{"id":490,"date":"2019-10-18T16:21:59","date_gmt":"2019-10-18T19:21:59","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?p=490"},"modified":"2019-10-18T16:30:57","modified_gmt":"2019-10-18T19:30:57","slug":"o-cuspo-do-diabo-encerrara-o-iii-simposio-internacional-musica-e-critica","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/2019\/10\/18\/o-cuspo-do-diabo-encerrara-o-iii-simposio-internacional-musica-e-critica\/","title":{"rendered":"O Cuspo do Diabo encerrar\u00e1 o III Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica"},"content":{"rendered":"<p><img class=\"alignnone wp-image-489 aligncenter\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/10\/cartazH-2-400x283.jpg\" alt=\"\" width=\"827\" height=\"585\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/10\/cartazH-2-400x283.jpg 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/10\/cartazH-2-768x543.jpg 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2019\/10\/cartazH-2-1024x724.jpg 1024w\" sizes=\"(max-width: 827px) 100vw, 827px\" \/><\/p>\n<p style=\"text-align: justify\">O concerto de encerramento do III Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica traz o resgate de um patrim\u00f4nio cultural imaterial: a pe\u00e7a phantastica, em 3 quadros, O Cuspo do Diabo, composta em 1927 pelo compositor rio-grandino Antenor de Oliveira Monteiro. Com 70 artistas, entre solistas, coros, bailado, orquestra e dire\u00e7\u00e3o c\u00eanica, suas \u00faltimas r\u00e9citas ocorreram na d\u00e9cada de 1930 e mais recentemente em 2019, durante o XXIX Congresso da ANPPOM.<br \/>\nO encontro de uma m\u00e1gica em uma regi\u00e3o tradicionalmente frequentada por zarzuelas traz novo foco \u00e0 circula\u00e7\u00e3o de g\u00eaneros do teatro musical.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>O concerto de encerramento do III Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica traz o resgate de um patrim\u00f4nio cultural imaterial: a pe\u00e7a phantastica, em 3 quadros, O Cuspo do Diabo, composta em 1927 pelo compositor rio-grandino Antenor de Oliveira Monteiro. Com 70 artistas, entre solistas, coros, bailado, orquestra e dire\u00e7\u00e3o c\u00eanica, suas \u00faltimas r\u00e9citas ocorreram na [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-490","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=490"}],"version-history":[{"count":2,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/490\/revisions"}],"predecessor-version":[{"id":493,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/490\/revisions\/493"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/categories?post=490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/tags?post=490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}