{"id":653,"date":"2020-09-03T20:24:19","date_gmt":"2020-09-03T23:24:19","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?p=653"},"modified":"2020-10-26T13:03:57","modified_gmt":"2020-10-26T16:03:57","slug":"propostas-aprovadas-ao-simposio-internacional-musica-e-critica","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/2020\/09\/03\/propostas-aprovadas-ao-simposio-internacional-musica-e-critica\/","title":{"rendered":"Propostas aprovadas ao Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica"},"content":{"rendered":"<p>Com satisfa\u00e7\u00e3o, a Comiss\u00e3o Coordenadora do Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica divulga as propostas aprovadas. S\u00e3o elas:<\/p>\n<table width=\"682\">\n<tbody>\n<tr>\n<td colspan=\"2\" width=\"682\">Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">Submiss\u00e3o<\/td>\n<\/tr>\n<tr>\n<td>Autor<\/td>\n<td>T\u00edtulo<\/td>\n<\/tr>\n<tr>\n<td width=\"257\">Ass\u00edria Toledo do Amaral<\/td>\n<td width=\"425\">\u201cO Z da quest\u00e3o\u201d: O memorialismo e a cr\u00edtica musical em Zuza Homem de Mello (1933- )<\/td>\n<\/tr>\n<tr>\n<td width=\"257\">Carlos Alberto Figueiredo<\/td>\n<td width=\"425\">O epis\u00f3dio \u201cFagulhas\u201d e o Orpheon Carlos Gomes: contradi\u00e7\u00f5es num debate na imprensa fluminense em 1898<\/td>\n<\/tr>\n<tr>\n<td width=\"257\">Danieli Ver\u00f4nica Longo Benedetti<\/td>\n<td width=\"425\">Uma an\u00e1lise da cr\u00edtica especializada em torno das temporadas de concertos da Soci\u00e9t\u00e9 Musicale Ind\u00e9pendente \u2013 SMI (1910-1935)<\/td>\n<\/tr>\n<tr>\n<td width=\"257\">Elber Ramos Bonfim<\/td>\n<td width=\"425\">M\u00fasica, Pol\u00edtica e Tr\u00e1fico Negreiro \u2013 Tens\u00f5es e Representatividades no Imperial Teatro de S\u00e3o Pedro de Alc\u00e2ntara.<\/td>\n<\/tr>\n<tr>\n<td width=\"257\">Fl\u00e1vio Carvalho<\/td>\n<td width=\"425\">A contribui\u00e7\u00e3o dos peri\u00f3dicos na pesquisa biogr\u00e1fica sobre Dinor\u00e1 de Carvalho<\/td>\n<\/tr>\n<tr>\n<td width=\"257\">Isabel Pina<\/td>\n<td width=\"425\">\u201cFilhos de um pa\u00eds pequeno\u201d: a percep\u00e7\u00e3o de si e do outro na cr\u00edtica musical portuguesa do s\u00e9culo XX<\/td>\n<\/tr>\n<tr>\n<td width=\"257\">Isaac W. Kerr, Lenita W. M. Nogueira, Marcos C. L. Virmond<\/td>\n<td width=\"425\">Algumas considera\u00e7\u00f5es sobre o conceito de melodia italiana nos peri\u00f3dicos do secondo ottocento<\/td>\n<\/tr>\n<tr>\n<td width=\"257\">Jo\u00e3o Pedro Costa<\/td>\n<td width=\"425\">\u201c[N]\u00e3o me parecem compositores para uma sociedade como a nossa, meia surda, meia distra\u00edda\u201d: Lu\u00eds da Costa e o jornalismo musical em \u00c9vora (1887-1902)<\/td>\n<\/tr>\n<tr>\n<td width=\"257\">K\u00eania Simone Werner<\/td>\n<td width=\"425\">As contribui\u00e7\u00f5es da Revista Bastidores para a pesquisa musicol\u00f3gica.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Em breve mais not\u00edcias.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Com satisfa\u00e7\u00e3o, a Comiss\u00e3o Coordenadora do Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica divulga as propostas aprovadas. S\u00e3o elas: Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica Submiss\u00e3o Autor T\u00edtulo Ass\u00edria Toledo do Amaral \u201cO Z da quest\u00e3o\u201d: O memorialismo e a cr\u00edtica musical em Zuza Homem de Mello (1933- ) Carlos Alberto Figueiredo O epis\u00f3dio \u201cFagulhas\u201d e o Orpheon [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-653","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=653"}],"version-history":[{"count":2,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/653\/revisions"}],"predecessor-version":[{"id":658,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/653\/revisions\/658"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/categories?post=653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/tags?post=653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}