E GILCHRIST<\/td>\n<td style=\"width: 115px;text-align: center\" width=\"18%\">10:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 274px;text-align: center\" width=\"33%\">ANNABELA BERUDI LEAL<\/td>\n<td style=\"width: 364px;text-align: center\" width=\"48%\">PR\u00c1TICAS DE TRADU\u00c7\u00c3O \u2013 UM RELATO DE EXPERI\u00caNCIA A PARTIR DO PROJETO \u201cTRADUZINDO CONTOS DE HIMANI BANNERJI: UM PROCESSO DE TRADU\u00c7\u00c3O LITER\u00c1RIA E CULTURAL\u201d<\/td>\n<td style=\"width: 115px;text-align: center\" width=\"18%\">10:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 274px;text-align: center\" width=\"33%\">LARISSA MEDEIROS<\/td>\n<td style=\"width: 364px;text-align: center\" width=\"48%\">POSI\u00c7\u00c3O IDEOL\u00d3GICA AO SELECIONAR E TRADUZIR DETERMINADA OBRA<\/td>\n<td style=\"width: 115px;text-align: center\" width=\"18%\">10:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 274px;text-align: center\" width=\"33%\">ANGIULI COPETTI DE AGUIAR<\/td>\n<td style=\"width: 364px;text-align: center\" width=\"48%\">AS PARTICULARIDADES DO BLANK VERSE E SUA TRADU\u00c7\u00c3O<\/td>\n<td style=\"width: 115px;text-align: center\" width=\"18%\">10:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 274px;text-align: center\" width=\"33%\">NATHALY NALERIO<\/td>\n<td style=\"width: 364px;text-align: center\" width=\"48%\">LA ARMADURA DE ALFONSINA STORNI VERTIDA PARA O PORTUGU\u00caS<\/td>\n<td style=\"width: 115px;text-align: center\" width=\"18%\">11:00<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2 style=\"text-align: center\"><span style=\"color: #3b6969\"><strong><br \/>\nQUARTA-FEIRA | tarde<\/strong><\/span><\/h2>\n<p style=\"text-align: center\"><strong><br \/>\nSESS\u00c3O 1 | MINIAUDIT\u00d3RIO 1 &#8211; CEHUS<br \/>\n<\/strong><\/p>\n<table style=\"background-color: #ffffff;height: 1071px;width: 758px\" width=\"588\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"text-align: center;height: 39px;width: 277px\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"text-align: center;height: 39px;width: 365px\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"text-align: center;width: 115px;height: 39px\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr style=\"height: 62px\">\n<td style=\"width: 277px;text-align: center;height: 62px\">FELIPE BONOW SOARES<\/td>\n<td style=\"width: 365px;text-align: center;height: 62px\">DISPUTAS DISCURSIVAS NO TWITTER SOBRE O 31 DE MAR\u00c7O DE 1964<\/td>\n<td style=\"width: 115px;text-align: center;height: 62px\">14:00<\/td>\n<\/tr>\n<tr style=\"height: 109px\">\n<td style=\"width: 277px;text-align: center;height: 109px\">GABRIELA DE MELLO | GIANE SOARES FAGUNDES<\/td>\n<td style=\"width: 365px;text-align: center;height: 109px\">O FIM DO MINIST\u00c9RIO DO TRABALHO E AS CONVERSAS COM @JAIRBOLSONARO NO TWITTER<\/td>\n<td style=\"width: 115px;text-align: center;height: 109px\">14:15<\/td>\n<\/tr>\n<tr style=\"height: 133px\">\n<td style=\"width: 277px;text-align: center;height: 133px\">GRACIELE URRUTIA DIAS SILVEIRA<\/td>\n<td style=\"width: 365px;text-align: center;height: 133px\">\u201c\u00c9 S\u00d3 TROLLAGEM\u201d: VIOL\u00caNCIA, HUMOR E G\u00caNERO EM INTERA\u00c7\u00d5ES EM GRUPOS E P\u00c1GINAS DE JOGADORES DE LEAGUE OF LEGENDS NO FACEBOOK<\/td>\n<td style=\"width: 115px;text-align: center;height: 133px\">14:30<\/td>\n<\/tr>\n<tr style=\"height: 109px\">\n<td style=\"width: 277px;text-align: center;height: 109px\">RAQUEL SOUZA DE OLIVEIRA | ARTUR RUIZ SOUZA | LUCAS GUNTZEL<\/td>\n<td style=\"width: 365px;text-align: center;height: 109px\">PR\u00c1TICAS DIGITAIS: IDENTIDADE LINGU\u00cdSTICA EM JOGOS ONLINE<\/td>\n<td style=\"width: 115px;text-align: center;height: 109px\">14:45<\/td>\n<\/tr>\n<tr style=\"height: 133px\">\n<td style=\"width: 277px;text-align: center;height: 133px\">TAIANE VOLCAN<\/td>\n<td style=\"width: 365px;text-align: center;height: 133px\">ESTRAT\u00c9GIAS DO DISCURSO POL\u00cdTICO NO CIBERESPA\u00c7O: UMA AN\u00c1LISE DAS P\u00c1GINAS DOS CANDIDATOS \u00c0 PRESID\u00caNCIA NO BRASIL NO FACEBOOK<\/td>\n<td style=\"width: 115px;text-align: center;height: 133px\">15:00<\/td>\n<\/tr>\n<tr style=\"height: 85px\">\n<td style=\"width: 277px;text-align: center;height: 85px\">V\u00cdVIAN VAGHETTI VIEIRA<\/td>\n<td style=\"width: 365px;text-align: center;height: 85px\">NOVA ORDEM: O DISCURSO ANTIVACINAS NA ERA DA DESINFORMA\u00c7\u00c3O<\/td>\n<td style=\"width: 115px;text-align: center;height: 85px\">15:15<\/td>\n<\/tr>\n<tr style=\"height: 133px\">\n<td style=\"width: 277px;text-align: center;height: 133px\">MAICON FARIAS VIEIRA | CHARLENE BRUM DEL PUERTO<\/td>\n<td style=\"width: 365px;text-align: center;height: 