{"id":495,"date":"2019-10-21T18:11:24","date_gmt":"2019-10-21T21:11:24","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?p=495"},"modified":"2019-11-02T23:01:55","modified_gmt":"2019-11-03T02:01:55","slug":"nayive-ananias-apresenta-a-critica-musical-de-mariza-lira","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/2019\/10\/21\/nayive-ananias-apresenta-a-critica-musical-de-mariza-lira\/","title":{"rendered":"Nayive Anan\u00edas apresenta a cr\u00edtica musical de Mariza Lira"},"content":{"rendered":"<p><img class=\"aligncenter wp-image-469\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/10\/Nayive-Ananias-400x313.png\" alt=\"\" width=\"401\" height=\"313\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/10\/Nayive-Ananias-400x313.png 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/10\/Nayive-Ananias-768x600.png 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/10\/Nayive-Ananias.png 960w\" sizes=\"(max-width: 401px) 100vw, 401px\" \/><\/p>\n<p style=\"text-align: justify\">Com a palestra\u00a0<em><span style=\"font-weight: 400\">El micr\u00f3fono versus Cupido: la femineidad subalterna en la cr\u00edtica musical de Mariza Lira<\/span><\/em><span style=\"font-weight: 400\">, a jornalista e music\u00f3loga chilena\u00a0<\/span><span style=\"font-weight: 400\">Nayive Anan\u00edas abordar\u00e1 a atua\u00e7\u00e3o da cr\u00edtica musical brasileira Mariza Lira.<br \/>\n<\/span>Nayive Anan\u00edas se dedica a pesquisar <span style=\"font-weight: 400\">as m\u00fasicas populares durante as ditaduras no Cone Sul, as cenas musicais queer\/sexodissidentes, as pr\u00e1ticas corporais perform\u00e1ticas\/performativas e o estudo da cr\u00edtica musical com \u00eanfase na escrita feminina.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Com a palestra\u00a0El micr\u00f3fono versus Cupido: la femineidad subalterna en la cr\u00edtica musical de Mariza Lira, a jornalista e music\u00f3loga chilena\u00a0Nayive Anan\u00edas abordar\u00e1 a atua\u00e7\u00e3o da cr\u00edtica musical brasileira Mariza Lira. Nayive Anan\u00edas se dedica a pesquisar as m\u00fasicas populares durante as ditaduras no Cone Sul, as cenas musicais queer\/sexodissidentes, as pr\u00e1ticas corporais perform\u00e1ticas\/performativas e [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-495","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=495"}],"version-history":[{"count":3,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/495\/revisions"}],"predecessor-version":[{"id":536,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/495\/revisions\/536"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/categories?post=495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/tags?post=495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}