{"id":721,"date":"2020-11-02T20:17:23","date_gmt":"2020-11-02T23:17:23","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?page_id=721"},"modified":"2020-11-02T20:17:49","modified_gmt":"2020-11-02T23:17:49","slug":"david-cranmer","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/simposios\/iv-simposio-internacional-musica-e-critica\/convidados\/david-cranmer\/","title":{"rendered":"David Cranmer"},"content":{"rendered":"<p><img class=\"alignleft wp-image-661\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2020\/11\/David-Cranmer-e1604278327122-320x400.jpg\" alt=\"\" width=\"155\" height=\"193\" srcset=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2020\/11\/David-Cranmer-e1604278327122-320x400.jpg 320w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2020\/11\/David-Cranmer-e1604278327122-820x1024.jpg 820w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2020\/11\/David-Cranmer-e1604278327122-768x959.jpg 768w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2020\/11\/David-Cranmer-e1604278327122-1230x1536.jpg 1230w, https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2020\/11\/David-Cranmer-e1604278327122.jpg 1525w\" sizes=\"(max-width: 155px) 100vw, 155px\" \/> <strong>David Cranmer<\/strong>, music\u00f3logo anglo-portugu\u00eas, \u00e9 docente universit\u00e1rio (Lisboa, Universidade NOVA-FCSH). Os seus diversos interesses de pesquisa incluem a m\u00fasica em Portugal e no Brasil desde o s\u00e9culo XVIII at\u00e9 in\u00edcios do s\u00e9culo XX, Marcos Portugal, a terminologia dos instrumentos, a cataloga\u00e7\u00e3o de arquivos e bibliotecas musicais, e Camille Saint-Sa\u00ebns, sobre quem j\u00e1 publicou diversos textos. \u00c9 autor, entre outros livros, de\u00a0<em>M\u00fasica no D. Maria II: cat\u00e1logo da cole\u00e7\u00e3o de partituras\u00a0<\/em>(2015),\u00a0<em>Pe\u00e7as de um mosaico: temas da hist\u00f3ria da m\u00fasica referentes a Portugal e ao Brasil<\/em>\u00a0(2017) e coordenador da monografia\u00a0<em>Marcos Portugal: uma reavalia\u00e7\u00e3o<\/em>\u00a0(2012). \u00c9 igualmente pianista e organista.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>David Cranmer, music\u00f3logo anglo-portugu\u00eas, \u00e9 docente universit\u00e1rio (Lisboa, Universidade NOVA-FCSH). Os seus diversos interesses de pesquisa incluem a m\u00fasica em Portugal e no Brasil desde o s\u00e9culo XVIII at\u00e9 in\u00edcios do s\u00e9culo XX, Marcos Portugal, a terminologia dos instrumentos, a cataloga\u00e7\u00e3o de arquivos e bibliotecas musicais, e Camille Saint-Sa\u00ebns, sobre quem j\u00e1 publicou diversos textos. [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"parent":713,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-721","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=721"}],"version-history":[{"count":1,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/721\/revisions"}],"predecessor-version":[{"id":723,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/721\/revisions\/723"}],"up":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/713"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}