133px\">NARRATIVAS SOBRE O PATRIM\u00d4NIO NEGRO: A PERSPECTIVA DE MEMBROS DE NEABI\u2019S SOBRE O ATRATIVO TUR\u00cdSTICO CHARQUEADAS NA CIDADE DE PELOTAS<\/td>\n<td style=\"width: 115px;text-align: center;height: 133px\">15:30<\/td>\n<\/tr>\n<tr style=\"height: 114px\">\n<td style=\"width: 277px;text-align: center;height: 114px\">PABLO MACHEL NABOT SILVA DE ALMEIDA<\/td>\n<td style=\"width: 365px;text-align: center;height: 114px\">CONTRIBUTOS DA TEORIA PSICOLINGU\u00cdSTICA DO PARALELISMO ESTRUTURAL PARA O PROCESSO DE ENSINO-APRENDIZAGEM DO PADR\u00c3O CULTO DO PORTUGU\u00caS<\/td>\n<td style=\"width: 115px;text-align: center;height: 114px\">15:45<\/td>\n<\/tr>\n<tr style=\"height: 157px\">\n<td style=\"width: 277px;text-align: center;height: 157px\">RUB\u00c9N ARRIAGADA<\/td>\n<td style=\"width: 365px;text-align: center;height: 157px\">APONTAMENTOS PARA UMA ABORDAGEM DE C\u00d3MO ASESINAR A FELIPES DESDE A AN\u00c1LISE DO DISCURSO, NO CONTEXTO DAS MOBILIZA\u00c7\u00d5ES ESTUDANTIS CHILENAS (2006-2011)<\/td>\n<td style=\"width: 115px;text-align: center;height: 157px\">16:00<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: center\"><strong><br \/>\nSESS\u00c3O 2 | AUDIT\u00d3RIO &#8211; CEHUS<br \/>\n<\/strong><\/p>\n<table style=\"background-color: #ffffff;height: 783px;width: 762px\" width=\"588\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"text-align: center;height: 39px;width: 278px\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"text-align: center;height: 39px;width: 367px\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"text-align: center;width: 116px\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">JULIANE ALVES RIBEIRO DE MOURA<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">CURSOS DE CAPACITA\u00c7\u00c3O EM LIBRAS NA UNIVERSIDADE P\u00daBLICA: ESTUDO DA ACESSIBILIDADE NA UFPEL<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">14:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">CAROLINA MACEDO DE VASCONCELOS<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">ESTIMULA\u00c7\u00c3O DA LEITURA E DA ESCRITA A PARTIR DA HISTORIA \u201cCINDERELA SURDA\u201d<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">14:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">MELISSA NOVACK OLIVEIRA RIBEIRO | THA\u00cdS PHILIPSEN GRUTZMANN<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">PROJETO SACOLA VIAJANTE NA EDUCA\u00c7\u00c3O DE SURDOS<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">14:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">HENIANE PASSOS ALEIXO | THA\u00cdS PHILIPSEN GRUTZMANN<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">LIVRO LINHA DO TEMPO DE UMA ALUNA COM SURDOCEGUEIRA CONG\u00caNITA<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">14:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">ANA PAULA RODRIGUES BASTOS<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">AS AULAS DE L\u00cdNGUA INGLESA SOB A PERSPECTIVA DO INT\u00c9RPRETE DE LIBRAS<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">15:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">BIBIANA SIEBEL FLINKER | NORBERTO NICLOTTI CATUCI<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">A VARIA\u00c7\u00c3O DA L\u00cdNGUA INGLESA ATRAV\u00c9S DE TAREFAS PEDAG\u00d3GICAS NA DISCIPLINA DE INGL\u00caS V DO CURSO DE LETRAS<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">15:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">VAL\u00c9RIA ZANNETI NEY<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">A CONSCI\u00caNCIA LINGU\u00cdSTICA LEXICAL SOB O VI\u00c9S DA TEORIA SOCIOCULTURAL: A POSSIBILIDADE DA PERCEP\u00c7\u00c3O DE CONSTRU\u00c7\u00c3O DO CONHECIMENTO POR APRENDIZES ADULTOS EM L\u00cdNGUA INGLESA<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">15:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">CRISTINA BORGES GIL<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">O PRINC\u00cdPIO IDIOM\u00c1TICO E O PRINC\u00cdPIO DA ESCOLHA ABERTA EM TEXTOS DE APRENDIZES DA L\u00cdNGUA INGLESA<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">15:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">GISELE MEDINA NUNES<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">PROGRAMAS DE AVALIA\u00c7\u00c3O AUTOM\u00c1TICA DA ESCRITA: DESENVOLVENDO UMA HABILIDADE EM LE DE FORMA AUT\u00d4NOMA<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">16:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">D\u00caNER DA SILVA RAMOS<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">A GAMIFICA\u00c7\u00c3O NO ENSINO DE L\u00cdNGUA INGLESA<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">16:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 