{"id":748,"date":"2020-11-02T20:47:56","date_gmt":"2020-11-02T23:47:56","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?page_id=748"},"modified":"2022-12-05T18:57:53","modified_gmt":"2022-12-05T21:57:53","slug":"iv-simposio-internacional-musica-e-critica","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/anais\/iv-simposio-internacional-musica-e-critica\/","title":{"rendered":"IV Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica"},"content":{"rendered":"<p><strong>Anais do IV Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica<br \/>\n<\/strong>volume 4, 2020<br \/>\nISSN: 2596-0628<\/p>\n<p><strong>Completo<\/strong>:<\/p>\n<p><strong>Artigos:<br \/>\n<\/strong>&#8211; Cr\u00edtica gen\u00e9tica, agendas, cr\u00edticas &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Celso-Loureiro-Chaves-1.pdf\">Celso Loureiro Chaves<\/a><\/p>\n<p>&#8211; Perspetivas sobre Saint-Sa\u00ebns no Brasil &#8211; suas cartas e a imprensa &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/David-Cranmer-1.pdf\">David Cranmer<\/a><\/p>\n<p><strong>Comunica\u00e7\u00f5es:<\/strong><\/p>\n<p>&#8211; O epis\u00f3dio \u201cFagulhas\u201d e o Orpheon Carlos Gomes: contradi\u00e7\u00f5es num debate na imprensa fluminense em 1898 &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Carlos-Alberto-Figueiredo-1.pdf\">Carlos Alberto Figueiredo<\/a><\/p>\n<p>&#8211; Uma an\u00e1lise da cr\u00edtica especializada em torno das temporadas de concertos da Soci\u00e9t\u00e9 Musicale Ind\u00e9pendente \u2013 SMI (1910-1935) &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Danieli-Longo-Benedetti-1.pdf\">Danieli Longo Benedetti<\/a><\/p>\n<p>&#8211; M\u00fasica, Pol\u00edtica e Tr\u00e1fico Negreiro: Tens\u00f5es e Representatividades no Imperial Teatro de S\u00e3o Pedro de Alc\u00e2ntara &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Elber-Ramos-Bonfim.pdf\">Elber Ramos Bonfim<\/a><\/p>\n<p>&#8211; A contribui\u00e7\u00e3o dos peri\u00f3dicos na pesquisa biogr\u00e1fica sobre Dinor\u00e1 de Carvalho &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Flavio-Carvalho.pdf\">Fl\u00e1vio Carvalho<\/a><\/p>\n<p>&#8211; Algumas considera\u00e7\u00f5es sobre o conceito de melodia italiana nos peri\u00f3dicos do secondo ottocento &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Isaac-William-Kerr-1.pdf\">Isaac William Kerr<\/a>, Lenita W. M. Nogueira, Marcos C. L. Virmond<\/p>\n<p>&#8211; \u201cFilhos de um pa\u00eds pequeno\u201d: a percep\u00e7\u00e3o de si e do outro na cr\u00edtica musical portuguesa do s\u00e9culo XX &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Isabel-Pina.pdf\">Isabel Pina<\/a><\/p>\n<p><strong>Resumos:<br \/>\n<\/strong>&#8211; \u201cO Z da quest\u00e3o\u201d: O memorialismo e a cr\u00edtica musical em Zuza Homem de Mello (1933- ) &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Assiria-Toledo-do-Amaral-1.pdf\">Assiria Toledo do Amaral<\/a><\/p>\n<p>&#8211; \u201c[N]\u00e3o me parecem compositores para uma sociedade como a nossa, meia surda, meia distra\u00edda\u201d: Lu\u00eds da Costa e o jornalismo musical em \u00c9vora (1887-1902) &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Joao-Pedro-Costa-1.pdf\">Jo\u00e3o Pedro Costa<\/a><\/p>\n<p>&#8211; As contribui\u00e7\u00f5es da Revista Bastidores para a pesquisa musicol\u00f3gica &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Kenia-Simone-Werner-1.pdf\">K\u00eania Simone Werner<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anais do IV Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica volume 4, 2020 ISSN: 2596-0628 Completo: Artigos: &#8211; Cr\u00edtica gen\u00e9tica, agendas, cr\u00edticas &#8211; Celso Loureiro Chaves &#8211; Perspetivas sobre Saint-Sa\u00ebns no Brasil &#8211; suas cartas e a imprensa &#8211; David Cranmer Comunica\u00e7\u00f5es: &#8211; O epis\u00f3dio \u201cFagulhas\u201d e o Orpheon Carlos Gomes: contradi\u00e7\u00f5es num debate na imprensa fluminense [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"parent":154,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-748","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=748"}],"version-history":[{"count":19,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/748\/revisions"}],"predecessor-version":[{"id":1219,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/748\/revisions\/1219"}],"up":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/154"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}