{"id":314,"date":"2024-07-29T12:31:27","date_gmt":"2024-07-29T15:31:27","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/fivrs\/?page_id=314"},"modified":"2024-07-29T12:31:27","modified_gmt":"2024-07-29T15:31:27","slug":"edicao-2023","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/fivrs\/inicio\/edicao-2023\/","title":{"rendered":"Edi\u00e7\u00e3o 2023"},"content":{"rendered":"

VIDEODAN\u00c7AS SELECIONADAS – FIVRS 2023<\/b><\/p>\n

Acci\u00f3n Art\u00edstica Butoh<\/strong> (2023, 06’16”), de Osvaldo Cibils + IA. Uruguai\/Barcelona, Espanha.<\/p>\n

Areinwe<\/strong> (2023, 03’20”), de Selene Baptista e Sebasti\u00e1n Garc\u00eda. Venezuela.<\/p>\n

Asas<\/strong> (2022, 02’19”), de Diego Mac. Porto Alegre, Rio Grande do Sul, Brasil.<\/p>\n

Being Elsewhere<\/strong> (2021, 02’31”), de Holger Mohaupt. North Berwick, East Lothian, Esc\u00f3cia.<\/p>\n

B\u00ebw\u00e1k\u200b\u200b<\/strong> (2023, 03:53″), de Hellen Hern\u00e1ndez S\u00e1nchez e Fabio Cecilio P\u00e9rez Sol\u00eds. Costa Rica.<\/p>\n

Blessings<\/strong> (2021, 05’02”), de Tanniqua-Kay Buchanan. Chicago, Illinois, EUA.<\/p>\n

Bolha<\/strong> (2021, 09’58”), de Movidos Dan\u00e7a. Natal, Rio Grande do Norte, Brasil.<\/p>\n

Childhood\/Adulthood<\/strong> (2022, 06’29”), de Jagoda Turlik e Julia Domagalska, Szymon Pacholec, Piotr Werewka. Vars\u00f3via, Pol\u00f4nia.<\/p>\n

CINESIA<\/strong> (2022, 02′), de Eduarda Barcelos. Pelotas, Rio Grande do Sul, Brasil.<\/p>\n

Compuls\u00f3rio<\/strong> (2022, 04’25”), de Aline Salmin e Bruna Brunu. Uberl\u00e2ndia, Minas Gerais, Brasil.<\/p>\n

Corpoesia<\/strong> (2023, 02’09”), de Samara Rocha Santos e Ademir Junior. Esp\u00edrito Santo, Brasil.<\/p>\n

Corpos\/Cidade<\/strong> (2021, 10′), de Kanau\u00e3 Nharu. Canoas, Rio Grande do Sul, Brasil.<\/p>\n

C R I S O L<\/strong> (2021, 07’04”), de Camila Magal\u00ed Pereyra. Ushuaia, Tierra del Fuego, Argentina.<\/p>\n

Dan\u00e7a do quase sil\u00eancio ou Uma afro-ga\u00facha em dan\u00e7oviv\u00eancias<\/strong> (2022, 09’43”), de Liana da Silva Cunha e Jaqueline Santana. Santa Maria, Rio Grande do Sul, Brasil.<\/p>\n

Descent into Death<\/strong> (2021, 10″), de Smangaliso Ngwenya e Phumlani Mndebele. Joanesburgo, \u00c1frica do Sul.<\/p>\n

Despertar<\/strong> (2023, 04’23”), de Aldo Venegas. Acapulco, M\u00e9xico.<\/p>\n

El tiempo cambia – Disciplina<\/strong> (2022, 04’02”), de Yanoski Suarez Rodriguez e Paseal Perron. Santiago de Cuba, Cuba.<\/p>\n

El t\u00fanel<\/strong> (2022, 06’06”), de Rafaela Molina. Montevid\u00e9u, Uruguai.<\/p>\n

Entre orix\u00e1s<\/strong> (2022, 08 30″), de Dinah Schonhaut. Buenos Aires, Argentina.<\/p>\n

Espaldas Dobladas<\/strong> (2021, 05’15”) de Hern\u00e1n David L\u00f3pez. Buenos Aires, Argentina.<\/p>\n

Hacer Memoria Cuerpo, Cap\u00edtulo 1<\/strong> (2021, 10″), de Micaela Rivetti, Nicol\u00e1s Martinez Cremonese e Maximiliano Bottoli. Buenos Aires, Argentina.<\/p>\n

I and I: conversations with 3rd self<\/strong> (2023, 02’29”), de Boitumelo Motau e Wesley Hlongwane. Joanesburgo, \u00c1frica do Sul.<\/p>\n

imorredouro<\/strong> (2022, 03’35”), de Davidson Jos\u00e9 Martins Xavier e Bernardo Morais. Aparecida de Goi\u00e2nia, Goi\u00e1s, Brasil.<\/p>\n

La Nada se Traga Una cosa Tras Otra<\/strong> (2022, 06’03”), de Daro Ceballos e Gabriela Bondone. Villa Maria, C\u00f3rdoba, Argentina.<\/p>\n

Las paredes hablan<\/strong> (2021, 06’37”), de Edgar Laiseca Rodr\u00edguez. Bogot\u00e1, Col\u00f4mbia.<\/p>\n

Latitude-zero<\/strong> (2022-2023, 06’40”) de Ygor Gohan de Paiva Faria. Belo Horizonte, Minas Gerais, Brasil.<\/p>\n

