{"id":893,"date":"2021-11-22T16:46:32","date_gmt":"2021-11-22T19:46:32","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?page_id=893"},"modified":"2021-11-23T17:44:50","modified_gmt":"2021-11-23T20:44:50","slug":"videos","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/simposios\/v-simposio-internacional-musica-e-critica\/videos\/","title":{"rendered":"V\u00eddeos"},"content":{"rendered":"<p><strong>Dia 22\/11\/2021<br \/>\n<\/strong><br \/>\n<em>Turno da manh\u00e3<\/em>: https:\/\/www.youtube.com\/watch?v=Pj6_EE63vD4<\/p>\n<p>Palestra 1: O injusto esquecimento de um personagem enigm\u00e1tico<br \/>\nLutero Rodrigues &#8211; 4&#8217;55&#8221; (alerto para um pequeno problema t\u00e9cnico entre 13&#8217;45&#8221;-25&#8217;20&#8221;)<\/p>\n<p>Mesa 1:<br \/>\nAnne Meyer &#8211; 1h26&#8217;46&#8221;<br \/>\nCarlos Fernando Secomandi e Edilson Rocha &#8211; 1h54&#8217;30<br \/>\nLucyanne Afonso &#8211; 2h24&#8217;02&#8221;<\/p>\n<p><em>Turno da tarde<\/em>: https:\/\/www.youtube.com\/watch?v=4a8DbhffDJ0<\/p>\n<p>Mesa 2:<br \/>\nAlexei Alves de Queiroz e S\u00e9rgio Paulo Ribeiro de Freitas &#8211; 1&#8217;20&#8221;<br \/>\nManoel Messias Alves de Oliveira &#8211; 26&#8217;30&#8221;<br \/>\nMarcus Mota &#8211; 50&#8217;20&#8221;<\/p>\n<p>Mesa 3:<br \/>\nErica Santana dos Passos &#8211; 1h47&#8217;35&#8221;<br \/>\nFabricia D. Mal\u00e1n Carrera &#8211; 2h06&#8217;16&#8221;<\/p>\n<p><strong>Dia 23\/11\/2021<br \/>\n<\/strong><br \/>\n<em>Turno da manh\u00e3<\/em>: https:\/\/www.youtube.com\/watch?v=Dw2dGQ-OB3g<\/p>\n<p>Palestra 2: Por uma periodiza\u00e7\u00e3o da cr\u00edtica musical no Brasil<br \/>\nAndr\u00e9 Egg &#8211; 1&#8242;<\/p>\n<p>Mesa 4:<br \/>\nRenata Let\u00edcia Marques &#8211; 1h13&#8217;31&#8221;<br \/>\nDiego Wandal dos Santos &#8211; 1h33&#8217;43&#8221;<\/p>\n<p>Mesa 5:<br \/>\nValmiro Pereira Machado Junior et alli &#8211; 2h12&#8217;04&#8221;<br \/>\nMarcele Pedrotti Dutra Meneses e Luiz Guilherme Goldberg &#8211; 2h30&#8217;15&#8221;<\/p>\n<p><em>Turno da tarde<\/em>: https:\/\/www.youtube.com\/watch?v=x_VT3BTioc8<\/p>\n<p>Palestra 3: A recupera\u00e7\u00e3o de \u00f3peras setecentistas portuguesas atrav\u00e9s da cr\u00edtica: aspectos hist\u00f3ricos, interpretativos e ideol\u00f3gicos<br \/>\nCristina Fernandes &#8211; 1&#8217;15&#8221;<\/p>\n<p>Mesa 6:<br \/>\nMatteo Ciacchi &#8211; 1h11&#8217;30<br \/>\nMillena Rossi Melchioretto e Andr\u00e9 Acastro Egg &#8211; 1h35&#8217;46&#8221;<\/p>\n<p>Mesa de encerramento: Os desafios para a cr\u00edtica musical feita por mulheres no Brasil.<br \/>\nNayive Anan\u00edas &#8211; 2h31&#8217;50&#8221;<br \/>\nKamille Viola &#8211; 3h01&#8217;55&#8221;<br \/>\nChristina Fuscaldo &#8211; 3h20&#8217;42&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dia 22\/11\/2021 Turno da manh\u00e3: https:\/\/www.youtube.com\/watch?v=Pj6_EE63vD4 Palestra 1: O injusto esquecimento de um personagem enigm\u00e1tico Lutero Rodrigues &#8211; 4&#8217;55&#8221; (alerto para um pequeno problema t\u00e9cnico entre 13&#8217;45&#8221;-25&#8217;20&#8221;) Mesa 1: Anne Meyer &#8211; 1h26&#8217;46&#8221; Carlos Fernando Secomandi e Edilson Rocha &#8211; 1h54&#8217;30 Lucyanne Afonso &#8211; 2h24&#8217;02&#8221; Turno da tarde: https:\/\/www.youtube.com\/watch?v=4a8DbhffDJ0 Mesa 2: Alexei Alves de Queiroz [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"parent":863,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-893","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=893"}],"version-history":[{"count":27,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/893\/revisions"}],"predecessor-version":[{"id":965,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/893\/revisions\/965"}],"up":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/863"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}