{"id":441,"date":"2015-06-03T17:15:06","date_gmt":"2015-06-03T20:15:06","guid":{"rendered":"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/?page_id=441"},"modified":"2018-04-16T14:27:20","modified_gmt":"2018-04-16T17:27:20","slug":"nossas-analises","status":"publish","type":"page","link":"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/nossas-analises\/","title":{"rendered":""},"content":{"rendered":"<h4><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"691\" data-permalink=\"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/nossas-analises\/nossas-anc3a1lises\/\" data-orig-file=\"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/files\/2018\/04\/nossas-anc3a1lises.png\" data-orig-size=\"620,250\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"nossas-anc3a1lises\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/files\/2018\/04\/nossas-anc3a1lises-400x161.png\" data-large-file=\"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/files\/2018\/04\/nossas-anc3a1lises.png\" class=\"alignnone wp-image-691 size-full\" src=\"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/files\/2018\/04\/nossas-anc3a1lises.png\" alt=\"\" width=\"620\" height=\"250\" srcset=\"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/files\/2018\/04\/nossas-anc3a1lises.png 620w, https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/files\/2018\/04\/nossas-anc3a1lises-400x161.png 400w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/h4>\n<p>Textos publicados no\u00a0<a href=\"http:\/\/www.ecult.com.br\/\" target=\"_blank\" rel=\"noopener\"><strong>E-Cult<\/strong><\/a><\/p>\n<p><a href=\"http:\/\/www.ecult.com.br\/artes\/comentarios-sobre-o-homem-duplicado-2014-24-frames-de-literatura\" target=\"_blank\" rel=\"noopener\"><strong>O Homem Duplicado (Enemy, 2014)<\/strong><\/a>\u00a0\u2013 Carlos Ossanes e C\u00e1ssia Benemann<\/p>\n<p><a href=\"http:\/\/www.ecult.com.br\/artes\/sobre-corra-lola-corra-1998-24-frames-de-literatura\" target=\"_blank\" rel=\"noopener\"><strong>Corra, Lola, Corra (Lola Rennt, 1998)<\/strong><\/a>\u00a0\u2013 C\u00e1ssia Benemann<\/p>\n<p><a href=\"http:\/\/www.ecult.com.br\/artes\/sobre-o-show-de-truman-1998-24-frames-de-literatura\" target=\"_blank\" rel=\"noopener\"><strong>O Show de Truman (The Truman Show, 1998)<\/strong><\/a>\u00a0\u2013 Carlos Ossanes<\/p>\n<p>Artigos completos publicados em peri\u00f3dicos<\/p>\n<p><a href=\"http:\/\/seer.uniritter.edu.br\/index.php\/nonada\/article\/download\/1242\/873\" target=\"_blank\" rel=\"noopener\">Revista NONADA (UNIRITTER) | <strong>As vozes narrativas nos Ensaios sobre a cegueira: entre Saramago e Meirelles<\/strong><\/a>\u00a0\u2013 Carlos Ossanes e Jo\u00e3o Ourique<\/p>\n<p><a href=\"http:\/\/www.olhodagua.ibilce.unesp.br\/index.php\/Olhodagua\/article\/viewFile\/324\/306\" target=\"_blank\" rel=\"noopener\">Revista Olho D\u2019\u00e1gua (UNESP) |\u00a0<strong>Jango Jorge: o contrabandista de Jo\u00e3o Sim\u00f5es Lopes Neto pelas lentes do diretor Henrique de Freitas Lima<\/strong><\/a>\u00a0\u2013 Carlos Ossanes e Jo\u00e3o Ourique<\/p>\n<p><a href=\"http:\/\/periodicos.ufsm.br\/LA\/article\/view\/26599\/15367\" target=\"_blank\" rel=\"noopener\">Revista Literatura e Autoritarismo (UFSM) | <strong>A entidade meganarradora em Mais estranho que a fic\u00e7\u00e3o<\/strong><\/a> &#8211; Carlos Ossanes<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Textos publicados no\u00a0E-Cult O Homem Duplicado (Enemy, 2014)\u00a0\u2013 Carlos Ossanes e C\u00e1ssia Benemann Corra, Lola, Corra (Lola Rennt, 1998)\u00a0\u2013 C\u00e1ssia Benemann O Show de Truman (The Truman Show, 1998)\u00a0\u2013 Carlos Ossanes Artigos completos publicados em peri\u00f3dicos Revista NONADA (UNIRITTER) | As vozes narrativas nos Ensaios sobre a cegueira: entre Saramago e Meirelles\u00a0\u2013 Carlos Ossanes e [&hellip;]<\/p>\n","protected":false},"author":355,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-441","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6QAvF-77","_links":{"self":[{"href":"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/wp-json\/wp\/v2\/pages\/441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/wp-json\/wp\/v2\/users\/355"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/wp-json\/wp\/v2\/comments?post=441"}],"version-history":[{"count":8,"href":"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/wp-json\/wp\/v2\/pages\/441\/revisions"}],"predecessor-version":[{"id":695,"href":"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/wp-json\/wp\/v2\/pages\/441\/revisions\/695"}],"wp:attachment":[{"href":"https:\/\/wp.ufpel.edu.br\/24framesdeliteratura\/wp-json\/wp\/v2\/media?parent=441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}