278px;text-align: center\" width=\"33%\">GRAZIELLA STEIGLEDER GOMES | ARIANE TREGES NORONHA GON\u00c7ALVES<\/td>\n<td style=\"width: 367px;text-align: center\" width=\"48%\">PORTUGU\u00caS BRASILEIRO ENQUANTO VARI\u00c1VEL NO APRENDIZADO DE INGL\u00caS COMO L\u00cdNGUA ADICIONAL<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">16:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: center\"><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: center\"><strong>SESS\u00c3O 3 | MINIAUDIT\u00d3RIO 2 &#8211; CEHUS<\/strong><\/p>\n<table style=\"background-color: #ffffff;height: 523px;width: 770px\" width=\"588\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"text-align: center;height: 39px;width: 281px\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"text-align: center;height: 39px;width: 372px\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"text-align: center;width: 116px\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 281px;text-align: center\" width=\"33%\">MILENA ALVES BORBA<\/td>\n<td style=\"width: 372px;text-align: center\" width=\"48%\">OS ECOS PLATONICOS EM LAS RUINAS CIRCULARES<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">14:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 281px;text-align: center\" width=\"33%\">M\u00c1RCIA DOS SANTOS SOARES DA ROCHA<\/td>\n<td style=\"width: 372px;text-align: center\" width=\"48%\">EXPERI\u00caNCIA E POBREZA: UMA REFLEX\u00c3O SOBRE O HOMEM CONTEMPOR\u00c2NEO<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">14:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 281px;text-align: center\" width=\"33%\">RAFAEL DIAS FERREIRA<\/td>\n<td style=\"width: 372px;text-align: center\" width=\"48%\">O TRATADO DO SUBLIME (\u03a0\u0395\u03a1\u00cc \u1f5d\u03a8\u039f\u03a5\u03a3), DE PSEUDO-LONGINO<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">14:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 281px;text-align: center\" width=\"33%\">RODRIGO DE PAULA OLIVEIRA<\/td>\n<td style=\"width: 372px;text-align: center\" width=\"48%\">A CRIA\u00c7\u00c3O DO MUNDO NAS NARRATIVAS COSMOG\u00d4NICAS DAS CULTURAS GREGA E DESANA<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">14:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 281px;text-align: center\" width=\"33%\">SILVIA RAIMUNDI FERREIRA<\/td>\n<td style=\"width: 372px;text-align: center\" width=\"48%\">A NO\u00c7\u00c3O DE INFORME EM GEORGES BATAILLE<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">15:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 281px;text-align: center\" width=\"33%\">H\u00caMILLE RAQUEL SANTOS PERDIG\u00c3O<\/td>\n<td style=\"width: 372px;text-align: center\" width=\"48%\">REALISMO E REALIDADE, EM BALZAC, FLAUBERT E JOYCE<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">15:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 281px;text-align: center\" width=\"33%\">ROSA MARIA DA SILVA FARIA<\/td>\n<td style=\"width: 372px;text-align: center\" width=\"48%\">A REPRESENTA\u00c7\u00c3O INTELECTUAL SOBRE O MITO DE \u201cEVITA\u201d<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">15:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 281px;text-align: center\" width=\"33%\">RAPHAELA PALOMBO BICA DE FREITAS \/ LAIS SILVA GARCIA<\/td>\n<td style=\"width: 372px;text-align: center\" width=\"48%\">UMA PROPOSTA DE ENSINO DO SUJEITO COM HIST\u00d3RIAS EM QUADRINHOS<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">15:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 281px;text-align: center\" width=\"33%\">INGRID TEIXEIRA DA SILVEIRA | MILENA KUNTZLER<\/td>\n<td style=\"width: 372px;text-align: center\" width=\"48%\">L\u00c1 VEM HIST\u00d3RIA\u2026 UM PROJETO DE LEITURA DO TEXTO LITER\u00c1RIO POR MEIO DO CONTO \u201cO RAPAZ QUE HABITAVA OS LIVROS\u201d DE VALTER HUGO M\u00c3E<\/td>\n<td style=\"width: 116px;text-align: center\" width=\"18%\">16:00<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center\"><span style=\"color: #3b6969\"><strong>QUINTA-FEIRA | manh\u00e3<\/strong><\/span><\/h2>\n<p style=\"text-align: center\"><strong><br \/>\nSESS\u00c3O 1 | SALA 202 &#8211; CCHS<br \/>\n<\/strong><\/p>\n<table style=\"background-color: #ffffff;height: 742px;width: 778px\" width=\"588\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"text-align: center;height: 39px;width: 282px\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"text-align: center;height: 39px;width: 378px\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"text-align: center;width: 117px\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 282px;text-align: center\" width=\"33%\">ANDRESA MARTINS