{"id":145,"date":"2021-08-16T14:59:52","date_gmt":"2021-08-16T17:59:52","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/fivrs\/?page_id=145"},"modified":"2025-09-11T12:00:19","modified_gmt":"2025-09-11T15:00:19","slug":"selecionados","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/fivrs\/selecionados\/","title":{"rendered":"Selecionados 2025"},"content":{"rendered":"

VIDEODAN\u00c7AS SELECIONADAS – FIVRS 2025<\/b><\/p>\n

A Ru\u00edna que Dan\u00e7a<\/em> (2023, 6\u201956″), de Binho Signorelli e Gab Multini (Gurini) – Campinas, SP, Brasil.<\/p>\n

AFROBR<\/em> (2024, 1\u201921″), de Ademir de Jesus Santos Junior, Jadson Tit\u00e2nio e Brunu Chico – Vit\u00f3ria, ES, Brasil.<\/p>\n

\u00c1gua Dormida<\/em> (2024, 7\u201941″), de Maria Luiza Fran\u00e7a, Flora Guimar\u00e3es e Rua Duarte – Rio de Janeiro, RJ, Brasil.<\/p>\n

Aurora<\/em> (2024, 6\u201928″), de Leonardo Villa, Companhia P\u00e1ssaro de Press\u00e1gio – S\u00e3o Paulo, SP, Brasil \/ M\u00e9xico.<\/p>\n

Bailar o Morir<\/em> (2025, 6′). de Ale L\u00f3pez H – Buenos Aires, Argentina.<\/p>\n

Baleines<\/em> (2024, 8\u201923″), Compagnie Mossoux-Bont\u00e9 – Bruxelas, B\u00e9lgica.<\/p>\n

c0rp0 de bytes: o encontro<\/em> (2024, 4\u201940\u201d), de Luques Oliveira da Silva – Curitiba, PR, Brasil.<\/p>\n

Cerrado Dan\u00e7a, Sabasqu\u00e1 em Movimento<\/em> (2024, 4\u201950″), de Bergkamp Pereira Magalh\u00e3es – Goi\u00e2nia, GO, Brasil.<\/p>\n

Chair Deconstruction<\/em> (2024, 8\u201953″), de Clare Schweitzer – California, San Francisco, EUA.<\/p>\n

CONATUS<\/em> (2023, 10′), de Ataka Colectivo e Naydu Pulido Farias – Bogot\u00e1, Colombia.<\/p>\n

Corpo dessa praia<\/em> (2025, 10′), de Marcos Vin\u00edcius Te\u00f3filo de Almeida e Silva – Recife, PE, Brasil.<\/p>\n

Debulho #2<\/em> (2025, 9′), de B\u00e1rbara Veronez e Ariny Bianchi – Vit\u00f3ria, ES, Brasil.<\/p>\n

Dial\u00e9ctica<\/em> (2025, 7\u201905″), de Uma Taylor e Bernarda Feuillade – Buenos Aires, Argentina.<\/p>\n

Disco<\/em> (2025, 6\u201934\u201d), de Marcelo Cabrera e Airton Tomazzoni, N\u00facleo Imagem e dan\u00e7a de Imb\u00e9 (NIDI) – Imb\u00e9, RS, Brasil.<\/p>\n

Duet for 2<\/em> (2025, 5\u201919\u201d), de Brigitte Valobra e Wald – Val\u00eancia, Espanha.<\/p>\n

Dunas City<\/em> (2025, 2\u201950″), de C\u00e1tia Fernandes de Carvalho e Anderson Roberto Cruz da Silveira – Projeto Unificado Dan\u00e7a no Bairro – Pelotas, RS, Brasil.<\/p>\n

Hain, enlazadores de energ\u00edas<\/em> (2024, 10′), de Wanda L\u00f3pez Trelles – Buenos Aires, Argentina \/ Espanha \/ Costa Rica.<\/p>\n

Incubo<\/em> (2025, 7\u20191″), de Cynthia Candelas – Cidade do M\u00e9xico, M\u00e9xico.<\/p>\n

Mi Piel Mi Rareza<\/em> (2024, 7\u201935″), de Marcela Santa Mar\u00eda Silva e Diego Alejandro, Chile.<\/p>\n

MOON LIGHT, A Glint of Light on Broken Glass<\/em> (2025, 4′), de Andrea Hackl – Pa\u00edses Baixos \/ Portugal \/ \u00c1ustria.<\/p>\n

Mr Nature<\/em> (2024, 07′), de Mboko Lopiki – Goma, Rep\u00fablica Democr\u00e1tica do Congo.<\/p>\n

Mulheres de Arrimo<\/em> (2024, 10′) Mariana Jorge, Elisa Costa e Nara C\u00e1lipo – Campinas, SP, Brasil.<\/p>\n

