{"id":145,"date":"2021-08-16T14:59:52","date_gmt":"2021-08-16T17:59:52","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/fivrs\/?page_id=145"},"modified":"2026-08-29T13:23:48","modified_gmt":"2026-08-29T16:23:48","slug":"selecionados","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/fivrs\/selecionados\/","title":{"rendered":"Selecionados"},"content":{"rendered":"

VIDEODAN\u00c7AS SELECIONADAS – FIVRS 2026<\/b><\/p>\n

7 Cidades<\/em> (2026, 9\u201946\u201d), La Negra Ana Medeiros – Porto Alegre, RS, Brasil<\/p>\n

88 Flesh Red \/ 88 Vermelho-Carne<\/em> (2026, 10\u2019), de Cl\u00e1udia Tatinge Nascimento – Minneapolis, EUA<\/p>\n

A Cura<\/em> (2026, 2\u201936\u201d), de Rozan Ribeiro Borges – Niter\u00f3i, RJ, Brasil<\/p>\n

Alas de Gavil\u00e1n \/ Asas de Gavi\u00e3o<\/em> (2025, 2\u201930\u201d), de Rafael Cesar da Costa Corr\u00eaa, Teffy Rojas, Andira Angeli e Jean Winder – Manaus, AM, Brasil \/ Venezuela<\/p>\n

AME<\/em> (2026, 3\u201952\u201d), de Osvaldo Raul Ponce – Argentina<\/p>\n

Anacr\u00f3nico \/ Anacr\u00f4nico<\/em> \/ (2026, 9\u201916\u201d), de Marcos Andr\u00e9s Orme\u00f1o – La Rioja, Rioja, Argentina<\/p>\n

A s\u00faplica<\/em> (2026, 2\u201935\u201d), de Genesis & Guilherme Falc\u00e3o – S\u00e3o Paulo, SP, Brasil<\/p>\n

Augenblick: on the edge of the moment \/ Augenblick: no limiar do momento<\/em> (2025, 9\u201942\u201d), de Juliet McMains – Seattle, WA, EUA<\/p>\n

Aut\u00f3ctone<\/em> (2026, 9\u2019), de Wescley Sousa Sacramento e Rosineide Sousa Lobato – Igarap\u00e9-miri, PA, Brasil<\/p>\n

Breakhaos<\/em> (2026, 9\u201939\u201d), de Maria Fernanda Soran\u00e7o Miranda – Juiz de Fora, MG, Brasil<\/p>\n

Cara<\/em> (2025, 3\u201947\u201d), de Gustavo Serrate, Elo\u00e1 Puri e Danilo dos Anjos – Bras\u00edlia, Distrito Federal, Brasil<\/p>\n

Click Clack<\/em> (2026, 3\u201922\u201d), de Daniela Sauter, Andrea Guerrero e Jazmin Gamboa – Costa Rica<\/p>\n

Cordura<\/em> (2026, 1\u201913\u201d), de Muk Alonzo, Jemina Serena e Santiago Sganga – Montevideo, Uruguay<\/p>\n

Corpo-Catarse<\/em> (2025, 4\u201906\u201d), de Benner Siqueira e Leandro Andrade, Manaus, AM, Brasil<\/p>\n

Dan\u00e7as do Cotidiano<\/em> (2025, 4\u201912\u201d), de Jo\u00e3o Tomaz Santos – Joa\u00e7aba, SC, Brasil<\/p>\n

Dancing on architecture 1: structure \/ Dan\u00e7ando sobre a arquitetura 1: estrutura<\/em> (2025, 4\u201947\u201d), de Marc Zaragoza, Roser Tutusaus e Tom Weksler – Barcelona, Espanha<\/p>\n

DeNegrir<\/em> (2025, 1\u201925\u201d), de Karine Lima e Salasar Junior – Rio de Janeiro, RJ, Brasil<\/p>\n

Des[hechos] en el mar \/ Des[feitos] no mar<\/em> (2025, 5\u201930\u201d), de Angela Sofia Gonzalez, Juan Pablo Vela, Diego Sotelo, Ana Parra, Dahiana Piamba, Juan Volver\u00e1s, Efra\u00edn Solarte, Luz Angela Monrroy e Patricia Guitierrez – Cali, Colombia<\/p>\n

Despu\u00e9s de la Ninfa \/ Depois da Ninfa<\/em> (2025, 5\u201908\u201d), de Gravedad y Vacio e Mariela Puyol – M\u00e9xico<\/p>\n

Di\u00e1fanos<\/em> (2025, 4\u2019), de Pablo Vieira e Mois\u00e9s Ferreira – Natal, RN, Brasil<\/p>\n

Do rio comprido \u00e0 mar\u00e9<\/em> (2025, 6\u2019), de Gabriela I. Gaia – S\u00e3o Paulo, SP, Brasil
\nEl sentir de las amapolas \/ O sentir das amapolas (2025, 4\u201921\u201d), de Sandra Barroso – Cia Amait\u00e9 – Barcelona, Espanha<\/p>\n

Emotio \/ Emo\u00e7\u00e3o<\/em> (2025, 8\u2019), de Leonel Cieri e Rebeca D\u00fcnkler – C\u00f3rdoba, Argentina<\/p>\n

F60.3 – Hoje eu estou sentindo muito<\/em> (2025, 5\u201940\u201d), de Kathyn de Lima Carvalho – Curitiba, PR, Brasil<\/p>\n

