{"id":1342,"date":"2021-09-10T17:01:35","date_gmt":"2021-09-10T20:01:35","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/aulusmm\/?p=1342"},"modified":"2021-09-10T17:01:35","modified_gmt":"2021-09-10T20:01:35","slug":"o-retrato-adelia-prado","status":"publish","type":"post","link":"https:\/\/wp.ufpel.edu.br\/aulusmm\/2021\/09\/10\/o-retrato-adelia-prado\/","title":{"rendered":"O retrato [Ad\u00e9lia Prado]"},"content":{"rendered":"<div>Eu quero a fotografia,<\/div>\n<div>os olhos cheios d\u2019\u00e1gua sob as lentes,<\/div>\n<div>caminhando de terno e gravata,<\/div>\n<div>o bra\u00e7o dado com a filha.<\/div>\n<div>Eu quero a cada vez olhar e dizer:<\/div>\n<div>estava chorando. E chorar.<\/div>\n<div>Eu quero a dor do homem na festa de casamento,<\/div>\n<div>seu passo guardado, quando pensou:<\/div>\n<div>a vida \u00e9 amarga e doce?<\/div>\n<div>Eu quero o que ele viu e aceitou corajoso,<\/div>\n<div>os olhos cheios d\u2019\u00e1gua sob as lentes.<\/div>\n<div><\/div>\n<div><em>O cora\u00e7\u00e3o disparado<\/em> (1978)<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Eu quero a fotografia, os olhos cheios d\u2019\u00e1gua sob as lentes, caminhando de terno e gravata, o bra\u00e7o dado com a filha. Eu quero a cada vez olhar e dizer: estava chorando. E chorar. Eu quero a dor do homem na festa de casamento, seu passo guardado, quando pensou: a vida \u00e9 amarga e doce? &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/wp.ufpel.edu.br\/aulusmm\/2021\/09\/10\/o-retrato-adelia-prado\/\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;O retrato [Ad\u00e9lia Prado]&#8221;<\/span><\/a><\/p>\n","protected":false},"author":594,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[52,54,28,160],"class_list":["post-1342","post","type-post","status-publish","format-standard","hentry","category-noticias","tag-adelia-prado","tag-o-coracao-disparado","tag-poesia-brasileira-moderna","tag-poesia-de-autoria-feminina"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6XyNv-lE","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/aulusmm\/wp-json\/wp\/v2\/posts\/1342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/aulusmm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/aulusmm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/aulusmm\/wp-json\/wp\/v2\/users\/594"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/aulusmm\/wp-json\/wp\/v2\/comments?post=1342"}],"version-history":[{"count":3,"href":"https:\/\/wp.ufpel.edu.br\/aulusmm\/wp-json\/wp\/v2\/posts\/1342\/revisions"}],"predecessor-version":[{"id":1346,"href":"https:\/\/wp.ufpel.edu.br\/aulusmm\/wp-json\/wp\/v2\/posts\/1342\/revisions\/1346"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/aulusmm\/wp-json\/wp\/v2\/media?parent=1342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/aulusmm\/wp-json\/wp\/v2\/categories?post=1342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/aulusmm\/wp-json\/wp\/v2\/tags?post=1342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}