{"id":1058,"date":"2022-11-03T15:20:13","date_gmt":"2022-11-03T18:20:13","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/criticamusical\/?page_id=1058"},"modified":"2022-11-03T15:20:13","modified_gmt":"2022-11-03T18:20:13","slug":"luiz-costa-lima-neto","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/criticamusical\/simposios\/vi-simposio-internacional-musica-e-critica\/convidados\/luiz-costa-lima-neto\/","title":{"rendered":"Luiz Costa-Lima Neto"},"content":{"rendered":"<p><img class=\"alignleft wp-image-1060\" src=\"https:\/\/wp.ufpel.edu.br\/criticamusical\/files\/2022\/11\/Luiz-Costa-Lima-Neto.jpg\" alt=\"\" width=\"242\" height=\"281\" \/>Luiz Costa-Lima Neto \u00e9 mestre e doutor em Musicologia pela Universidade Federal do Estado do Rio de Janeiro \u2013 UNIRIO, p\u00f3s-doutor em Hist\u00f3ria pela Universidade Federal Fluminense \u2013 UFF. Professor de m\u00fasica na P\u00f3s-Gradua\u00e7\u00e3o em Arteterapia da Cl\u00ednica Pomar (Faculdade Vicentina) e de composi\u00e7\u00e3o, percep\u00e7\u00e3o, arranjo e teoria no Curso T\u00e9cnico da Escola de M\u00fasica Villa-Lobos (RJ). Publicou, entre outros livros, Entre o Lundu, a \u00c1ria e a Aleluia:\u00a0 m\u00fasica, teatro e hist\u00f3ria nas com\u00e9dias de Luiz Carlos Martins Penna (1833-1846) (Rio de Janeiro, Folha Seca, 2018).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Luiz Costa-Lima Neto \u00e9 mestre e doutor em Musicologia pela Universidade Federal do Estado do Rio de Janeiro \u2013 UNIRIO, p\u00f3s-doutor em Hist\u00f3ria pela Universidade Federal Fluminense \u2013 UFF. Professor de m\u00fasica na P\u00f3s-Gradua\u00e7\u00e3o em Arteterapia da Cl\u00ednica Pomar (Faculdade Vicentina) e de composi\u00e7\u00e3o, percep\u00e7\u00e3o, arranjo e teoria no Curso T\u00e9cnico da Escola de M\u00fasica [&hellip;]<\/p>\n","protected":false},"author":893,"featured_media":0,"parent":1042,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1058","page","type-page","status-publish","hentry"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/1058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/users\/893"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/comments?post=1058"}],"version-history":[{"count":1,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/1058\/revisions"}],"predecessor-version":[{"id":1061,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/1058\/revisions\/1061"}],"up":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/pages\/1042"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/criticamusical\/wp-json\/wp\/v2\/media?parent=1058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}