{"id":1193,"date":"2022-11-21T20:51:05","date_gmt":"2022-11-21T23:51:05","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?page_id=1193"},"modified":"2022-11-22T18:38:09","modified_gmt":"2022-11-22T21:38:09","slug":"videos","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/simposios\/vi-simposio-internacional-musica-e-critica\/videos\/","title":{"rendered":"V\u00eddeos"},"content":{"rendered":"

Dia 21\/11\/2022
\n<\/strong>
\nAbertura e Palestra 1<\/strong>: https:\/\/www.youtube.com\/watch?v=o-Y1PkGy0Hs&t=148s
\n11’45”<\/em>\u00a0–\u00a0Martha Tupinamb\u00e1 de Ulh\u00f4a e Luiz Costa-Lima Neto – Os folhetins de Martins Penna e Jos\u00e9 de Alencar (1846-1855): m\u00fasica, sociedade e cr\u00edtica.<\/p>\n

Comunica\u00e7\u00f5es 1<\/strong>: https:\/\/www.youtube.com\/watch?v=AYO0CjOlKuE&t=4576s
\n1\u201935\u201d<\/em> – Marcele Pedrotti Dutra Meneses; Marcos Holler \u2010 A cr\u00f4nica e cr\u00edtica musical sobre o repert\u00f3rio l\u00edrico na cidade do Rio Grande (RS) entre 1850 e 1880
\n19\u201905\u201d<\/em> – Anna Cristina Cardozo da Fonseca \u2010 Chronica da Exposi\u00e7\u00e3o: as realiza\u00e7\u00f5es da Exposi\u00e7\u00e3o Internacional de 1922<\/p>\n

Comunica\u00e7\u00f5es 2<\/strong>: https:\/\/www.youtube.com\/watch?v=AYO0CjOlKuE&t=4576s
\n1h16’23” – <\/em>Fernando Binder \u2010 O mundo do piano paulistano e a promo\u00e7\u00e3o da m\u00fasica cl\u00e1ssica em S\u00e3o Paulo nos primeiros anos da Primeira Rep\u00fablica<\/p>\n

Palestra 2<\/strong>: https:\/\/www.youtube.com\/watch?v=GCxaIlSuAeA&t=23s
\nSilvina Mansilla \u2010 La pol\u00e9mica recepci\u00f3n cr\u00edtica de la producci\u00f3n orquestal de Carlos Guastavino<\/p>\n

 <\/p>\n

Dia 22\/11\/2022
\n<\/strong>
\nPalestra 3<\/strong>: https:\/\/www.youtube.com\/watch?v=HkSiFBvOUNg
\nIsabel Pina \u2010 Uma proposta de metodologia de an\u00e1lise da cr\u00edtica musical: abordagem tripartida ao s\u00e9culo XX portugu\u00eas<\/p>\n

Comunica\u00e7\u00f5es 3<\/strong>: https:\/\/www.youtube.com\/watch?v=76obsA3NqsI
\n1\u201905\u201d<\/em> – Caio Bressan; Fl\u00e1vio Apro \u2010 A visibilidade de Isa\u00edas S\u00e1vio como int\u00e9rprete: um panorama de sua atua\u00e7\u00e3o no Brasil
\n15\u201930\u201d<\/em> – Daniel Dal Ponte Derevecki \u2010 MPB em reconfigura\u00e7\u00e3o \u2013 as novas hierarquias da m\u00fasica popular, a vis\u00e3o da cr\u00edtica do Jornal do Brasil ap\u00f3s o AI\u20105 e o controle dos militares
\n39\u201920\u201d<\/em> – Manoel Messias Alves de Oliveira \u2010 O processo de ambienta\u00e7\u00e3o na narrativa como possibilidade de perpetua\u00e7\u00e3o dos lugares de mem\u00f3ria: aspectos e considera\u00e7\u00f5es sobre o trabalho l\u00edtero\u2010musical e jornal\u00edstico de Ruy Castro<\/p>\n

Palestra 4<\/strong>: https:\/\/www.youtube.com\/watch?v=q9eqoGewaUo
\nJuarez Fonseca \u2010 A cr\u00edtica e os cr\u00edticos: relatos de vida<\/p>\n","protected":false},"excerpt":{"rendered":"

Dia 21\/11\/2022 Abertura e Palestra 1: https:\/\/www.youtube.com\/watch?v=o-Y1PkGy0Hs&t=148s 11’45”\u00a0–\u00a0Martha Tupinamb\u00e1 de Ulh\u00f4a e Luiz Costa-Lima Neto – Os folhetins de Martins Penna e Jos\u00e9 de Alencar (1846-1855): m\u00fasica, sociedade e cr\u00edtica. Comunica\u00e7\u00f5es 1: https:\/\/www.youtube.com\/watch?v=AYO0CjOlKuE&t=4576s 1\u201935\u201d – Marcele Pedrotti Dutra Meneses; Marcos Holler \u2010 A cr\u00f4nica e cr\u00edtica musical sobre o repert\u00f3rio l\u00edrico na cidade do Rio […]<\/p>\n","protected":false},"author":893,"featured_media":0,"parent":1034,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","footnotes":""},"class_list":["post-1193","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/1193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=1193"}],"version-history":[{"count":4,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/1193\/revisions"}],"predecessor-version":[{"id":1204,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/1193\/revisions\/1204"}],"up":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/1034"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=1193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}