{"id":1184,"date":"2022-11-21T19:43:09","date_gmt":"2022-11-21T22:43:09","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?p=1184"},"modified":"2022-11-21T19:48:30","modified_gmt":"2022-11-21T22:48:30","slug":"tem-inicio-o-vi-simposio-internacional-musica-e-critica","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/2022\/11\/21\/tem-inicio-o-vi-simposio-internacional-musica-e-critica\/","title":{"rendered":"Tem in\u00edcio o VI Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica"},"content":{"rendered":"<p>E come\u00e7ou o VI Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica! Abaixo, flagrantes dos primeiro dia!<\/p>\n<p><img class=\"alignnone size-medium wp-image-1183\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-1-400x225.png\" alt=\"\" width=\"400\" height=\"225\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-1-400x225.png 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-1-768x433.png 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-1.png 847w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><img class=\"alignnone wp-image-1180\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-2-400x225.png\" alt=\"\" width=\"400\" height=\"225\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-2-400x225.png 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Palestra-2.png 676w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><br \/>\nPalestrantes Martha Tupinamb\u00e1 de Ulh\u00f4a, Luiz Costa Lima Neto e Silvina Luz Mansilla, com o moderador Germano Meyer e membros da organiza\u00e7\u00e3o Beatriz Lima e Guilherme Goldberg.<\/p>\n<p><img class=\"alignnone wp-image-1181\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-1-400x227.png\" alt=\"\" width=\"400\" height=\"227\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-1-400x227.png 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-1-768x435.png 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-1.png 854w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><img class=\"alignnone wp-image-1182\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-2-400x225.png\" alt=\"\" width=\"400\" height=\"225\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-2-400x225.png 400w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-2-768x433.png 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Comunicacoes-2.png 861w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><br \/>\nSess\u00e3o de Comunica\u00e7\u00f5es 1 e 2: Marcele Meneses, Anna Cristina Cardozo da Fonseca, e o moderador Werner Ewald; Fernando Binder e o moderador M\u00e1rcio de Souza.<\/p>\n<p>Amanh\u00e3 h\u00e1 mais!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>E come\u00e7ou o VI Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica! Abaixo, flagrantes dos primeiro dia! Palestrantes Martha Tupinamb\u00e1 de Ulh\u00f4a, Luiz Costa Lima Neto e Silvina Luz Mansilla, com o moderador Germano Meyer e membros da organiza\u00e7\u00e3o Beatriz Lima e Guilherme Goldberg. Sess\u00e3o de Comunica\u00e7\u00f5es 1 e 2: Marcele Meneses, Anna Cristina Cardozo da Fonseca, e [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1184","post","type-post","status-publish","format-standard","hentry","category-noticias"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/1184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=1184"}],"version-history":[{"count":7,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/1184\/revisions"}],"predecessor-version":[{"id":1192,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/posts\/1184\/revisions\/1192"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=1184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/categories?post=1184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/tags?post=1184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}