Mu\u00f1eca Porfi\u00e1<\/em> (2025, 3\u201948″), de Sabine Greppo, Javiera Araya e Utopias bailables Company – Lyon, Fran\u00e7a.<\/p>\n

Ode Maritima<\/em> (2024, 6′), de Fu Le, Magalie Lanriot e Roel Q Seeber – Arles, Fran\u00e7a \/ Lisboa, Portugal.<\/p>\n

OMNIA CITRA MORTEM<\/em> (2024, 8\u201926′), de Esther Avila Schmidt, J\u00falia Zucchetto, Larissa Toniolo, Rafaela Zaremski, Manoela Cargnelutti e Lauren Diel – Santa Maria, RS, Brasil.<\/p>\n

\u00d4ta Boba<\/em> (2024, 9’41”), de Edu O. – Salvador, BA, Brasil.<\/p>\n

P\u00e1ssara<\/em> (2024, 4′), de Sarah Ferreira – Florian\u00f3polis – SC, Brasil.<\/p>\n

Pele de Foca<\/em> (2025, 05\u201904″, de Fernanda Mendes e Otilia Fran\u00e7oso – Ubatuba, SP, Brasil.<\/p>\n

Pulso Colectivo<\/em> (2024, 6\u201950″), de Leoranny Petit – M\u00e9rida, Venezuela.<\/p>\n

Quem ser\u00e1?<\/em> (2025, 2\u201955″), de Kenne Felipe Alves Vieira – Itaj\u00e1, RN, Brasil.<\/p>\n

Qui\u00e9n sabe, Alicia<\/em> (2024, 7′ 21″), de Dinah Schonhaut – Buenos Aires, Argentina.<\/p>\n

Seliberation #3<\/em> (2024, 6′), de Estela Lapponi – S\u00e3o Paulo, SP, Brasil.<\/p>\n

Sensuum<\/em> (2025, 7\u201909″), de Cristina Duque, Tamiana Yanandi Naranjo Bonilla e Alejandra Nu\u00f1ez Bayas – Quito, Ecuador.<\/p>\n

Shame<\/em> (2024, 5′), de Hadi Moussally, Paris – Fran\u00e7a \/ L\u00edbano.<\/p>\n

Sin T\u00edtulo<\/em> (2024, 3’28”), de C\u00e9sar Ulloa Cu\u00e9llar – Lima, Peru.<\/p>\n

Sob esta crosta de osso e pele<\/em> (2023, 5\u201924″), de Gabriel Mafort Gomes Paleari e Victor Macedo, Londrina, PR, Brasil.<\/p>\n

SOMOS predadores<\/em> (2024 2’54”), de Allan Brasileiro Ribeiro Xavier de Andrade Rocha – Curitiba, PR, Brasil.<\/p>\n

Tentativa de Habitar Bag\u00e9 Vol. 2 pt. 5: Daniele – Dan\u00e7a Flamenca<\/em> (2024, 6\u201943″), de Wagner Ferreira Previtali – Bag\u00e9, RS, Brasil.<\/p>\n

TerraMontes<\/em> (2024, 5′), de Ana Baer Carrillo e Heike Salzer – San Marcos, TX, EUA \/ Londres, Reino Unido.<\/p>\n

There was no plan B<\/em> (2025, 5\u201940″), de Libertad Pozo, Paco Utray y Luis Lamadrid – Madrid, Espanha.<\/p>\n

Wombskin<\/em> (2023, 9\u201940″), de Rute Vitorino, CORPO Companhia de Dan\u00e7a – Leiria, Portugal.<\/p>\n

ZUMO<\/em> (2024, 9:37″), de Maxmiler Junio – Belo Horizonte, MG, Brasil.<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

VIDEODAN\u00c7AS SELECIONADAS – FIVRS 2025 A Ru\u00edna que Dan\u00e7a (2023, 6\u201956″), de Binho Signorelli e Gab Multini (Gurini) – Campinas, SP, Brasil. AFROBR (2024, 1\u201921″), de Ademir de Jesus Santos Junior, Jadson Tit\u00e2nio e Brunu Chico – Vit\u00f3ria, ES, Brasil. \u00c1gua Dormida (2024, 7\u201941″), de Maria Luiza Fran\u00e7a, Flora Guimar\u00e3es e Rua Duarte – Rio … <\/p>\n

Continue lendo “Selecionados 2025”<\/span><\/a><\/p>\n","protected":false},"author":1047,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-145","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages\/145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/users\/1047"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/comments?post=145"}],"version-history":[{"count":4,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages\/145\/revisions"}],"predecessor-version":[{"id":377,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages\/145\/revisions\/377"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/media?parent=145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}