{"id":940,"date":"2021-11-22T21:44:20","date_gmt":"2021-11-23T00:44:20","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?p=940"},"modified":"2021-11-22T21:44:20","modified_gmt":"2021-11-23T00:44:20","slug":"flagrantes-das-mesas-de-comunicacao-22-11","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/2021\/11\/22\/flagrantes-das-mesas-de-comunicacao-22-11\/","title":{"rendered":"Flagrantes das Mesas de Comunica\u00e7\u00e3o (22\/11)"},"content":{"rendered":"<p>O primeiro dia do V Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica trouxe trabalhos com diversas abordagens do emprego dos peri\u00f3dicos di\u00e1rios como fonte para a pesquisa musicol\u00f3gica. Abaixo, o flagrante das 3 mesas de comunica\u00e7\u00e3o ocorridas. Amanh\u00e3 seguiremos com mais 4 mesas e 2 palestras.<\/p>\n<p><img class=\"aligncenter wp-image-942 size-large\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-1-2021-11-22-at-12.04.10-1024x576.jpeg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-1-2021-11-22-at-12.04.10-1024x576.jpeg 1024w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-1-2021-11-22-at-12.04.10-400x225.jpeg 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-1-2021-11-22-at-12.04.10-768x432.jpeg 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-1-2021-11-22-at-12.04.10.jpeg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center\">Mesa 1, modera\u00e7\u00e3o Alberto Pacheco: Anne Meyer, Fernando Secomandi e Edilson Rocha, Lucyanne Afonso<\/p>\n<p><img class=\"aligncenter wp-image-943 size-large\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-2-2021-11-22-at-15.19.15-1024x576.jpeg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-2-2021-11-22-at-15.19.15-1024x576.jpeg 1024w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-2-2021-11-22-at-15.19.15-400x225.jpeg 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-2-2021-11-22-at-15.19.15-768x432.jpeg 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-2-2021-11-22-at-15.19.15.jpeg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center\">Mesa 2, modera\u00e7\u00e3o Werner Ewald: Alexei Alves e S\u00e9rgio Freitas, Manoel Oliveira, Marcus Mota<\/p>\n<p><img class=\"aligncenter wp-image-944 size-large\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-3-2021-11-22-at-16.10.50-1024x576.jpeg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-3-2021-11-22-at-16.10.50-1024x576.jpeg 1024w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-3-2021-11-22-at-16.10.50-400x225.jpeg 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-3-2021-11-22-at-16.10.50-768x432.jpeg 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2021\/11\/Mesa-3-2021-11-22-at-16.10.50.jpeg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p style=\"text-align: center\">Mesa 3, modera\u00e7\u00e3o Rafael Noleto: Erica Passos, Fabricia Carrera<\/p>\n","protected":false},"excerpt":{"rendered":"<p>O primeiro dia do V Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica trouxe trabalhos com diversas abordagens do emprego dos peri\u00f3dicos di\u00e1rios como fonte para a pesquisa musicol\u00f3gica. Abaixo, o flagrante das 3 mesas de comunica\u00e7\u00e3o ocorridas. Amanh\u00e3 seguiremos com mais 4 mesas e 2 palestras. Mesa 1, modera\u00e7\u00e3o Alberto Pacheco: Anne Meyer, Fernando Secomandi e Edilson [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-940","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=940"}],"version-history":[{"count":1,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/940\/revisions"}],"predecessor-version":[{"id":945,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/940\/revisions\/945"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/categories?post=940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/tags?post=940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}