{"id":545,"date":"2020-09-28T14:42:18","date_gmt":"2020-09-28T17:42:18","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/?p=545"},"modified":"2022-05-19T15:19:31","modified_gmt":"2022-05-19T18:19:31","slug":"janela-indiscreta-1954-no-photographein-podcast","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/2020\/09\/28\/janela-indiscreta-1954-no-photographein-podcast\/","title":{"rendered":"Janela indiscreta (1954) no Photographein Podcast"},"content":{"rendered":"

O segundo epis\u00f3dio da primeira temporada do Photographein podcast<\/strong>, em que se exploram os di\u00e1logos entre a obra do pintor estadunidense Edward Hopper e o Cinema<\/strong>, discute o filme \u201cJanela Indiscreta\u201d (Rear Window, 1954)<\/strong>, do diretor ingl\u00eas Alfred Hitchcock.<\/p>\n

O epis\u00f3dio apresenta caracter\u00edsticas do filme que remetem \u00e0 obra do pintor, principalmente o elemento do voyeur. Foram destacadas tamb\u00e9m outras poss\u00edveis rela\u00e7\u00f5es que podem ser feitas entre outros filmes de Hitchcock com as pinturas de Hopper, al\u00e9m da abordagem sobre figurino a partir da personagem interpretada pela atriz Grace Kelly, e suas caracter\u00edsticas relativa ao per\u00edodo.<\/p>\n

Pesquisa: Tatiana Brand\u00e3o<\/em>
\nPauta e roteiro: Claudia Brand\u00e3o, Guilherme Sirtoli, Raphael Scholl e Tatiana Brand\u00e3o<\/em>
\nProdu\u00e7\u00e3o: Claudia Brand\u00e3o, Guilherme Sirtoli e Tatiana Brand\u00e3o<\/em>
\nEdi\u00e7\u00e3o: Claudia Brand\u00e3o, Dhara Carrara e Tatiana Brand\u00e3o<\/em>
\nM\u00fasica: \u201cRhapsody in Blue\u201d de George Gershwin<\/em><\/p>\n

Escute Photographein podcast \u2013 Edward Hopper e o Cinema: Janela indiscreta<\/a><\/strong><\/p>\nhttps:\/\/photographein-pesquisa.com.br\/_audio\/PhotoGraphein_1600634554fdf24d4799d3862aacc3ad09ee3dd6e0.mp3<\/a><\/audio>\n

\n

REFER\u00caNCIAS:<\/strong><\/p>\n

LAING, Olivia. A Cidade Solit\u00e1ria: Aventuras na Arte de Estar Sozinha. Rio de Janeiro: Anfiteatro, 2017.
\nMULVEY, Laura. Visual Pleasure and Narrative Cinema In BRAUDY, Leo; COHEN, Marshall (ed.). Film Theory and Criticism: Introductory Readings: Fifth Edition. New York\/Oxford: Oxford University Press, 1999.
\nTRUFFAUT, Fran\u00e7ois. Hitchcock\/Truffaut: entrevistas. S\u00e3o Paulo: Companhia das Letras, 2004.
\nWALLIS, Lola. Edward Hopper and Film: The Interdisciplinary of his art and the cinema. Dissertation. University of Bristol, 2015.<\/p>\n

Textos de Sites e Blogs:<\/strong><\/p>\n

A Mirada Implac\u00e1vel de Edward Hopper (Blog Cores e Matizes):<\/a>
\nThe Fascinating Story of the House Behind The Bates Mansion In Hitchcock\u2019s 1960 Classic (Site Dusty Old Thing)<\/a>
\nAlfred Hitchcock, Edward Hopper and \u201cShadow of a Doubt\u201d (Site Alfred Hitchcock Geek):<\/a>
\nViewing Edward Hopper Through The Rear Window (Site Alfred Hitchcock Geek):<\/a>
\nHitchcock\u2019s Most Hopperesque Film: \u201cPsycho\u201d (Site Alfred Hitchcock Geek):<\/a>
\nFigurino e Moda: Intersec\u00e7\u00f5es entre cria\u00e7\u00e3o e comunica\u00e7\u00e3o (Site do evento Intercom)<\/a><\/p>\n

Document\u00e1rios:<\/strong><\/p>\n

Hitchcock \/ Truffaut. Dir. Kent Jones. Fran\u00e7a \/ EUA, 2015.<\/a>
\nPure Cinema: Throught the Eyes of the Master. Dir. Gary Leva. EUA, 2008.<\/a>
\nRear Window Ethics: Remembering and Restoring a Hitchcock Classic. Dir. Laurent Bouzereau. EUA, 2000.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

O segundo epis\u00f3dio da primeira temporada do Photographein podcast, em que se exploram os di\u00e1logos entre a obra do pintor estadunidense Edward Hopper e o […]<\/p>\n","protected":false},"author":1040,"featured_media":553,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[36,1,35],"tags":[],"class_list":{"0":"post-545","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-cinema","8":"category-noticias","9":"category-podcast","11":"post-with-thumbnail","12":"post-with-thumbnail-large"},"jetpack_featured_media_url":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/files\/2020\/09\/PHOTOGRAPHEIN-T01-EP02-1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/posts\/545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/users\/1040"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/comments?post=545"}],"version-history":[{"count":9,"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/posts\/545\/revisions"}],"predecessor-version":[{"id":796,"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/posts\/545\/revisions\/796"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/media\/553"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/media?parent=545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/categories?post=545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/conexaoarte\/wp-json\/wp\/v2\/tags?post=545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}