{"id":1200,"date":"2022-11-22T17:30:44","date_gmt":"2022-11-22T20:30:44","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?p=1200"},"modified":"2022-11-22T17:30:44","modified_gmt":"2022-11-22T20:30:44","slug":"o-vi-simc-chega-ao-final-com-mais-registros-para-a-memoria","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/2022\/11\/22\/o-vi-simc-chega-ao-final-com-mais-registros-para-a-memoria\/","title":{"rendered":"O VI SIMC chega ao final com mais registros para a mem\u00f3ria!"},"content":{"rendered":"<p>Registros do 2\u00ba dia do VI Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica! Momentos para lembrar!<\/p>\n<p><img class=\"alignnone wp-image-1199\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-3-400x151.png\" alt=\"\" width=\"530\" height=\"200\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-3-400x151.png 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-3-1024x386.png 1024w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-3-768x290.png 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-3.png 1317w\" sizes=\"(max-width: 530px) 100vw, 530px\" \/><img class=\"alignnone wp-image-1197\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-4-400x225.png\" alt=\"\" width=\"356\" height=\"200\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-4-400x225.png 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-4.png 674w\" sizes=\"(max-width: 356px) 100vw, 356px\" \/><br \/>\nNeste 2\u00ba dia, tivemos as palestras da pesquisadora Isabel Pina, mediada por Marcele Menezes, e do cr\u00edtico e jornalista Juarez Fonseca, mediada por Leandro Maia. Junto, Beatriz Lima, Rebeca Brehm e Guilherme Goldberg, da organiza\u00e7\u00e3o.<\/p>\n<p><img class=\"wp-image-1198 alignleft\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-3-400x150.png\" alt=\"\" width=\"534\" height=\"200\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-3-400x150.png 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-3.png 657w\" sizes=\"(max-width: 534px) 100vw, 534px\" \/><br \/>\nNa sess\u00e3o de comunica\u00e7\u00f5es 3, mediada por Lu\u00eds Fernando Hering Coelho, as apresenta\u00e7\u00f5es de Manoel Oliveira, Caio Bressan e Daniel Derevecki.<\/p>\n<p>Com estes registros, chegamos ao final desta sexta edi\u00e7\u00e3o com agradecimentos a todos que tornaram este evento poss\u00edvel.<br \/>\nMais not\u00edcias em breve!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Registros do 2\u00ba dia do VI Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica! Momentos para lembrar! Neste 2\u00ba dia, tivemos as palestras da pesquisadora Isabel Pina, mediada por Marcele Menezes, e do cr\u00edtico e jornalista Juarez Fonseca, mediada por Leandro Maia. Junto, Beatriz Lima, Rebeca Brehm e Guilherme Goldberg, da organiza\u00e7\u00e3o. Na sess\u00e3o de comunica\u00e7\u00f5es 3, mediada [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1200","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/1200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=1200"}],"version-history":[{"count":1,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/1200\/revisions"}],"predecessor-version":[{"id":1202,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/1200\/revisions\/1202"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=1200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/categories?post=1200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/tags?post=1200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}