DE ANDRADE MEDEIROS<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">LINGUAGEM E PODER NO ACESSO \u00c0 SA\u00daDE: A MEDIA\u00c7\u00c3O DISCURSIVA NO CONTEXTO MIGRAT\u00d3RIO DE S\u00c3O PAULO<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">09:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 282px;text-align: center\" width=\"33%\">CLARICE VAZ PERES ALVES | MARION RODRIGUES DARIZ<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">UM OLHAR PARA A REVIS\u00c3O E A REESCRITA: DOIS PROCESSOS DISTINTOS E COMPLEMENTARES<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">09:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 282px;text-align: center\" width=\"33%\">GISELLE LIANA FETTER<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">PRINC\u00cdPIOS DIAL\u00d3GICOS E AXIOL\u00d3GICOS DA CONCEITUA\u00c7\u00c3O DE DIVULGA\u00c7\u00c3O CIENT\u00cdFICA<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">09:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 282px;text-align: center\" width=\"33%\">GRACIELE DE PAULA SANTOS CORDEIRO<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">DISCURSOS EM SRS SOBRE TRADU\u00c7\u00c3O: A L\u00cdNGUA JAPONESA EM UM PEDESTAL?<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">09:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 282px;text-align: center\" width=\"33%\">PEDRO EMANOEL PERES DIANI<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">A ARTE COMO LINGUAGEM: INSER\u00c7\u00c3O PARA COMUNIDADE<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">10:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 282px;text-align: center\" width=\"33%\">THOMAS ROCHA<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">O DISCURSO DO LINGUISTA: UM CONFRONTO DE VOZES<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">10:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 282px;text-align: center\" width=\"33%\">GUSTAVO HOFFMANN MOREIRA | GRACIELE DE PAULA SANTOS CORDEIRO<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">METODOLOGIA PERT\/CPM DE GEST\u00c3O DE PROJETOS PARA A ELABORA\u00c7\u00c3O DE UM SYLLABUS GRAMATICAL B\u00c1SICO DE L\u00cdNGUA ESTRANGEIRA: UM ESTUDO DE CASO PARA A L\u00cdNGUA JAPONESA<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">10:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 282px;text-align: center\" width=\"33%\">KARINA DOS REIS CONSTANTIN \/ PATR\u00cdCIA STREPPEL HARTEMINK<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">PERSPECTIVAS DE ENSINO E APRENDIZAGEM SUBJACENTES \u00c0S ATIVIDADES DO LIVRO DID\u00c1TICO FOUR SKILLS 2<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">10:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 282px;text-align: center\" width=\"33%\">ANA PAULA ROESLER LEGG<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">INTERNACIONALIZA\u00c7\u00c3O E LINGUAGEM: O DESENVOLVIMENTO DA COMPET\u00caNCIA SIMB\u00d3LICA ATRAV\u00c9S DO MATERIAL DID\u00c1TICO<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">11:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 282px;text-align: center\" width=\"33%\">MIRELA SCH\u00d6PFER KLEIN<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">O APAGAMENTO DA L\u00cdNGUA GUARANI NOS PROCESSOS DE RESIST\u00caNCIA DAS MISS\u00d5ES\/RS<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">11:15<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: center\"><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: center\"><strong>SESS\u00c3O 2 | AUDIT\u00d3RIO &#8211; CEHUS<\/strong><\/p>\n<table style=\"background-color: #ffffff;height: 763px;width: 781px\" width=\"588\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"text-align: center;height: 39px;width: 285px\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"text-align: center;height: 39px;width: 378px\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"text-align: center;width: 117px\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">LUC\u00c9LIA GONZALES SEUS<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">FORMA\u00c7\u00c3O CONTINUADA DE PROFESSORES DE LE A PARTIR DO PROGRAMA E-TEC IDIOMAS<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">09:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">CAMILA SANTOS E SILVA | VANESSA C. VANZAN DE OLIVEIRA<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">ATIVIDADE PARA DESENVOLVIMENTO DE ESTRAT\u00c9GIA DE LEITURA<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">09:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">IEDA LOURDES GOMES DE ASSUMP\u00c7\u00c3O<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">DID\u00c1TICA E