{"id":625,"date":"2019-11-28T12:01:45","date_gmt":"2019-11-28T15:01:45","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?p=625"},"modified":"2019-11-28T12:02:38","modified_gmt":"2019-11-28T15:02:38","slug":"625","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/2019\/11\/28\/625\/","title":{"rendered":"Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica"},"content":{"rendered":"<p><img class=\" wp-image-624 aligncenter\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/11\/Simposios-Banners-400x200.jpg\" alt=\"\" width=\"704\" height=\"352\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/11\/Simposios-Banners-400x200.jpg 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/11\/Simposios-Banners-1024x513.jpg 1024w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/11\/Simposios-Banners-768x385.jpg 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/11\/Simposios-Banners-1536x769.jpg 1536w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/11\/Simposios-Banners-2048x1026.jpg 2048w\" sizes=\"(max-width: 704px) 100vw, 704px\" \/><\/p>\n<p>Um projeto de pesquisa em cr\u00edtica musical periodista foi a origem do Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica, que neste ano teve a sua terceira edi\u00e7\u00e3o. Al\u00e9m de aproximar pesquisadoras e pesquisadores do Brasil, da Argentina e de Portugal, socializou o conhecimento entre aqueles que se interessam pelo tema, inclusive virtualmente, streaming via FB. Por agora, fica a quest\u00e3o: como ser\u00e1 a quarta edi\u00e7\u00e3o? Not\u00edcias em breve.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Um projeto de pesquisa em cr\u00edtica musical periodista foi a origem do Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica, que neste ano teve a sua terceira edi\u00e7\u00e3o. Al\u00e9m de aproximar pesquisadoras e pesquisadores do Brasil, da Argentina e de Portugal, socializou o conhecimento entre aqueles que se interessam pelo tema, inclusive virtualmente, streaming via FB. Por agora, [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-625","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=625"}],"version-history":[{"count":2,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/625\/revisions"}],"predecessor-version":[{"id":628,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/625\/revisions\/628"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/categories?post=625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/tags?post=625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}