{"id":383,"date":"2019-08-06T13:26:29","date_gmt":"2019-08-06T16:26:29","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?page_id=383"},"modified":"2022-12-05T18:57:28","modified_gmt":"2022-12-05T21:57:28","slug":"iii-simposio-internacional-musica-e-critica","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/anais\/iii-simposio-internacional-musica-e-critica\/","title":{"rendered":"III Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica"},"content":{"rendered":"<p><strong>Anais do III Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica<br \/>\n<\/strong>volume 3, 2019<br \/>\nISSN: 2596-0628<\/p>\n<p><strong>Completo<\/strong>:\u00a0Anais III SIMC<\/p>\n<p><strong>Artigos:<br \/>\n<\/strong>&#8211; Conservadorismo versus evolu\u00e7\u00e3o: a Sociedade de Quartetos e a cr\u00edtica musical no Porto no \u00faltimo quartel do s\u00e9c. XIX \u2013 <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/04\/Ana-Maria-Liberal.pdf\">Ana Maria Liberal<\/a><\/p>\n<p>&#8211; Amarylio de Albuquerque na Gazeta de Not\u00edcias: a &#8220;m\u00fasica nacional&#8221; em cr\u00edtica &#8211; <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/04\/Andrea-Albuquerque-Adour-da-Camara.pdf\">Andrea Albuquerque Adour da Camara<\/a><\/p>\n<p>&#8211; El micr\u00f3fono versus Cupido: la femineidad subalterna en la cr\u00edtica musical de Mariza Lira \u2013 <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/04\/Nayive-Ananias.pdf\">Nayive Anan\u00edas<\/a><\/p>\n<p>&#8211; Uma abordagem \u00e0 cr\u00edtica musical atendendo aos p\u00fablicos-alvo da imprensa eborense (1884-1910) \u2013 <a href=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/04\/Joao-Pedro-Costa.pdf\">Jo\u00e3o Pedro Costa<\/a><\/p>\n<p><strong>Resumos:<br \/>\n<\/strong>&#8211; Cr\u00edtica \u00e0 cr\u00edtica: estrat\u00e9gias discursivas de Oscar Guanabarino sobre mulheres instrumentistas n&#8217;O Paiz (1884-1917) \u2013 Amanda Oliveira<\/p>\n<p>&#8211; Uma outra cr\u00edtica: a m\u00fasica carioca da Belle \u00c9poque nas imagens da Fon Fon! \u2013 M\u00f3nica Vermes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anais do III Simp\u00f3sio Internacional M\u00fasica e Cr\u00edtica volume 3, 2019 ISSN: 2596-0628 Completo:\u00a0Anais III SIMC Artigos: &#8211; Conservadorismo versus evolu\u00e7\u00e3o: a Sociedade de Quartetos e a cr\u00edtica musical no Porto no \u00faltimo quartel do s\u00e9c. XIX \u2013 Ana Maria Liberal &#8211; Amarylio de Albuquerque na Gazeta de Not\u00edcias: a &#8220;m\u00fasica nacional&#8221; em cr\u00edtica &#8211; [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"parent":154,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-383","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=383"}],"version-history":[{"count":7,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/383\/revisions"}],"predecessor-version":[{"id":1218,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/383\/revisions\/1218"}],"up":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/154"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}