LINGUAGEM(NS)<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">09:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">MAUR\u00cdCIO SIGNORINI DIAS<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">A INDEXICALIDADE E AS METANARRATIVAS EM MEM\u00d3RIAS P\u00d3S-DIDATORIAIS<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">09:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">ANA PAULA REGNER | PAULA LUZA | FRANCIELI M. PINTON<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">CONCEP\u00c7\u00d5ES DE LETRAMENTO NA BNCC \u2013 CONSIDERA\u00c7\u00d5ES PRELIMINARES<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">10:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">ROM\u00c1RIO VOLK | ROSANA MARIA SCHIMITT | FRANCIELE M. PINTON<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">CONCEP\u00c7\u00d5ES DE LINGUAGEM, ENSINO E APRENDIZAGEM NA BNCC: UM OLHAR A PARTR DA PERSPECTIVA DE AN\u00c1LISE LINGU\u00cdSTICA<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">10:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">TAINARA SUSARA FAGUNDES BARCELOS PINTO | JORDANA MONTANHA PEDROSO | JAISON MARQUES LUIS | RAFAEL SILVEIRA DA MOTA | VERONICE CAMARGO DA SILVA<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">A TRANSI\u00c7\u00c3O DA L\u00cdNGUA MATERNA PARA O LETRAMENTO ESCOLAR<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">10:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">ANNE SUZIELE RODRIGUES CARNEIRO | SHAYANE GUSM\u00c3O BRIGNOL | JAISON MARQUES LUIZ | RAFAEL SILVEIRA DA MOTA | VERONICE CAMARGO DA SILVA<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">TECNOLOGIAS DIGITAIS DE INFORMA\u00c7\u00c3O E COMUNICA\u00c7\u00c3O NOS PROCESSOS DE APRENDIZAGEM: PROFESSORES E SUAS METODOLOGIAS<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">10:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">GABRIEL DUTRA SILVEIRA | JOSSEMAR DE MATOS THEISEN<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">O ENSINO DE L\u00cdNGUA PORTUGUESA SOB A \u00d3TICOS DOS ALUNOS<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">11:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">CAMILA QUEVEDO OPPELT | MAR\u00cdLIA DOS SANTOS LIMA<\/td>\n<td style=\"width: 378px;text-align: center\" width=\"48%\">A EFERVESC\u00caNCIA DOS PRIMEIROS MOMENTOS: UMA CHILENA APRENDIZ DE PORTUGU\u00caS COMO L\u00cdNGUA ADICIONAL SOB A PERSPECTIVA SOCIOCULTURAL E SOCIAL-IDENTIT\u00c1RIA<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">11:15<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: center\"><strong><br \/>\nSESS\u00c3O 3 | MINIAUDIT\u00d3RIO 1 &#8211; CEHUS<br \/>\n<\/strong><\/p>\n<table style=\"background-color: #ffffff;height: 680px;width: 780px\" width=\"588\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"text-align: center;height: 39px;width: 285px\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"text-align: center;height: 39px;width: 376px\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"text-align: center;width: 118px\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">RODRIGO SILVEIRA DE SOUZA<\/td>\n<td style=\"width: 376px;text-align: center\" width=\"48%\">MEM\u00d3RIA E TRAUMA EM A RESIST\u00caNCIA DE JULI\u00c1N FUKS<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">09:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">GUSTAVO KRIEGER VAZQUEZ<\/td>\n<td style=\"width: 376px;text-align: center\" width=\"48%\">A VARIEDADE NO DISCURSO DAS PERSONAGENS NA CONT\u00cdSTICA REGIONALISTA<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">09:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">\u00cdRIS VIT\u00d3RIA PIRES LISBOA<\/td>\n<td style=\"width: 376px;text-align: center\" width=\"48%\">A REPRESENTA\u00c7\u00c3O DO COTIDIANO NA CR\u00d4NICA LITER\u00c1RIA: O PROCESSO DE CONSTRU\u00c7\u00c3O DE SENTIDO EM UMA CIRCUNST\u00c2NCIA PARTICULAR DE DISCURSO<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">09:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">C\u00c1TIA KUPSSINSK\u00dc<\/td>\n<td style=\"width: 376px;text-align: center\" width=\"48%\">A COSTURA ENTRE MODA E LITERATURA, EM DOM CASMURRO<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">09:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">EDUARDO LOPEZ CHAGAS<\/td>\n<td style=\"width: 376px;text-align: center\" width=\"48%\">VIVA O POVO BRASILEIRO, DE JO\u00c3O UBALDO RIBEIRO E A REPRESENTA\u00c7\u00c3O NEGRA NA LITERATURA BRASILEIRA<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">10:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">MIRVANA LUZ TEIXEIRA<\/td>\n<td style=\"width: 376px;text-align: center\" width=\"48%\">\u201cO QUE PODE A MULHER LIVRE A MULHER ESCRAVA?