{"id":966,"date":"2021-11-23T18:14:01","date_gmt":"2021-11-23T21:14:01","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?p=966"},"modified":"2021-11-23T18:42:51","modified_gmt":"2021-11-23T21:42:51","slug":"flagrantes-das-mesas-de-comunicacao-22-11-2","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/2021\/11\/23\/flagrantes-das-mesas-de-comunicacao-22-11-2\/","title":{"rendered":"Flagrantes das Mesas de Comunica\u00e7\u00e3o (23\/11)"},"content":{"rendered":"<p>O segundo dia do V Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica trouxe mais 3 mesas de comunica\u00e7\u00e3o. Abaixo, flagrantes do momento.<\/p>\n<p><img class=\"aligncenter wp-image-970 size-large\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-4-1024x574.jpg\" alt=\"\" width=\"1024\" height=\"574\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-4-1024x574.jpg 1024w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-4-400x224.jpg 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-4-768x430.jpg 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-4.jpg 1365w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center\">Mesa 4, modera\u00e7\u00e3o Ana Guiomar R\u00eago Souza: Renata L. Marques, Diego Wandal<\/p>\n<p><img class=\"aligncenter wp-image-969 size-large\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-5-2021-11-23-at-12.11.43-1024x576.jpeg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-5-2021-11-23-at-12.11.43-1024x576.jpeg 1024w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-5-2021-11-23-at-12.11.43-400x225.jpeg 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-5-2021-11-23-at-12.11.43-768x432.jpeg 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-5-2021-11-23-at-12.11.43.jpeg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center\">Mesa 5, modera\u00e7\u00e3o Lu\u00eds Fernando Hering Coelho: Valmiro P. Machado Jr., Rebeca Klippel Brehm e Jonas Almeida, Marcele Pedrotti Dutra Meneses<\/p>\n<p style=\"text-align: center\"><img class=\"aligncenter wp-image-972 size-large\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-6-2021-11-23-at-15.26.33-1024x576.jpeg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-6-2021-11-23-at-15.26.33-1024x576.jpeg 1024w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-6-2021-11-23-at-15.26.33-400x225.jpeg 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-6-2021-11-23-at-15.26.33-768x432.jpeg 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-6-2021-11-23-at-15.26.33.jpeg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center\">Mesa 6, modera\u00e7\u00e3o Leandro Maia: Matteo Ciacchi, Millena Melchioretto e Andr\u00e9 Egg<\/p>\n","protected":false},"excerpt":{"rendered":"<p>O segundo dia do V Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica trouxe mais 3 mesas de comunica\u00e7\u00e3o. Abaixo, flagrantes do momento. Mesa 4, modera\u00e7\u00e3o Ana Guiomar R\u00eago Souza: Renata L. Marques, Diego Wandal Mesa 5, modera\u00e7\u00e3o Lu\u00eds Fernando Hering Coelho: Valmiro P. Machado Jr., Rebeca Klippel Brehm e Jonas Almeida, Marcele Pedrotti Dutra Meneses Mesa 6, [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-966","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=966"}],"version-history":[{"count":6,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/966\/revisions"}],"predecessor-version":[{"id":977,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/966\/revisions\/977"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/categories?post=966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/tags?post=966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}