Los siete umbrales<\/strong> (2023, 01’30”), de Blas Payri. Val\u00eancia, Espanha.<\/p>\n

Marie. Eduardo. Sophie<\/strong> (2022, 03′), de Thomas Corriveau. Bromont, Quebec, Canad\u00e1.<\/p>\n

Muros<\/strong> (2022, 10″), de Dani Cobarrubias e Carmen Porras. Granada, Espanha.<\/p>\n

My non-relative fullness<\/strong> (2023, 04’38”) Uladzimir Slizhyk. Vars\u00f3via, Pol\u00f4nia.<\/p>\n

Novos velhos corpos 50 +<\/strong> (2023, 07’53”), de Suzane Weber da Silva e Alex Sernambi. Porto Alegre, Rio Grande do Sul, Brasil.<\/p>\n

Nuestra Sombra<\/strong> (2022, 06’18”), de Mar\u00eda Fernanda Contreras. Toluca, Estado de M\u00e9xico, M\u00e9xico.<\/p>\n

O (re)nascer do meu existir<\/strong> (2022, 06′), de Patricia Chavarelli Vilela da Silva. Uberl\u00e2ndia, Minas Gerais, Brasil.<\/p>\n

P\u00e9 45 sem Par \u2013 manipula\u00e7\u00e3o I e II<\/strong> (2021, 04′), de Tales Frey. Brasil\/Porto, Portugal.<\/p>\n

Piano-Soleil<\/strong> (2023, 07’30”), de Caio Amon e Camila Vergara. Porto Alegre, Rio Grande do Sul, Brasil.<\/p>\n

POIS QUE IA: sob a mem\u00f3ria<\/strong> (2022, 07′), de Gabriela Mercadante Ferrari. Salvador, Bahia, Brasil.<\/p>\n

Red<\/strong> (2023, 05″), coletivo DEHORS\/AUDELA – Salvatore Insana e Elisa Turco Liveri. Roma, It\u00e1lia.<\/p>\n

Remanencia<\/strong> (2022, 06′), de Esteban Richmond Uma\u00f1a, com participa\u00e7\u00e3o de Ver\u00f4nica Monestel. Costa Rica.<\/p>\n

Revoada<\/strong> (2022, 03’14”), de Claudia Tayanne Gomes Marreiros. S\u00e3o Lu\u00eds, Maranh\u00e3o, Brasil.<\/p>\n

Sil\u00eancios<\/strong> (2023,10″), de C\u00e9sar Ulloa Cu\u00e9llar. Lima, Per\u00fa.<\/p>\n

Similitude<\/strong> (2021, 06’33”), de Rafael Tursi e Danilo Borges. Bras\u00edlia, Distrito Federal, Brasil.<\/p>\n

Tempore Neon<\/strong> (2022, 07′), de Arthur Antunes e Thairini Moreno. Vit\u00f3ria da Conquista, Bahia, Brasil.<\/p>\n

Three Anomi<\/strong> (2021, 04’31”), de Shohifur Ridho’i. Yogyakarta, Indon\u00e9sia.<\/p>\n

Uholdeak<\/strong> (2022, 05’10”). de Olatz Larunbe e B\u00e1rbara Fern\u00e1ndez. Pamplona, Navarra, Espanha.<\/p>\n

Vamos fazer de conta\u2026<\/strong> (2022, 09’08”), de Bernardo Gasparini, Elton de Souza e Sara Marchezini. Minas Gerais, Brasil.<\/p>\n

V\u00eanus<\/strong> (2021, 08’05”), de Patricia Nardelli Pinto Santana e Emily da Silva. Porto Alegre, Rio Grande do Sul, Brasil.<\/p>\n

What’s Bred in the Blood and Bone<\/strong> (2021, 05’09”), de Robin M Gee. Greensboro, Carolina do Norte, EUA.<\/p>\n

Yin Yang<\/strong> (2022, 07’50”), de Femi Adebajo e Companhia o Futuro da Dan\u00e7a. Lagos, Nig\u00e9ria.<\/p>\n

\u98db\u5929 – Fei Tian<\/strong> (2023, 04′), de Selena Regad. Paris, Fran\u00e7a.<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

VIDEODAN\u00c7AS SELECIONADAS – FIVRS 2023 Acci\u00f3n Art\u00edstica Butoh (2023, 06’16”), de Osvaldo Cibils + IA. Uruguai\/Barcelona, Espanha. Areinwe (2023, 03’20”), de Selene Baptista e Sebasti\u00e1n Garc\u00eda. Venezuela. Asas (2022, 02’19”), de Diego Mac. Porto Alegre, Rio Grande do Sul, Brasil. Being Elsewhere (2021, 02’31”), de Holger Mohaupt. North Berwick, East Lothian, Esc\u00f3cia. B\u00ebw\u00e1k\u200b\u200b (2023, 03:53″), … <\/p>\n

Continue lendo “Edi\u00e7\u00e3o 2023”<\/span><\/a><\/p>\n","protected":false},"author":1047,"featured_media":0,"parent":12,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","footnotes":""},"class_list":["post-314","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages\/314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/users\/1047"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/comments?post=314"}],"version-history":[{"count":1,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages\/314\/revisions"}],"predecessor-version":[{"id":316,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages\/314\/revisions\/316"}],"up":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages\/12"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/media?parent=314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}