{"id":549,"date":"2019-11-08T13:56:02","date_gmt":"2019-11-08T16:56:02","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?p=549"},"modified":"2019-11-08T14:01:09","modified_gmt":"2019-11-08T17:01:09","slug":"pianista-endiabrado-encerrara-o-iii-simposio-internacional-musica-e-critica","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/2019\/11\/08\/pianista-endiabrado-encerrara-o-iii-simposio-internacional-musica-e-critica\/","title":{"rendered":"Pianista endiabrado encerrar\u00e1 o III Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica"},"content":{"rendered":"<p>URGENTE<br \/>\nDe seu retiro moment\u00e2neo, Satan\u00e1s envia o seguinte telegrama:<\/p>\n<p>&#8220;Sauda\u00e7\u00f5es infernaes PT Envio meu representante de dedos fumegantes para concerto de encerramento PT<br \/>\nPatrick Menuzzi PT Programa em breve PT&#8221;<\/p>\n<p>Com isto a coordena\u00e7\u00e3o do III Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica informa que os dois concertos previstos est\u00e3o assim agendados, ambos ocorrendo \u00e0s 20h, no Sal\u00e3o Milton de Lemos do Conservat\u00f3rio de M\u00fasica:<br \/>\nDia 11\/11 &#8211; Duo Arsis, de flauta e piano, com Mayara Ara\u00fajo e Patrick Menuzzi;<br \/>\nDia 12\/11 &#8211; Concerto de Piano, com Patrick Menuzzi.<\/p>\n<p>Teremos mais not\u00edcias em breve.<br \/>\nA Reda\u00e7\u00e3o<\/p>\n","protected":false},"excerpt":{"rendered":"<p>URGENTE De seu retiro moment\u00e2neo, Satan\u00e1s envia o seguinte telegrama: &#8220;Sauda\u00e7\u00f5es infernaes PT Envio meu representante de dedos fumegantes para concerto de encerramento PT Patrick Menuzzi PT Programa em breve PT&#8221; Com isto a coordena\u00e7\u00e3o do III Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica informa que os dois concertos previstos est\u00e3o assim agendados, ambos ocorrendo \u00e0s 20h, [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-549","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=549"}],"version-history":[{"count":3,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/549\/revisions"}],"predecessor-version":[{"id":553,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/549\/revisions\/553"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/categories?post=549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/tags?post=549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}