\u201d: AN\u00c1LISE DE ALGUNS CONTOS DE MACHADO DE ASSIS PUBLICADOS NO JORNAL DAS FAM\u00cdLIAS<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">10:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">MARIANA WASKOW RAD\u00dcNZ<\/td>\n<td style=\"width: 376px;text-align: center\" width=\"48%\">NA\u00c7\u00c3O E IDENTIDADE BRASILEIRA EM CONTOS NEGREIROS, DE MARCELINO FREIRE<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">10:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 285px;text-align: center\" width=\"33%\">JESS\u00c9 CARVALHO LEBKUCHEN<\/td>\n<td style=\"width: 376px;text-align: center\" width=\"48%\">DIGA-ME COM QUEM TU TRANSAS E EU TE DIREI QUEM \u00c9S: AS REPRESENTA\u00c7\u00d5ES DO GAY EM CONTOS DE MARCELINO FREIRE E TOBIAS CARVALHO<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">10:45<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center\"><span style=\"color: #3b6969\"><strong>QUINTA-FEIRA | noite<\/strong><\/span><\/h2>\n<p style=\"text-align: center\"><strong><br \/>\nSESS\u00c3O 1 | MINIAUDIT\u00d3RIO 1 &#8211; CEHUS<br \/>\n<\/strong><\/p>\n<table style=\"background-color: #ffffff;height: 1105px;width: 785px\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"text-align: center;height: 39px;width: 286px\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"text-align: center;height: 39px;width: 381px\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"text-align: center;width: 117px\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">LISSA PACHALSKI<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">ESTRUTURAS SIL\u00c1BICAS RAMIFICADAS NA ESCRITA DE CRIAN\u00c7AS DO CICLO DE ALFABETIZA\u00c7\u00c3O<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">19:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">MARIANA MULLER DE \u00c1VILA<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">A NASALIDADE FONOL\u00d3GICA NA ESCRITA INICIAL\u2014 UMA COMPARA\u00c7\u00c3O DE DADOS DE CRIAN\u00c7AS BRASILEIRAS, MO\u00c7AMBICANAS E PORTUGUESAS<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">19:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">DANIELI DIAS DA SILVA | TAMIRES PEREIRA DUARTE GOULART<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">CONSCI\u00caNCIA FONOL\u00d3GICA E FON\u00caMICA: O ERRO PRODUZIDO NA AQUISI\u00c7\u00c3O DA ESCRITA DE CRIAN\u00c7AS EM PROCESSO DE ALFABETIZA\u00c7\u00c3O<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">19:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">TAMIRES PEREIRA DUARTE GOULART | DANIELI DIAS DA SILVA<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">MORFOLOGIA NAS ESCRITAS INICIAIS: UM MAPEAMENTO DO USO DE MORFEMAS FLEXIONAIS EM DADOS DO PORTUGU\u00caS BRASILEIRO (PB)<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">19:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">LUCIANA PATR\u00cdCIA SCHUMACHER EIDELWEIN<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">NATUREZA DOS ERROS (ORTO)GR\u00c1FICOS DE CRIAN\u00c7AS DA PRIMEIRA S\u00c9RIE DO ENSINO FUNDAMENTAL<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">20:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">THAIS TELLES BARBIERI<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">AQUISI\u00c7\u00c3O DE ENCONTROS CONSONANTAIS COM TAP NO PORTUGU\u00caS BRASILEIRO: ASPECTOS AC\u00daSTICOS<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">20:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">MISAEL KRUGER LEMES<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">O PAPEL DA ULTRASSONOGRAFIA APLICADA \u00c0 AQUISI\u00c7\u00c3O FON\u00c9TICO-FONOL\u00d3GICA DE VOGAIS DO INGL\u00caS \u2013 UM ESTUDO EXPERIMENTAL<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">20:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">M\u00c1GAT N\u00c1GELO JUNGES<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">O PAPEL DA INSTRU\u00c7\u00c3O EXPL\u00cdCITA DE FON\u00c9TICA NA PRODU\u00c7\u00c3O DA DURA\u00c7\u00c3O DAS VOGAIS ALTAS ANTERIORES ARREDONDAS [Y:]- [\u028f], POR UM FALANTE NATIVO BRASILEIRO E APRENDIZ DO (AP) COMO L3: UM ESTUDO LONGITUDINAL<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">20:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">LA\u00cdS SILVA GARCIA<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">O EMPREGO DO ULTRASSOM NA AQUISI\u00c7\u00c3O DA CONSOANTE LATERAL P\u00d3S-VOC\u00c1LICA DO ESPANHOL<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">21:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">BRUNA TEIXEIRA CORREA<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">ASPECTOS DURACIONAIS NA AQUISI\u00c7\u00c3O DAS VOGAIS NASAIS