{"id":930,"date":"2019-07-12T11:43:55","date_gmt":"2019-07-12T14:43:55","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/danca\/?page_id=930"},"modified":"2023-12-12T11:12:27","modified_gmt":"2023-12-12T14:12:27","slug":"2019-2","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/danca\/trabalhos-de-conclusao\/2019-2\/","title":{"rendered":"2019"},"content":{"rendered":"<p><span style=\"color: #000000\">CAETANO, Yane Bueno. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/03\/TCC-\u00daLTIMA-VERS\u00c3O-YANE.pdf\">A Dan\u00e7a Jazz: seu reconhecimento e desenvolvimento no Rio Grande do Sul.<\/a><\/strong> Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">CARVALHO, Geovana da Silva. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/03\/tcc-geo-final.pdf\">Meus olhares ao grotesco em cenas do espet\u00e1culo Viol\u00eancia do grupo Cena 11.<\/a><\/strong> Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">CRUZ, Jo\u00e3o Lucas da. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/04\/TCC-JO\u00c3O-VERS\u00c3O-CD-1.pdf\">Do vendedor de figuras a vendedor de saberes: a figura do Ambr\u00f3sio na forma\u00e7\u00e3o do eu-professor.<\/a><\/strong> Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">FARIAS, Yasmin Pereira. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/03\/Tcc-Yasmin-CD-PDF.pdf\">Escola 1\u00ba Ato Tavane Viana N\u00facleo de Gin\u00e1stica e Dan\u00e7a. Rotinas de ensino e de composi\u00e7\u00e3o coreogr\u00e1fica em Jazz.<\/a> <\/strong>Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">FERNANDES, Cintia Pereira. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/04\/TCC-CINTIA-vers\u00e3o-final-1.pdf\">Percep\u00e7\u00f5es anat\u00f4micas na qualifica\u00e7\u00e3o do processo formativo do graduando em Dan\u00e7a.<\/a><\/strong> Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">FONSECA, Karina Badia.<strong>\u00a0<a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2019\/08\/Tcc-Karina-Fonseca-final-1.pdf\">Bullying nas aulas de Dan\u00e7a das Escolas p\u00fablicas de Pelotas\/RS.<\/a><\/strong> Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">GARCIAS, Bruna Monteiro Baes. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/10\/Bruna-Monteiro-Baes-Garcias.pdf\">Profissionaliza\u00e7\u00e3o e produ\u00e7\u00e3o em dan\u00e7a crist\u00e3: um olhar sobre a companhia Ballet Magnificat! Brasil<\/a><\/strong>. Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">MENDES, Cintia Quintana. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/04\/TCC_Cintia_-FINALEIRA.pdf\">A figura da mulher no ensino de dan\u00e7as tradicionais ga\u00fachas: mem\u00f3rias e reflex\u00f5es a partir de um olhar autoetnogr\u00e1fico.<\/a><\/strong> Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">PEIXOTO, L\u00edsia Jessica Machado. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/10\/Lisia-Jessica-Machado-Peixoto.pdf\">Naira Antunes: o protagonismo da mulher na dan\u00e7a de sal\u00e3o em Porto Alegre<\/a><\/strong>. Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">PIO, Brenda Furtado. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/08\/TCC-OFICIAL-PDF-BRENDA-PIO-min.pdf\">Projeto de extens\u00e3o Dan\u00e7a no bairro: viv\u00eancias em dan\u00e7a na comunidade<\/a><\/strong>. Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">PRESTES, Kathlen Iandra Silva.<strong> <a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/10\/Kathlen-Iandra-Silva-Prestes.pdf\">O verbo se fez carne e habitou entre n\u00f3s: um relato sobre pr\u00e1ticas art\u00edsticas em um espet\u00e1culo de Dan\u00e7a Crist\u00e3<\/a><\/strong>. Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">RICARTE, Daniela. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/04\/RICARTE-Daniela-_-Gordos-que-Dan\u00e7am-estrat\u00e9gias-para-se-estabeecer-no-campo.pdf\">Gordos que Dan\u00e7am: estrat\u00e9gias para se estabelecer no campo.<\/a><\/strong> Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">SANTOS, Shaine Beatriz dos. <a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/03\/Dan\u00e7a-na-Ditadura-Militar-reflex\u00f5es-a-partir-da-trajet\u00f3ria-de-Eva-Schul.pdf\"><strong>Dan\u00e7a na Ditadura Militar: reflex\u00f5es a partir da trajet\u00f3ria de Eva Schul<\/strong>.<\/a> Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">SILVA, Carolina Pinto da. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/03\/Vers\u00e3o-Final_TCC_Carolina-Pinto-da-Silva-1.pdf\">Ensino de dan\u00e7a e investiga\u00e7\u00e3o de si: mem\u00f3rias formativas de uma professora-artista.<\/a>\u00a0<\/strong>Pelotas: 2019.<\/span><\/p>\n<p><span style=\"color: #000000\">SIM\u00d5ES, Isabela Corradi Vianna. <strong><a style=\"color: #000000\" href=\"https:\/\/wp.ufpel.edu.br\/danca\/files\/2020\/04\/Trabalho-de-Conclus\u00e3o-de-Curso-Isabela.pdf\">A cena ensina? Perspectivas pedag\u00f3gicas do e para o acontecimento c\u00eanico.<\/a> <\/strong>Pelotas: 2019.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CAETANO, Yane Bueno. A Dan\u00e7a Jazz: seu reconhecimento e desenvolvimento no Rio Grande do Sul. Pelotas: 2019. CARVALHO, Geovana da Silva. Meus olhares ao grotesco em cenas do espet\u00e1culo Viol\u00eancia do grupo Cena 11. Pelotas: 2019. CRUZ, Jo\u00e3o Lucas da. Do vendedor de figuras a vendedor de saberes: a figura do Ambr\u00f3sio na forma\u00e7\u00e3o do [&hellip;]<\/p>\n","protected":false},"author":334,"featured_media":0,"parent":167,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-930","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/danca\/wp-json\/wp\/v2\/pages\/930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/danca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/danca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/danca\/wp-json\/wp\/v2\/users\/334"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/danca\/wp-json\/wp\/v2\/comments?post=930"}],"version-history":[{"count":21,"href":"https:\/\/wp.ufpel.edu.br\/danca\/wp-json\/wp\/v2\/pages\/930\/revisions"}],"predecessor-version":[{"id":1395,"href":"https:\/\/wp.ufpel.edu.br\/danca\/wp-json\/wp\/v2\/pages\/930\/revisions\/1395"}],"up":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/danca\/wp-json\/wp\/v2\/pages\/167"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/danca\/wp-json\/wp\/v2\/media?parent=930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}