Ind\u00f3cil<\/em> (2026, 1\u201957\u201d), de Betania Felippe e Vitor Hamamoto – SC, Brasil<\/p>\n

Infinito Ar<\/em> (2026, 5’53”), de Amanda Freitas Pontes e Di Ferreira – Fortaleza, CE, Brasil<\/p>\n

Las cosas que no te dije \/ As coisas que n\u00e3o te disse<\/em> (2025, 3\u201940\u201d), de Jona Alonso – Resistencia, Chaco, Argentina<\/p>\n

Liminal Space \/ Espa\u00e7o liminar<\/em> (2025, 10\u2019), de Cristina Hall – Sevilha, Espanha<\/p>\n

Los Jimaguas \/ Os g\u00eameos<\/em> (2026, 10\u2019), de Carlos Cipriano Gomes Junior e Amanda V\u00e1zquez – GO, Brasil \/ Havana, Cuba<\/p>\n

Manifesta<\/em> (2024-2025, 3\u201954\u201d), de Samy dos Santos Castelo Branco Cunha, Rio de Janeiro, RJ, Brasil<\/p>\n

Materia Alchemica \/ Mat\u00e9ria Alqu\u00edmica<\/em> (2025, 10\u2019), de Luca Di Bartolo, Ivonne Bello e Thea Gregorius – Assemini, It\u00e1lia<\/p>\n

Metempsicosis<\/em> (2025, 4\u201907\u201d), de Carlos Patricio Terrera, Ezequiel Crego, Naique Yael Iacopini e Juan Manuel Fangano – Salto, Uruguay<\/p>\n

Miudezas<\/em> (2025\/2026, 9\u201913\u201d), de Camila Silva Saraiva – Recife, PE, Brasil<\/p>\n

Mz.745: cr\u00f3nicas de un devaneo \/ Mz.745: cr\u00f3nicas de um devaneio<\/em> (2026, 9\u201944\u201d), de Dana Lianet Romero Escalante e Sebastian Urgil\u00e9s – Guayaquil e Cuenca, Equador<\/p>\n

No mesmo lugar<\/em> (2025, 7\u201942\u201d), de B\u00e1rbara Aparecida de Almeida Silveira Bento e Coletivo Med\u00eadicas – Belo Horizonte, MG, Brasil<\/p>\n

Off<\/em> (2024, 3\u2019), de Melissa Sk\u00e1rmeta Moraga,Eva Eyrich, Mira Vielberth – Berlin, Alemanha<\/p>\n

\u00d2s\u00f9m\u00e0r\u00e8<\/em> (2026, 2\u201959\u201d), de Marcos luppi, Elidio Netto e Pablo Sheko – Cariacica, ES, Brasil<\/p>\n

Reminisc\u00eancias<\/em> (2026, 5\u201953\u201d), de Fernanda Amaral e Fellipe Oliveira, Dan\u00e7a sem fronteiras – S\u00e3o Paulo, SP, Brasil<\/p>\n

Reverdecer<\/em> (2026, 5\u201929\u201d), de Ximena Monroy Rocha, Eiru Tsin e Jo\u00e3o Rafael Neto – Cidade do M\u00e9xico, M\u00e9xico<\/p>\n

Rota<\/em> [n\u00e3o \u00e9 todo dia, mas \u00e9 quase] (2025, 9\u2019), de Flora Leles de Mello e Ju\u00e1 Leindecker – Salvador, BA, Brasil<\/p>\n

Ruinas sobre Ruinas<\/em> (2026, 10\u2019), de Silvia Ines Bucari – Catamarca, Argentina<\/p>\n

Spotlight \/ Refletor<\/em> (2026, 6\u201944\u201d), de Jos\u00e9 Joel de Sousa Teixeira – Fortaleza, Cear\u00e1, Brasil<\/p>\n

This is your house \/ Esta \u00e9 a sua casa<\/em> (2026, 4\u2019), de Denusa Castellain, Castel & Parquinho – Curitiba, PR, Brasil<\/p>\n

Tran\u00e7ar \u00e9 resistir<\/em> (2025, 4\u2019), de Taylane Jesus Gon\u00e7alves e Ludmila Santos, Jequi\u00e9 BA, Brasil<\/p>\n

Valida\u00e7\u00e3o<\/em> (2026, 2\u201913\u201d), de Marcelo Cabrera, Pomar Po\u00e9tico – Imb\u00e9, RS, Brasil<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

VIDEODAN\u00c7AS SELECIONADAS – FIVRS 2026 7 Cidades (2026, 9\u201946\u201d), La Negra Ana Medeiros – Porto Alegre, RS, Brasil 88 Flesh Red \/ 88 Vermelho-Carne (2026, 10\u2019), de Cl\u00e1udia Tatinge Nascimento – Minneapolis, EUA A Cura (2026, 2\u201936\u201d), de Rozan Ribeiro Borges – Niter\u00f3i, RJ, Brasil Alas de Gavil\u00e1n \/ Asas de Gavi\u00e3o (2025, 2\u201930\u201d), de … <\/p>\n

Continue lendo “Selecionados”<\/span><\/a><\/p>\n","protected":false},"author":1047,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-145","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages\/145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/users\/1047"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/comments?post=145"}],"version-history":[{"count":4,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages\/145\/revisions"}],"predecessor-version":[{"id":416,"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/pages\/145\/revisions\/416"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/fivrs\/wp-json\/wp\/v2\/media?parent=145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}