FRANCESAS POR APRENDIZES BRASILEIRAS<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">21:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 286px;text-align: center\" width=\"33%\">ALINE ROSINSKI<\/td>\n<td style=\"width: 381px;text-align: center\" width=\"48%\">A LATERAL P\u00d3S-VOC\u00c1LICA NO PORTUGU\u00caS DE CONTATO: OBSERVA\u00c7\u00c3O AC\u00daSTICO-ARTICULAT\u00d3RIA<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">21:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><strong>SESS\u00c3O 2 | AUDIT\u00d3RIO &#8211; CEHUS<\/strong><\/p>\n<table style=\"background-color: #ffffff;height: 906px;width: 790px\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"text-align: center;height: 39px;width: 289px\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"text-align: center;height: 39px;width: 383px\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"text-align: center;width: 117px\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 289px;text-align: center\" width=\"33%\">TAILA JESUS DA SILVA<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">A CR\u00cdTICA AO ENSINO NA VIS\u00c3O DE MAFALDA: UMA AN\u00c1LISE \u00c0 LUZ BAKHTINIANA<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">19:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 289px;text-align: center\" width=\"33%\">RENATA BLESSMANN FERREIRA<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">JORNALISTAS, JORNALEIROS: O BOCA DE RUA COMO ESPA\u00c7O DE LETRAMENTO DA POPULA\u00c7\u00c3O EM SITUA\u00c7\u00c3O DE RUA<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">19:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 289px;text-align: center\" width=\"33%\">PIERRE SILVA MACHADO<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">UMA AN\u00c1LISE BAKHTINIANA DAS VOZES DISCURSIVAS EM RUPAUL\u2019S DRAG RACE<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">19:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 289px;text-align: center\" width=\"33%\">MILLAINE DE SOUZA CARVALHO | CAMILA ZURCHIMITTEN BARBACH\u00c3<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">DISCURSO, POL\u00cdTICA E M\u00cdDIA: AN\u00c1LISE DISCURSIVA DE UMA PROPAGANDA DA PETROBRAS<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">19:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 289px;text-align: center\" width=\"33%\">ANDRESSA BRENNER FERNANDES<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">UMA LEITURA DISCURSIVA DO DOCUMENT\u00c1RIO O C\u00c1RCERE E A RUA (2004): UM OLHAR SOBRE UM ARQUIVO F\u00cdLMICO<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">20:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 289px;text-align: center\" width=\"33%\">LUISA DA SILVA HIDALGO<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">#FICAESPANHOL: O IMAGIN\u00c1RIO DE L\u00cdNGUA ESPANHOLA AP\u00d3S A REVOGA\u00c7\u00c3O DA LEI 11.161\/2005 E DA APROVA\u00c7\u00c3O DA PEC 270<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">20:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 289px;text-align: center\" width=\"33%\">BIANCA EINHARDT BIERHALS<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">VIOL\u00caNCIA DOM\u00c9STICA E A SEM\u00c2NTICA DAS DESIGNA\u00c7\u00d5ES: AN\u00c1LISE DISCURSIVA DE AC\u00d3RD\u00c3OS<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">20:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 289px;text-align: center\" width=\"33%\">MARCOS ALEXANDRE FERNANDES RODRIGUES | KELLI DA ROSA RIBEIRO<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">AN\u00c1LISE DOS SIGNOS IDEOL\u00d3GICOS E DAS VOZES SOCIAIS NO PROJETO ENUNCIATIVO GOVERNAMENTAL DA BNCC<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">20:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 289px;text-align: center\" width=\"33%\">SUZANE DA ROSA RIBEIRO | RUANY MAIRA DA SILVA SILVA<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">PRECARIZA\u00c7\u00c3O DA EDUCA\u00c7\u00c3O BRASILEIRA: UMA AN\u00c1LISE DISCURSIVA DA BASE COMUM CURRICULAR<\/td>\n<td style=\"width: 117px;text-align: center\" width=\"18%\">21:00<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><strong>SESS\u00c3O 3 | MINIAUDIT\u00d3RIO 2 &#8211; CEHUS<\/strong><\/p>\n<table style=\"background-color: #ffffff;height: 632px;width: 789px\">\n<tbody>\n<tr style=\"border-color: #3b6969;background-color: #3b6969\">\n<td style=\"text-align: center;height: 39px;width: 287px\"><span style=\"color: #ffffff\"><strong>APRESENTADOR<\/strong><\/span><\/td>\n<td style=\"text-align: center;height: 39px;width: 383px\"><span style=\"color: #ffffff\"><strong>TRABALHO<\/strong><\/span><\/td>\n<td style=\"text-align: center;width: 