{"id":579,"date":"2014-10-08T19:38:08","date_gmt":"2014-10-08T22:38:08","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/grupoicaro\/?page_id=579"},"modified":"2019-08-27T11:02:00","modified_gmt":"2019-08-27T14:02:00","slug":"projetos","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/grupoicaro\/projetos\/","title":{"rendered":""},"content":{"rendered":"<p><a href=\"http:\/\/criticaliterariaufpel.blogspot.com.br\/2017\/09\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sob a \u00e9gide do autoritarismo e do totalitarismo: a literatura como reflex\u00e3o II<\/a><\/p>\n<p><a href=\"https:\/\/wp.ufpel.edu.br\/grupoicaro\/wp-admin\/post.php?post=967&amp;action=edit\" target=\"_blank\" rel=\"noopener noreferrer\">Sob a \u00e9gide do autoritarismo e do totalitarismo: a literatura como reflex\u00e3o<\/a><\/p>\n<p><a href=\"http:\/\/criticaliterariaufpel.blogspot.com.br\/2015\/02\/teoria-e-praticas-de-leitura.html\" target=\"_blank\" rel=\"noopener noreferrer\">Teorias e Pr\u00e1ticas de Leitura: Artes e Literatura<\/a><\/p>\n<p><a href=\"https:\/\/wp.ufpel.edu.br\/grupoicaro\/files\/2013\/11\/convite.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Espa\u00e7o \u00cdCARO (2013)<\/a><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/wp.ufpel.edu.br\/grupoicaro\/files\/2013\/05\/drummond_cartaz.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\">Drummond Comparado<\/a><\/p>\n<p><a href=\"https:\/\/i2.wp.com\/wp.ufpel.edu.br\/grupoicaro\/files\/2013\/05\/cartaz_luz_camera_acao2.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\">Luz, c\u00e2mera, a\u00e7\u00e3o!<\/a><\/p>\n<p><a href=\"https:\/\/i1.wp.com\/wp.ufpel.edu.br\/grupoicaro\/files\/2013\/05\/versosdosul.jpg?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\">Versos do Sul<\/a><\/p>\n<p><a href=\"https:\/\/i1.wp.com\/wp.ufpel.edu.br\/grupoicaro\/files\/2013\/05\/cartaz_fc.png?ssl=1\" target=\"_blank\" rel=\"noopener noreferrer\">Forma\u00e7\u00e3o cultural: a mulher na literatura contempor\u00e2nea<\/a><\/p>\n<h1 style=\"border: 0px none;margin: 20px 0px 5px;padding: 0px;color: #333333;font-weight: bold;font-style: normal;font-variant: normal;font-size: 20px;line-height: normal;font-family: arial;letter-spacing: normal;text-indent: 0px;text-align: center;background-color: #ffffff\"><\/h1>\n<h1 style=\"border: 0px none;margin: 20px 0px 5px;padding: 0px;color: #333333;font-weight: bold;font-style: normal;font-variant: normal;font-size: 20px;line-height: normal;font-family: arial;letter-spacing: normal;text-indent: 0px;text-align: center;background-color: #ffffff\"><\/h1>\n<h1 style=\"border: 0px none;margin: 20px 0px 5px;padding: 0px;color: #333333;font-weight: bold;font-style: normal;font-variant: normal;font-size: 20px;line-height: normal;font-family: arial;letter-spacing: normal;text-indent: 0px;text-align: center;background-color: #ffffff\"><\/h1>\n<h1 style=\"border: 0px none;margin: 20px 0px 5px;padding: 0px;color: #333333;font-weight: bold;font-style: normal;font-variant: normal;font-size: 20px;line-height: normal;font-family: arial;letter-spacing: normal;text-indent: 0px;text-align: center;background-color: #ffffff\"><\/h1>\n<h1 style=\"border: 0px none;margin: 20px 0px 5px;padding: 0px;color: #333333;font-weight: bold;font-style: normal;font-variant: normal;font-size: 20px;line-height: normal;font-family: arial;letter-spacing: normal;text-indent: 0px;text-align: center;background-color: #ffffff\"><\/h1>\n<h1 style=\"border: 0px none;margin: 20px 0px 5px;padding: 0px;color: #333333;font-weight: bold;font-style: normal;font-variant: normal;font-size: 20px;line-height: normal;font-family: arial;letter-spacing: normal;text-indent: 0px;text-align: center;background-color: #ffffff\"><\/h1>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sob a \u00e9gide do autoritarismo e do totalitarismo: a literatura como reflex\u00e3o II Sob a \u00e9gide do autoritarismo e do totalitarismo: a literatura como reflex\u00e3o Teorias e Pr\u00e1ticas de Leitura: Artes e Literatura Espa\u00e7o \u00cdCARO (2013) Drummond Comparado Luz, c\u00e2mera, a\u00e7\u00e3o! Versos do Sul Forma\u00e7\u00e3o cultural: a mulher na literatura contempor\u00e2nea &nbsp; &nbsp;<\/p>\n","protected":false},"author":267,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-579","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/grupoicaro\/wp-json\/wp\/v2\/pages\/579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/grupoicaro\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/grupoicaro\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/grupoicaro\/wp-json\/wp\/v2\/users\/267"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/grupoicaro\/wp-json\/wp\/v2\/comments?post=579"}],"version-history":[{"count":17,"href":"https:\/\/wp.ufpel.edu.br\/grupoicaro\/wp-json\/wp\/v2\/pages\/579\/revisions"}],"predecessor-version":[{"id":1031,"href":"https:\/\/wp.ufpel.edu.br\/grupoicaro\/wp-json\/wp\/v2\/pages\/579\/revisions\/1031"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/grupoicaro\/wp-json\/wp\/v2\/media?parent=579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}