118px\"><span style=\"color: #ffffff\"><strong>HOR\u00c1RIO<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 287px;text-align: center\" width=\"33%\">CRISTIAN BORBA DA SILVEIRA<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">AUTOFIC\u00c7\u00c3O: A FIC\u00c7\u00c3O AL\u00c9M DOS LIMITES REFERENCIAIS<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">19:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 287px;text-align: center\" width=\"33%\">GLENDA LIMA DE LIMA<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">\u201cNO MEIO DO CAMINHO TINHA UMA PEDRA\u201d: ITABIRA DO MATO DENTRO<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">19:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 287px;text-align: center\" width=\"33%\">J\u00daLIA NUNES AZZI<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">\u201cNUNCA ESQUECEREI\u201d: MEM\u00d3RIA E LUTO NO ROMANCE MORRESTE-ME, DE JOS\u00c9 LU\u00cdS PEIXOTO<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">19:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 287px;text-align: center\" width=\"33%\">TIAGO FERREIRA PEREIRA<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">MEM\u00d3RIA E ESQUECIMENTO EM THE UNCONSOLED DE KAZUO ISHIGURO<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">19:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 287px;text-align: center\" width=\"33%\">RAFAELA PEDROSO DE OLIVEIRA | ANNABELA BERUDI LEAL<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">RELA\u00c7\u00d5ES DE PODER E LINGUAGEM EM NARRATIVAS DIST\u00d3PICAS<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">20:00<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 287px;text-align: center\" width=\"33%\">WENDEL WICKBOLDT BUCHWEITZ<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">A (RE)CONSTRU\u00c7\u00c3O DA NARRATIVA DE OFFRED N\u2019O CONTO DA AIA, DE MARGARET ATWOOD<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">20:15<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 287px;text-align: center\" width=\"33%\">FL\u00c1VIA GIACCOBO RIBEIRO<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">TRADU\u00c7\u00c3O INTERSEMI\u00d3TICA E INTERCULTURALIDADE: THE HANDMAID\u2019S TALE<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">20:30<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 287px;text-align: center\" width=\"33%\">ANA GABRIELA DA SILVA VIEIRA | ADRIENE LAURA FRIGO ROCHA<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">UM OLHAR SOBRE A LITERATURA COMO PEDAGOGIA CULTURAL: OS DISCURSOS DE EXTRAORDIN\u00c1RIO<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">20:45<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 287px;text-align: center\" width=\"33%\">ANDR\u00c9 RODRIGUES DA SILVA<\/td>\n<td style=\"width: 383px;text-align: center\" width=\"48%\">ESTUDOS SOBRE A SUBJETIVIDADE EM ALBERT CAMUS<\/td>\n<td style=\"width: 118px;text-align: center\" width=\"18%\">21:00<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Para fazer o download da programa\u00e7\u00e3o completa das sess\u00f5es de comunica\u00e7\u00e3o, clique aqui (vers\u00e3o atualizada). TER\u00c7A-FEIRA | manh\u00e3 SESS\u00c3O 1 | MINIAUDIT\u00d3RIO 1 &#8211; CEHUS APRESENTADOR TRABALHO HOR\u00c1RIO CRISTIANO SANDIM PASCHOAL LER E ESCREVER: ATOS DIAL\u00d3GICOS 09:00 RITA DE LIMA N\u00d3BREGA O ESTRANHAMENTO NO DISCURSO DE GABRIELA LEITE 09:15 RUANY MAIRA DA SILVA SILVA | &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/wp.ufpel.edu.br\/jel\/5a-edicao\/programacao-2\/comunicacoes\/\">Continue lendo<\/a><\/p>\n","protected":false},"author":732,"featured_media":0,"parent":989,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-980","page","type-page","status-publish","hentry","nodate","item-wrap"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaOwBf-fO","_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/jel\/wp-json\/wp\/v2\/pages\/980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/jel\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/jel\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/jel\/wp-json\/wp\/v2\/users\/732"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/jel\/wp-json\/wp\/v2\/comments?post=980"}],"version-history":[{"count":12,"href":"https:\/\/wp.ufpel.edu.br\/jel\/wp-json\/wp\/v2\/pages\/980\/revisions"}],"predecessor-version":[{"id":1092,"href":"https:\/\/wp.ufpel.edu.br\/jel\/wp-json\/wp\/v2\/pages\/980\/revisions\/1092"}],"up":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/jel\/wp-json\/wp\/v2\/pages\/989"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/jel\/wp-json\/wp\/v2\/media?parent=980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}